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Clarinet Duet - Level 2 - Digital Download SKU: A0.785716 Composed by Grant Horsley. Instructional,Praise & Worship,Spiritual,Standards,Wedding. 2 scores. 22 pages. Grant Horsley #5829431. Published by Grant Horsley (A0.785716). For this composition-Reflections- I very much wanted it to be a clarinet duet rather than a heavier weighted part, so the parts are pretty equally divided. It is romantic in nature.It is placed at early intermediate level, about associated board grade 4 The youtube link has the full score for you to assess suitability. Written in concert C major-The Clarinet range is limited to two octaves D- top D and the most complicated rhythm is that of a pair of quavers so it is very suitable for students of most abilities.The whole score is on the youtube link for you to assess suitability.It is very suitable for all types of occasion, concerts, weddings, recitals, incidental music etc.. There are 3 instrumental pages per part and the piano part has 6 pages- 4 minutes in length. Price is for the full score and parts.A Flute duet, Flute and Clarinet and Violin duet version are also available.
"Reflection" For Clarinet Duet with Piano- early Intermediate
2 Clarinettes (duo)

$5.30 4.53 € 2 Clarinettes (duo) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1379530 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Easter,Religious,Spiritual. Score. 7 pages. Henrietta Atkin #964235. Published by Henrietta Atkin (A0.1379530). These two African-American spirituals (Calvary and They Crucified My Lord (And He Never Said A Mumbalin' Word)) are rarely arranged as piano preludes for church.Yet their lyrics, and thus the reflection they invoke, could hardly be more fitting for Good Friday services and masses. Composed by unknown enslaved persons, who were all too familiar with physical agony and pain, these spirituals shed an immediate light on the crucifixion and death of Jesus.Both pieces are set with lush harmonies, with a different iteration of the melody in each of their three parts. Reflective, poignant, powerful and prayerful, each arrangement is appropriate for Good Friday liturgies, as reflections during The Seven Last Words of Christ, and preludes during masses for suffering people worldwide.
Two Preludes for Good Friday
Piano seul
Henrietta Atkin
$7.99 6.83 € Piano seul PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan María Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
Piano Concerto No. 1 - Score Only
Orchestre de chambre

$25.00 21.39 € Orchestre de chambre PDF SheetMusicPlus






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