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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download

SKU: A0.1425031

By Johnny Cash. By Stan Jones. Arranged by John Fries. 20th Century,Country,Folk,Pop,Standards. Score. 3 pages. John Fries #1005925. Published by John Fries (A0.1425031).

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. (Ghost) Riders in the Sky: A Cowboy Legend is a cowboy-styled country/western song written in 1948 by American songwriter, film and television actor Stan Jones. A number of versions were crossover hits on the pop charts in 1949, the most successful being by Vaughn Monroe. The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt and the Dutch/Flemish legend of the Buckriders, in which a supernatural group of hunters passes the narrator in wild pursuit.

(Ghost) Riders In The Sky (A Cowboy Legend)
Piano, Voix et Guitare
Johnny Cash
$4.99 4.72 € Piano, Voix et Guitare PDF SheetMusicPlus

Flute,Horn,Piano,Violin - Level 3 - Digital Download

SKU: A0.1257964

Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964).

The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. 

This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30

Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.

Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.

The High Priestess (for flute, violin, horn in F, & piano)

$40.00 37.87 € PDF SheetMusicPlus






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