Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen� was written for Bec Beall and her choir “Lux Alba� and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow old�) has become known as the “Ode of Remembrance�, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Post�. The second movement, “They went with songs to the battle� portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust� compares the war dead to stars and constellations. They move “in marches upon the heavenly plain�. Will Longstaff’s painting “Menin Gate at Midnight� (reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow old�. A version of this suite with piano accompaniment is also available on this website.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen� was written for Bec Beall and her choir “Lux Alba� and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow old�) has become known as the “Ode of Remembrance�, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Post�. The second movement, “They went with songs to the battle� portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust� compares the war dead to stars and constellations. They move “in marches upon the heavenly plain�. Will Longstaff’s painting “Menin Gate at Midnight� (reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow old�. A version of this suite with organ accompaniment is also available on this website.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.915680 Composed by Richard Joseph Barber. Classical,Contemporary,Sacred. Octavo. 4 pages. Barber Music Company #3023247. Published by Barber Music Company (A0.915680). Words by St. Ambrose of Milan (c340–397), tr. by John Henry Newman.Set to music and arranged by Richard Joseph Barber for Rev. Jason Parker, High Country Baptist Church in Colorado Springs, CO.Composer's note:This is a joyous call to prayer (especially morning prayer). The music reminds me of little children skipping with glee under a bright blue morning sky. It needs to be sung with joy in the Lord, Who hears us when we call, forgives our sins, and gives us grace to love Him, keep his commands and do those things that are pleasing in His sight. It should be a wonder morning service anthem, but why not try it in the evening, too, in anticipation of meeting God at the beginning of the next day.  The key to the style of this piece is rhythmic vitality.  The 6/8 meter should be conducted in two, but singers (and the conductor) must feel the eighth note division of the beat as the composition's energizing rhythmic subtext. After the choir has learned the words, pitches and rhythms of the piece, have them let the text go for awhile, and replace it with the syllable doo for every eighth note value. That is, for every eighth note sing 'doo once; for every quarter note sing it twice; for every dotted quarter note sing it three times, and so on. You will hear some giggling from your singers. That is okay.  They will have some fun, and you will hear definite improvement. RJB (barberpianoserv@gmail.com).

Piano,Violin - Level 1 - Digital Download SKU: A0.1344237 Composed by Various. Arranged by Digital Book Music. Christmas,Classical. 28 pages. Digital Book Music #929724. Published by Digital Book Music (A0.1344237). Jingle Bells James PierpontO Holy Night  Adolphe-Charles AdamIn The Hall Of The Mountain KingSilent Night  Franz Xaver GruberWe Wish You A Merry ChristmasGreen SleevesAway In A Manger  James Ramsey MurrayWaltz (Sleeping Beauty)  Peter Ilyich TchaikovskyJolly Old St. NicholasAngels We Have Heard on HighDeck The HallsThe Holly And The IvyWe Three Kings  John Henry Hopkins Jr.O Christmas TreeThe First NoelSussex CarolGo Tell It On The MountainTu Scendi Dalle Stelle  Alfons Maria De LiguoriAuld Lang SyneGesu Bambino (The Infant Jesus)  Pietro A. Yon.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.957864 Composed by John Horigan. Christian,Sacred. Octavo. 9 pages. John R Horigan #2022525. Published by John R Horigan (A0.957864). Many works have been written about the first loaves and fishes miracle in the Bible, but very few (if any) have been written about the second. The text (and title) of this piece are derived from the Gospel of St. Mark, 8:1 telling of the second loaves and fishes miracle. This passage is used as the Gospel reading in the Anglican Book of Common Prayer for the seventh Sunday after Trinity. This piece can also convert to be accurate for the first miracle as well by changing the word Seven to Five, 4 thousand to 5 thousand, and the amount of basket left over to 12.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.918305 Composed by Brenda Dillon. Sacred. Octavo. 7 pages. Dillon's Music Group #6462299. Published by Dillon's Music Group (A0.918305). O God, Thy Sea Is so Great and My Boat Is so Small is a tenor solo sung by Phillip Haworth, assistant choir director at St. Andrew UMC in Plano, Texas. The test is based on the Breton Fisherman's Prayer written by Winfred Ernest Garrison. John F. Kennedy had it inscribed on a block of wood on his desk in the Oval Office throughout his presidency.About the composer: Brenda Dillon writes both choral compositions and intermediate piano solos.

Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM77MEB). ISBN 9781513477916. 8.75X11.75 inches.A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.

Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.

Brass Quintet - Intermediate - Digital Download Composed by Irish traditional tune. Arranged by Todd Marchand. Christian, Sacred, General Worship, Funeral. Score, Set of Parts. 9 pages. Published by Con Spirito Music