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Small Ensemble Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1004795 Composed by Leslie Kleen. Contemporary. Score. 47 pages. Music From Riverside #4368516. Published by Music From Riverside (A0.1004795). 18 Songs from Chinese poets of the Yang period.  These poems have been set in English verse by Kenneth L. Patton.They retain the simplicity of the original poems in Chinese and are on topics about Nature, Friendship, and Reflections on Life.The guitar part requires a classical guitarist who is moderately advanced.  The voice part, however, is quite simple and in a fairly small range.   The style does not attempt to imitate Oriental music, but just a simplicity appropriate to the poems.
Songs from the Chinese for voice and guitar
Piano, Voix et Guitare

$4.00 3.37 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1025242 Composed by Emily Green. Contemporary. Octavo. 8 pages. Emily Green #4603983. Published by Emily Green (A0.1025242). Paradise: In A Dream is a song cycle featuring four pieces, each with their own unique character, set to poems by Christina Rossetti. These four pieces are a commentary on life, death, and the curiosity we feel about what may come after death. The first two movements, Let Me Go and Echo are solemn and plaintive reflections about how one may react to the death of a loved one. The third movement, Paradise: In A Dream, evokes euphoria and glory, foreseeing a blissful and eternal afterlife, followed by the peaceful acceptance of mortality in Fluttered Wings, the final movement of the cycle.Save US$1 per score, or US$3 per full set of Paradise: In A Dream when ordering directly from: https://emily-green-choral-music.webnode.com/
Paradise: In A Dream - II: Echo
Chorale SATB

$3.00 2.53 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1025245 Composed by Emily Green. Contemporary. Octavo. 6 pages. Emily Green #4603989. Published by Emily Green (A0.1025245). Paradise: In A Dream is a song cycle featuring four pieces, each with their own unique character, set to poems by Christina Rossetti. These four pieces are a commentary on life, death, and the curiosity we feel about what may come after death. The first two movements, Let Me Go and Echo are solemn and plaintive reflections about how one may react to the death of a loved one. The third movement, Paradise: In A Dream, evokes euphoria and glory, foreseeing a blissful and eternal afterlife, followed by the peaceful acceptance of mortality in Fluttered Wings, the final movement of the cycle.Save US$1 per score, or US$3 per full set of Paradise: In A Dream when ordering directly from: https://emily-green-choral-music.webnode.com/
Paradise: In A Dream - IV: Fluttered Wings
Chorale SATB

$3.00 2.53 € Chorale SATB PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Juan María Solare
$33.00 27.82 € Orchestre de chambre PDF SheetMusicPlus






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