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Percussion Ensemble - Level 4 - Digital Download SKU: A0.939390 Composed by Adam Grim. 20th Century,Concert,Standards. Score and parts. 50 pages. Adam B. Grim #6210963. Published by Adam B. Grim (A0.939390). The COVID Awakening is a marimba quartet for two 5.0 octave instruments. This piece is inspired by minimalism and minimalist compositional techniques combined with layering found in West African drumming, though it is not the only source of this specific technique. It was written during the beginning of the summer of 2020, when the Coronavirus, COVID-19, had started its grips on the United States in the forms of illness, death, and economic and emotional distress. This piece reflects on these early feelings of quarantines and sheltering in place, and using the techniques listed above the listeners are pulled in to listen between the notes. These reflections are found not in the music itself, but is different with every listen. The listeners’ ears will venture as they wish, and make this piece new with every performance, even though the notes and rhythms never change. Instrumentation: Two 5.0 octave marimbas, though only one marimba needs to be the full range. Marimba 1 can be a much smaller instrument if necessary. I’d suggest using rubber/latex mallets. Unless the performance is in a reasonably dry hall, this articulation and tone benefit does wonders for this piece. Each player needs only 2 mallets.
The COVID Awakening
Ensemble de Percussions

$25.00 21.33 € Ensemble de Percussions PDF SheetMusicPlus

5, 6, or 7 octaves handbells - Level 4 (3 with opt inst) - Digital Download SKU: C7.CGB903 Composed by Linda R. Lamb. Arranged by Linda R. Lamb. Christmas. With 3 octaves handchimes, 2 flutes (or other C inst). Score. 16 pages. Chorister's Guild - Digital #CGB903. Published by Chorister's Guild - Digital (C7.CGB903). UPC: 749193021873.Sandra Eithun and Michael W. Joy have created the Pathways to Musical Ringing collection in order to offer music that teaches a specific musical element (in this volume, Articulations), encourages success, and fosters growth in musicianship. These pieces have been carefully written and/or selected from folk, classical and sacred repertoire in order to spotlight particular techniques and articulations that are unique to handbells. In addition to being excellent teaching pieces, they are intended to be flexible for use in a variety of school, festival and sacred settings. With the inclusion of alternate titles, most have options for use in worship. As an additional benefit for beginning ensembles, all of the selections have no page turns, with the exception of Berceuse. The ten pieces in this collection range in difficulty from level 1 through 2. Contents: Agincourt Song (O Love, How Deep, How Broad, How High), Armenian Lullaby, Berceuse, Blow Ye Winds (Winds of Morning), The Blue Danube, Kum Ba Yah, Mist and Fog (Meditation), Mixolydian March (Festive Fanfare), Shimmering Reflections (Gentle Praise), The Trout.
O Leave Your Sheep
Cloches

$4.95 4.22 € Cloches PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.888517 Composed by Holland Smith. Arranged by KATHLEEN HOLYOAK. Children,Instructional. Octavo. 4 pages. Kathleen Holyoak #6235645. Published by Kathleen Holyoak (A0.888517). I matter because I'm me, you matter because you're you, are words written by 8 year old Holland Smith for a Reflections Music writing competition (grades 3 - 6) and won 1st place in Utah's regional contest. It will be entered in the state in Feb., 2021.  Sometimes we learn the best lessons from smaller people.  This children's song is perfect for a soloist or a choir.  Follow her words as you listen: I matter because I’m me.You matter because you’re you.I like books, you like bikes.I like to swim, you like to hike.Like a box of crayonsWe come in different colorsBut when we blend togetherEverybody matters.I matter because I’m me.You matter because you’re you.I like red, you like blue.I like green and so do you.Like a box of crayons,We come in different colorsBut when we blend togetherEverybody matters!But when we blend togetherEverybody matters!
I Matter Because I'm Me - Children's Song
Chorale Unison

$3.99 3.41 € Chorale Unison PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Juan María Solare
$33.00 28.16 € Orchestre de chambre PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248121 By Michael Swedberg. By Terrence Niska. 21st Century,Classical. Score. 8 pages. Niska Music Publishing #842684. Published by Niska Music Publishing (A0.1248121). This charming little prelude was not actually the first one I wrote for this collection, but rather a replacement for the original which felt out of place with the rest of the pieces. At first glance, it appears to be a study in thirds for the right hand while the left left hand keeps a steady underlying motion, but it is much more than that. There is a feeling of a journey, as though a leaf is floating down a stream. It starts out simple enough, with an air of peace and the image of sunlight on the water. There are moments when the trees block out the sun and the leaf goes in and out of the shimmering reflections, caught in the pull of the current, but nevertheless carried along without any concern as to where it is heading.The music takes on a minor feel as the leaf enters the rapids and is tossed about from whirlpool to whirlpool, nearly being submerged but always finding its way to the surface before finally breaking free and continuing it’s journey with the same sense of tranquility with which it began.
Prelude in C Major, Op. 1, No. 1
Piano seul
Michael Swedberg
$3.99 3.41 € Piano seul PDF SheetMusicPlus






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