Violin Solo - Level 4 - Digital Download SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Violin Solo - Level 4 - Digital Download SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Marching Band - Level 4 - Digital Download SKU: A0.1150293 Composed by Michael Giacchino. Arranged by Timothy C. Gasperson. Film/TV. Score and parts. 26 pages. Timothy C. Gasperson #750471. Published by Timothy C. Gasperson (A0.1150293). The full audio sample is available at the YouTube link below. The Marvel Studios Fanfare is renowned worldwide as the exhilarating opening to most Marvel Studios films since 2016. This piece would greatly complement a superhero or pop culture themed performance. The fast string-like articulations demanded in this theme are the most demanding feature, however, an acceptable remedy for younger players would be to change the triplet rhythm to an accented quarter note.

Clarinet,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1040446 Composed by P. R. Frederick. Arranged by P. R. Frederick. 20th Century,Jazz. 2 pages. P. R. Frederick #645237. Published by P. R. Frederick (A0.1040446). Sparkles is written as a duet for clarinets. t bounces along in a happy, swing style at 120 bpm. It's a fun piece to play and will bring smiles to the faces of your listeners! This would make a great addition to any school concert or community program. After teaching music in the PA public schools for over thirty years I found that there were never enough good quality, accessible musical compositions available. Hopefully this piece will help remedy that situation.

Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.969251 Composed by Aldo Salvent. Instructional,Jazz,Pop. Octavo. 46 pages. SALVENT MUSIC LLC #5953129. Published by SALVENT MUSIC LLC (A0.969251). Aldo Salvent's book Alto Altissimo: 41 Essential Fingerings for Alto Saxophone is a clear, well-organized, and comprehensive guide to the most essential altissimo fingerings that all modern saxophone players need to know in order to extend their range on their instrument. These days, professional saxophonists are expected not only to be able to access and control altissimo notes, but also to have the facility to play complex melodic lines in the altissimo register while reading compositions and improvising. Without any guidance, it can be a daunting and time-consuming task to track down reliable fingerings that work well and consistently for different musical contexts and on different saxophone models. This book offers a convenient remedy for this problem, as it provides an incredibly useful repository of fingering options that will allow saxophonists to develop more dexterity and control in the altissimo register. I highly recommend that all saxophonists buy this book, as it is an invaluable teaching and learning resource that can be referenced again and again. -Josiah Boornazian, D.M.A.

Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

String quartet - Digital Download SKU: S9.Q19873 'Divorce' · Scheidung. Composed by Fazil Say. This edition: score and parts. Downloadable, Score and parts. Op. 29. Duration 16 minutes. Schott Music - Digital #Q19873. Published by Schott Music - Digital (S9.Q19873). In the composition of this string quartet, I have permitted myself to be led by my personality and experiences and have attempted to relate experiences such as divorce, separation and the failure of a relationship in the language of music with the aid of notes and rhythms. As is the case with my other compositions, this quartet is more a work originating from intuition than the description of a historical event, a journey or a place. The beginning of the first movement is somewhat wild, rapid and sorrowful with an irregular rhythm. Intermittent sections ensue which are reminiscent of a jazz club. Living history is our present which we are currently experiencing. The second movement with a melancholic atmosphere is dominated by colours, the subject of searching, the search for a remedy and unhappiness. In contrast, the final movement is intended to express the hatefulness, arguments and disputes within a relationship which have been transformed into a profound trauma. (Fazıl Say, translated by Lindsay Chalmers-Gerbracht).

Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  â€ƒThe second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1495638 By Loreen. By Jimmy Jansson, Jimmy Thörnfeldt, Lorine Talhaoui, Moa Carlebecker, Peter Boström, and Thomas Gustafsson. Arranged by Kevin Peter DeLisa. 21st Century,A Cappella,Contemporary,Pop,Soul. 13 pages. Kevin Peter DeLisa #1072162. Published by Kevin Peter DeLisa (A0.1495638). I hope you enjoy this arrangement of Tattoo by Loreen! This 2023 Eurovision winner was a blast to arrange for University of Dayton's Remedy. My goal in this arrangement was to write something complex with driving vocal lines to serve this powerful house track.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1448395 By Wayne Fontana & The Mindbender. By Clint Ballard Jr. Arranged by Sheryl Neal. 20th Century,A Cappella,Barbershop. 5 pages. Sheryl Neal #1028305. Published by Sheryl Neal (A0.1448395). Voice, Choir, SSAA, a cappella, barbershop, for women's barbershop harmony. True to original arrangement of the 1960's tune.Notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef; Baritone (A.1) and Bass (A.2) in bass clef; bass clef parts sung an octave higher than written.Copyright law requires purchase of one copy or Choral version per singer for choral groups/choruses. Quartet version also available.Arranger's website: www.arrangementsbysheryl.comSheryl Neal is an a cappella arranger, pianist and singer. Sheryl is a member of Sweet Adelines International (SAI), Barbershop Harmony Society, and Harmony Incorporated. She sings Baritone in Harmony Central Chorus and Remedy Quartet in Des Moines, Iowa, and in Spirit of the Gulf Chorus in Fort Myers, Florida. She is an SAI Approved Arranger.

SSAA Chorus,Voice - Level 3 - Digital Download SKU: A0.1448397 By Wayne Fontana & The Mindbender. By Clint Ballard Jr. Arranged by Sheryl Neal. 20th Century,A Cappella,Barbershop. Barbershop Quartet. 5 pages. Sheryl Neal #1028307. Published by Sheryl Neal (A0.1448397). Voice, Choir, SSAA, a cappella, barbershop, for women's barbershop harmony. True to original arrangement of the 1960's tune.Notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef; Baritone (A.1) and Bass (A.2) in bass clef; bass clef parts sung an octave higher than written. Purchase of this Quartet version includes permission to print 4 copies.Arranger's website: www.arrangementsbysheryl.comSheryl Neal is an a cappella arranger, pianist and singer. Sheryl is a member of Sweet Adelines International (SAI), Barbershop Harmony Society, and Harmony Incorporated. She sings Baritone in Harmony Central Chorus and Remedy Quartet in Des Moines, Iowa, and in Spirit of the Gulf Chorus in Fort Myers, Florida. She is an SAI Approved Arranger.