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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download

SKU: A0.534483

Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483).

This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled
« Free Zone » of occupied France during the Second World War and was completed just as
Tailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been the
secretary of the French socialist Léon Blum during the « Front Populaire » period just before the War
and who was at that time in the US working against the Vichy Government, and as someone who was
not unvocal about her political views, this could not have been a comfortable situation. Tailleferre left a
record of what she experienced during this period in an article written for the American music journal «
Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :
« Notwithstanding their staunch spirit of resistence, the people under German rule today are
increasingly bowed down under their burdens. By achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remains
pround and great, although the necessity of liberation grows daily more urgent.....For an artist to work
under these conditions is almost impossible. The mere effort of subsisting wastes time and absorbs
energy ; The means to work are also lacking.....Musical composition is made practically impossible
through lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseilles
and Nice on which to copy an orchestral score...Two years of experience under German rule have
taught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made only
claudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».
Under such circumstances, it is a miracle that this work exists at all. The three movement work was
dedicated to the famous Marguerite Long, for whom Tailleferre had already written several short works
for piano solo, and François Lang, a pianist who was closely linked with the Group des Six and who
had performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, Saxophone
Quartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.
The work opens with sunny, optimistism in a mood similar to the opening movement of the Concerto
Grosso, but quickly the mood changes to more dramatic themes. The second movement seems to
subjectively express a rupture with the past and a tragic melancholy. The final third movement is
extremely dramatic and almost frightening with it’s force.
When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she was
going to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probably
due to the fact that there was no music paper to be had to copy the score. When she returned to France
in 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life in
France had been completely changed by the War years. Tailleferre put the work aside and forgot about
it, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friends
associated with these years.
Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed in
that version. It is clear however, that the work was intended to be orchestrated and the editors hope that
the present orchestration will allow the work to finally be presented as Tailleferre conceived during
some of the darkest years of the Twentieth century.

Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 mains
achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
However, after two years of quasi-famine, France remains
pround and great, although the necessity of liberation grows daily more urgent

$32.95 31.04 € 2 Pianos, 4 mains PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download

SKU: A0.1335564

Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564).

Too Much For Our Thirst
by Alexander Burdiss
Arranged for Trombone and Piano
Dedicated to Courtney Carmack
Performance Time: approx. 7:00

This is an adaptation for trombone of a piece originally written for tuba.
 
The Eyes of the Poor from Paris Spleen
Written by Charles Baudelaire, Translated by Arthur Symons
 
Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found.
 
We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none.
 
In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age.
 
The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy.
 
Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away?
 
So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!

Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano

$9.99 9.41 € Trombone et Piano PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download

SKU: A0.876417

Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417).

THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.

THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
Ensemble Jazz
Joe Procopio These arrangements by Joe Procopio from J S
$5.99 5.64 € Ensemble Jazz PDF SheetMusicPlus

Choral Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.739502

Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502).

'Jack's Journey'

(A new Musical by Adeline Dinsmore and David Catherwood)

Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script -  $9.50

Duration c.40 minutes

Ideal for schools, youth groups or adult dramatic/musical companies.

Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompaniment

Optional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar

 

About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.

Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (

$9.50 8.95 € PDF SheetMusicPlus

Piano - Digital Download

SKU: A0.1066752

Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 355. THEMIS KOUTRAS #5195065. Published by THEMIS KOUTRAS (A0.1066752).

This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declairing these new worlds will then be part of planet earth the space mission today has the ability power to do this and I beleive one day they will do this it has a final meaning that the space ships will mean we will travel without tecknolodgy it be that the nick name space ship is given by me for the name of the holy spirit because his beyond all powerful I know in parable because he will accend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back hewre the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always

WORLD COSMOS
Piano seul

$3.99 3.76 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download

SKU: A0.1012709

Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709).

Music and song composed by me

THE LAST MY FLOWER (the wolf and the witch)

 

I look at my last flower

It loses its scentand I do not know what to do

I protect you with warmthof this other story I have to tell

 

creatures alone and desperate

many scars heal

a witch and a wolf

do not know yet

that their destinies are to merge

 

and starts this magical storysweet

as ancient fable

in a forest with no place and no age

out of touch

 

and the time is stopped and does not move a breath

and the heart, explodes and skip a beat

and look you recognize

like not having never lost

 

and the wolf that is injured

a white rose in red has turned

He is bleeding along with drops of pain

his red eyes burning with love

 

and the witch instead hides

because she isn't beautiful and it is not important

nobody in the world has never belonged

and a caress he never touched

 

she care and caresses the soul

he looks at her and his anger dominates

and one year only lasts a moment

lost in eternity

 

and the wolf tells tales

and the witch makes magic potions

and exchange promises useless

that the night  guard

 

and she will dance

will dance naked

and the wolf with his heart on his

sleevelying by the fire that lights up,

so free

unobstructed

and are reflected in the magic lake

and do not feel that cold shiver...

not last, do not you feel it too?cold around  us

 

Abracadabra !! from caterpillar to butterfly

Alakazam !! and I too am beautiful

do not you wonder how and why

I started to talk to me

snow fallsbut we are in August

and there is nothing

that you find a place

this my music speaks for it self

this is the strangest tale that is

 

I stop here

It will end well

I can not tell

the end of a love

that is not written yet

 

I stop here

It will end well

in a vacuum and the absence

these days my

silence and inconstancy in your feeling

sthe flower dies already

 

go wolf go

stop thinking about her

from your pack you will need to return

and then runs away

 

witch will

if you want to transform

changes role

an actress who artand

you will have new flowers

 

day step into the dark caverns of regret

Mix them with potions and transform everything into tears

like a cat in the night

I try the food

in the trashno sun,

no light

no god here that help me

 

body and spirit dentedas

a glass stuckinside

my poor heart

the memory of a love

He never really lived

so alive in the mind

is my animal instinct

that makes me ache

while another dream diesthe

witch in the lake you slidethe

water lapping against the planin

his eyes the wolf that is now already far

 

a fairy tale real or invented

in between  my  hidden  truth

all my stories strange and weird

over this skin are now tattooed

 

I watc.

THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano seul

$5.00 4.71 € Piano seul PDF SheetMusicPlus

Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.739501

Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501).

A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.

Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor

$75.00 70.64 € PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download

SKU: A0.1412590

By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth Martin. Contemporary,Contest,Festival,Instructional,Praise & Worship,Spiritual. 11 pages. Martin Music Editions #994608. Published by Martin Music Editions (A0.1412590).

Get ready to ignite the stage with an electrifying rendition of Go Make A Difference, a dynamic arrangement originally crafted by the talented duo of Steve Angrisano and Tom Tomaszek. Now reimagined for sacred youth choirs, this rendition is a firecracker of energy and inspiration, perfect for those momentous occasions like Baccalaureate or Commencement ceremonies.

Tailored specifically for SAB voicing, this arrangement is a breeze to prepare, allowing singers to dive headfirst into its infectious rhythms and uplifting harmonies. With choruses that reverberate with hope and determination, there's ample room for singers to pour their hearts into each phrase, fostering deep connections with the empowering message.

The piano accompaniment is a driving force, crafted with the intermediate student accompanist in mind. It pulses with energy, propelling the choir forward while providing a sturdy foundation for the voices to soar.

Based on the timeless wisdom of Matthew 5:13–16, the text of Go Make A Difference is a beacon of light in a world hungry for hope. Its words resonate particularly strongly with youth voices, inspiring them to rise to the occasion and be the change they wish to see.

But here's where things truly get exciting: soloists take center stage during the verses and final chorus, infusing their unique talents into the performance. And when the breakdown section hits, complete with hand claps, the energy skyrockets, turning the performance into a celebration of passion and purpose.

Directors, let your creativity run wild with this arrangement. Use it as a canvas for improvisation, exploring different vocal textures and dynamics. Whether you stick to the script or venture into uncharted musical territory, the possibilities are as limitless as the stars in the sky.

With its pulsating energy, empowering message, and unwavering faith, this arrangement of Go Make A Difference is not just a song—it's a call to action. So grab your choir robes, raise your voices, and get ready to set the world on fire with your music!

Anthem for Sacred Youth Choir - "Go Make A Difference"
Chorale 3 parties
Steve Angrisano and Tom Tomaszek
$2.10 1.98 € Chorale 3 parties PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.876451

Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451).

JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.

JOEY'S READY
Saxophone Tenor et Piano

$4.99 4.7 € Saxophone Tenor et Piano PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download

SKU: A0.1300859

By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859).

Anthem of the “All nations will be perished, and the world must unite” 

Colorful Number One Scholar October 3, 2023 

The world was originally no any nations.
The land was plundered and divided into territories.
Colonize first after occupying a frontier;
If you had formed a country, you must raise an army.
Warfare is a deadly killing weapon,
The saints use it when there are no other satisfied ways.
Today's world is in ruins.
The United States, China, Russia, and European Union compete.
Each of them wants to dominate the world.
They don't want to be cooperative diligently;
They use the dirty tricks instead;
They use every possible means for cunning.
When the saint raises only one foot high,
While the devil has already jumped ten feet tall.
They are blind at what the Doomsday is coming,
They still love to rob and snatch.
They would like to die together;
You die and I die, too.
What a shame.
The human body contains cells.
All cells have membranes.
With membranes they know how to be selfish.
Selfish genes have played an important role in evolution.
Love yourself and your country is only a low level of selfishness;
Sacrifices oneself and destroys countries are the high level of selfishness:
The world must be for the global public welfare.
It is really a kind of selfish seeking benefit only for human beings.
Looking at the world today, 
Among Emperors, Empresses, Presidents and Chairmen,
No one is worthy of become a future world leader.
They only know how to love themselves
And their countries’ benefits in a naive way;
They dislike to destroy all the countries,
They don’t practice the rule for world population’s commonwealth, 
Knowing not the brilliance patriotism in the past 
Has becoming the hurdles on the road to globalization. 
How sad, how sad!
Preparing to establish the “World Leadership Education Institute”.
It should be put to the top priority.
I advise you not to be too innocent,
All nations will be perished;
This is a historical march.
Ah, ha, oh, eh, yah!
Home sapiensism needs to be promoted.
The world must be unified. 

萬國消亡, 世界一統歌 

七彩狀元 2023 年 10 月 3 日 

世界原無國。 掠地割為疆。 開疆先殖民; 有國必建軍。
兵乃凶器也, 聖人不得意而用之。
如今世道悪。 美, 中, 俄, 歐爭。
各想稱霸雄; 不思合作勤。 反用拆臺術。 刁鑽觸押計, 無所不用其極。
道高才一尺, 魔高已一丈。 不見末日近, 還要搶與奪。
情願同歸盡; 你死我不活。 恥笑何等絕。
人體含細胞。 細胞皆有膜。 有膜知自私。
自私基因在進化中功勳卓著。
小私愛己愛國; 大私捨己滅國, 天下為公。
蓋實為捧人類之大私也。
統觀當今世界,
皇, 后, 總統, 主席, 無一配當未來世界領袖。
唯其只知小私愛己愛國; 勿崇大私滅國, 天下為公。
孰不知昔日辉煌的爱国主义
正在成为全球化道路上的攔路虎。
悲哉, 悲哉!
籌建世界領袖教育學院。 可謂當務之急。
勸君莫太蠢, 萬國必消亡; 此乃歷史規律。
啊, 哈, 哦, 依, 呀! 智人主義需提創; 世界必歸一。.

Anthem of World United
Chorale SATB
Johnson Gao
$1.99 1.87 € Chorale SATB PDF SheetMusicPlus

Percussion Ensemble - Level 5 - Digital Download

SKU: A0.811252

Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252).

Two Dreams for Trombone and Percussion Ensemble

Dr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.

The two Movements are approximately five minutes each.

The first Movement  Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.

The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.

Bilita Mpash (An Amazing Dream)

The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten

2. Running with the Tigers

The opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.

-Antonio J. García

Instrumentation is for:

Solo Trombone and 8-part Percussion Ensemble:

shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.

This rhythmic and dramatic work includes improvisation by the Trombonist. 

Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.

Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions

$50.00 47.09 € Ensemble de Percussions PDF SheetMusicPlus

Clarinet - Digital Download

SKU: IZ.9780976508106

Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106).

9 x 12 in inches.

Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.


For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.

Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra)

Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra)

Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist)

I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony)

Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony)

Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony)

Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).

Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinette

$32.00 30.14 € Clarinette PDF SheetMusicPlus

Trumpet Quintet - Level 3 - Digital Download

SKU: A0.1348477

Composed by Various. Arranged by Ander. Chamber,Christmas. 104 pages. Woods Only, Arrangements #933254. Published by Woods Only, Arrangements (A0.1348477).

We present our enchanting Collection of Christmas Arrangements for Trumpet Quintet, specially crafted for the festive Christmas season! Delight in the spirit of Christmas with these innovative interpretations of timeless classics, meticulously crafted to bring joy and magic to your musical repertoire.

1 - Jingle Bells in Different Styles:
Are you ready for a musical journey through various styles of Jingle Bells? Our arrangement for Trumpet Quintet takes you from a slow and gentle opening to an animated version, exploring waltz and samba styles along the way. Perfect for Christmas parties, chamber music groups, recitals, and concerts, this unique arrangement is a charming twist on a holiday favorite. Don’t miss the chance to surprise and delight your audience with this creative interpretation!

2 - We Wish You a Merry Christmas:
Step into the magic of Christmas with our innovative arrangement for Trumpet Quintet of We Wish You a Merry Christmas. This score breathes new life into the classic melody, creating an enchanting atmosphere while preserving the essence of the original work. Ideal for Christmas events, recitals, concerts, and educational purposes, this arrangement is a valuable addition to any musical collection. Embrace the universal language of music and charm your audience with this special interpretation.

3 - Joy to the World:
Immerse yourself in the beauty of our reimagined arrangement for Trumpet Quintet of Joy to the World. This classic Christmas hymn takes on a new and magical guise, exploring new rhythms, harmonies, and counterpoints without losing the original essence. Perfect for Christmas events, recitals, concerts, and music education, this arrangement highlights the beauty and creativity that will captivate every listener. Be part of the history of this wonderful song with our exclusive score.

4 - Silent Night:
Step into the serene magic of our arrangement for Silent Night, a beloved Christmas song translated into over 300 languages. Originally composed in 1818, this rendition captures the longing for redemption and peace, making it perfect for various Christmas occasions. Dive into the historical significance of the piece and add a touch of magic to your musical repertoire with our innovative arrangement.

5 - Deck the Halls:
Enter the enchanting world of our arrangement for Trumpet Quintet of Deck the Halls. This interpretation offers a fresh and magical perspective on the traditional melody, making it perfect for Christmas events, recitals, concerts, and music education. Originating from the 16th-century Welsh melody, this arrangement adds a modern touch while preserving the essence of the historical piece. Elevate your Christmas celebrations with this charming and historically rich arrangement.

Bonus - God Rest Ye Merry Gentlemen:
Uncover the beauty of Christmas with our arrangement for Trumpet Quintet of God Rest Ye Merry Gentlemen. This timeless English Christmas song is reborn in this innovative interpretation, maintaining the original essence while breathing new life into the melody. Whether for chamber music recitals, concerts, public shows, or educational purposes, this arrangement is a perfect blend of tradition and innovation. Capture the magic of Christmas and add this valuable piece to your repertoire today!

Our Christmas Collection for Trumpet Quintet is a testament to the transformative power of music. Each arrangement is a journey, taking familiar melodies and presenting them in a new light that is both innovative and respectful of their origins. These arrangements are more than just music; they are an invitation to experience the joy, wonder, and magic of Christmas in a unique and unforgettable way. So, whether you're a seasoned musician or a beginner, we invite you to explore these arrangements and let the music fill your heart with the spirit of Christmas. Enjoy the journey!

5 Christmas Songs for Trumpet Quintet plus one Bonus
Ensemble de Trompettes

$49.99 47.08 € Ensemble de Trompettes PDF SheetMusicPlus

Low Brass Quintet,Tuba - Level 3 - Digital Download

SKU: A0.1348483

Composed by Various. Arranged by Ander. Chamber,Christmas. 104 pages. Woods Only, Arrangements #933260. Published by Woods Only, Arrangements (A0.1348483).

We present our enchanting Collection of Christmas Arrangements for Tuba Quintet, specially crafted for the festive Christmas season! Delight in the spirit of Christmas with these innovative interpretations of timeless classics, meticulously crafted to bring joy and magic to your musical repertoire.

1 - Jingle Bells in Different Styles:
Are you ready for a musical journey through various styles of Jingle Bells? Our arrangement for Tuba Quintet takes you from a slow and gentle opening to an animated version, exploring waltz and samba styles along the way. Perfect for Christmas parties, chamber music groups, recitals, and concerts, this unique arrangement is a charming twist on a holiday favorite. Don’t miss the chance to surprise and delight your audience with this creative interpretation!

2 - We Wish You a Merry Christmas:
Step into the magic of Christmas with our innovative arrangement for Tuba Quintet of We Wish You a Merry Christmas. This score breathes new life into the classic melody, creating an enchanting atmosphere while preserving the essence of the original work. Ideal for Christmas events, recitals, concerts, and educational purposes, this arrangement is a valuable addition to any musical collection. Embrace the universal language of music and charm your audience with this special interpretation.

3 - Joy to the World:
Immerse yourself in the beauty of our reimagined arrangement for Tuba Quintet of Joy to the World. This classic Christmas hymn takes on a new and magical guise, exploring new rhythms, harmonies, and counterpoints without losing the original essence. Perfect for Christmas events, recitals, concerts, and music education, this arrangement highlights the beauty and creativity that will captivate every listener. Be part of the history of this wonderful song with our exclusive score.

4 - Silent Night:
Step into the serene magic of our arrangement for Silent Night, a beloved Christmas song translated into over 300 languages. Originally composed in 1818, this rendition captures the longing for redemption and peace, making it perfect for various Christmas occasions. Dive into the historical significance of the piece and add a touch of magic to your musical repertoire with our innovative arrangement.

5 - Deck the Halls:
Enter the enchanting world of our arrangement for Tuba Quintet of Deck the Halls. This interpretation offers a fresh and magical perspective on the traditional melody, making it perfect for Christmas events, recitals, concerts, and music education. Originating from the 16th-century Welsh melody, this arrangement adds a modern touch while preserving the essence of the historical piece. Elevate your Christmas celebrations with this charming and historically rich arrangement.

Bonus - God Rest Ye Merry Gentlemen:
Uncover the beauty of Christmas with our arrangement for Tuba Quintet of God Rest Ye Merry Gentlemen. This timeless English Christmas song is reborn in this innovative interpretation, maintaining the original essence while breathing new life into the melody. Whether for chamber music recitals, concerts, public shows, or educational purposes, this arrangement is a perfect blend of tradition and innovation. Capture the magic of Christmas and add this valuable piece to your repertoire today!

Our Christmas Collection for Tuba Quintet is a testament to the transformative power of music. Each arrangement is a journey, taking familiar melodies and presenting them in a new light that is both innovative and respectful of their origins. These arrangements are more than just music; they are an invitation to experience the joy, wonder, and magic of Christmas in a unique and unforgettable way. So, whether you're a seasoned musician or a beginner, we invite you to explore these arrangements and let the music fill your heart with the spirit of Christmas. Enjoy the journey!

5 Christmas Songs for Tuba Quintet plus one Bonus

$49.99 47.08 € PDF SheetMusicPlus






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