Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1491826 Composed by Laurent Lemmens. Pop,Singer/Songwriter. Score. 6 pages. Laurent Lemmens #1068508. Published by Laurent Lemmens (A0.1491826). An indie ballad that reflects a couple's journey of becoming parents. Put it on when you have a little time to contemplate hope, doubt and gratefulness.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1042119 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Barry McCormick. Film/TV,Pop. Score. 8 pages. B. McCormick #646917. Published by B. McCormick (A0.1042119). About this Piano/Vocal/Guitar arrangement of “I Ain’t Worried� This One Republic hit from the sound track of “Top Gun:Maverik� is a catchy tune to learn. This piano, guitar and vocal arrangement will help you learn the song “I Aint Worried.� The key is in F major and included is the lead sheet so this can be given to another instrumentalist or singer to perform along. The distinct features in the song, the bass and the hook I have kept close to the recording on the track. I have done some slight adjustments for the piano accompaniment to break up and differentiate the different sections otherwise it would be very repetitive. It is a very simple song in essence, a four chord riff and rhythmic motif that breaks for the bridge section. The rhythm isn’t the simplest for the bass part that permeates the song however it is repetitive which means once that is learned you have practically mastered the whole song. There is a lot of back and forward in the music to the chorus which jumps to different parts. I have tried to simplify this by using boxed text to identify each section clearly and indicate when you should jump to each section. Using first, second and third time bars with D.S and coda markings cluttered the music up and made it seem more complicated. So I hope this editorial decision to use boxed text makes it clearer. If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!

Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).

Piano Solo - Level 3 - Digital Download SKU: A0.742752 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el día. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano

Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;� fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.884910 By Duncan Sheik With Hanna Kastner & Girls. By Duncan Sheik and Steven Sater. Arranged by Jonathan Prenticehan Prentice. Contemporary. Octavo. 16 pages. Jonathan Prentice #6266555. Published by Jonathan Prentice (A0.884910). The funky, upbeat version of Mama Who Bore Me from Spring Awakening arranged for SAT(B) or SSA (includes piano vocal and 2 versions of the vocal only parts).

Concert Band - Level 4 - Digital Download SKU: A0.976732 Composed by Robert Myers. 20th Century,Contemporary,Folk. Score and parts. 186 pages. WheatMyer Music #6252911. Published by WheatMyer Music (A0.976732). A Day on Hellroaring Plateau for Concert Band or Wind SymphonyDownload includes transposed score and all parts.Difficulty is Grade 5.Duration is approximately 9:30.Preview the entire score at https://wheatmyermusic.com/product/a-day-on-hellroaring-plateau/The Hellroaring Plateau is a landmass on the northeast extremity of the Absaroka mountain range straddling the Montana-Wyoming border. Its relatively flat topography and high elevation lead to intense winds and unpredictable storms bestowing the plateau's colorful moniker. Contrary to the title, the music reflects a compilation of impressions from multiple visits over a decade’s time, gathered with my son’s first-hand reports of overnight stays, rather than a single day’s experience. My original objective for the music was to portray the stark and stony landscape alternatively caressed and buffeted in a stew of breezes and gales, sunshine and storms. However, as I was writing the piece it became apparent the true theme of the music is rather a daily high-altitude drama pitting light versus darkness, a drama staged on the plateau’s rocks, meadows, streams, and lakes depicting a perpetually shifting kaleidoscope of distinctive lighting unlike any I have experienced elsewhere. The transparent, thin air reveals indigo blue skies and scalding-white clouds overarching stunning vistas stretching a hundred miles or more. The landscape glitters under the radiance of high latitude sunlight. The only word I can think of to describe the golden glow of sunbeams slicing through a summer snow squall is ethereal. The utter absence of artificial light makes for the darkest night skies and brightest stars one can experience on earth.

2 guitars - intermediate - Digital Download SKU: S9.Q20139 4 Progressive Pieces. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q20139. Published by Schott Music - Digital (S9.Q20139). Le rêve de Julietta contains four differently inspired pieces for two guitars. A musical story about Julietta in southern Spain and her dreams.

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1512378 Composed by Samantha Jellett. Children,Christian,Easter,Lent. 56 pages. Samantha Jellett #1087378. Published by Samantha Jellett (A0.1512378). A Time to Rejoice! is a dramatic and poignant cantata for schools/children's choirs and piano (organ accompaniment also available) in which performers and audience embark on an exciting journey through time to witness the events of the first Easter.  The time machine is somewhat unreliable, adding humour to the story, and stops are made in the Garden of Eden and Bethlehem before arriving in Jerusalem for Palm Sunday and the events of the crucifixion.  The optional second parts greatly enhance the cantata and can be sung by a group of children or even an adult choir.Whilst not a staged production, there is plenty of scope for acting in the roles of the Captains, and props such as tea lights for the opening procession, pilots' hats for the Captains and palm branches in the song The King is Coming.A Time to Rejoice!  was premiered by St. Joseph's in the Park school, Hertingfordbury, UK on 17 March 2023.  Here are some comments from staff/parents:'A Time to Rejoice! was amazing...the best production St. Joe's has ever put on' Deputy Head.'An absolutely amazing evening! Such beautiful music so beautifully performed.  What an absolute joy from start to finish' Parent.'It was a pleasure to be involved in what was a resounding success and moving account of the Easter story' Organist.'We enjoyed it so much and it was a real triumph.  The children were so good and buzzing!' Parent.'It was worthy of a West End production.  Absolutely amazing!' Parent'What a wonderful cantata!  I was so impressed, what a lovely evening' Staff member.'I thoroughly enjoyed the Easter cantata: your compositions were beautiful and dramatic in equal measure' Bursar.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864447 Composed by Traditional Amish folk song. Arranged by Mark D. Templeton. Folk,Traditional,World. Octavo. 12 pages. Mark Templeton Choral Music #2832017. Published by Mark Templeton Choral Music (A0.864447). Reide, Reide, Geili! (Ride & Ride the Pony!) is a Pennsylvania Dutch folk song. The Pennsylvania Dutch were Germans who migrated to America during the eighteenth and nineteenth centuries. They brought with them their culture, religions, music, and cooking! The Pennsylvania Dutch language is still spoken by the Amish, the religious sect mostly known for their horses and buggies and their eighteenth century way of life. There are many different tunes associated with Reide, Reide, Geili! The song has taken on a life of its own reflecting the lives of the Amish who still sing it, and the melody and text can differ from community to community. The particular tune used for this arrangement comes from Holmes County, Ohio and is similar to the English nursery rhyme, Ring Around the Rosie. Amish parents and grandparents will sing this rhyme while bouncing their toddlers on their knee. The bouncing is to imitate a horseback ride as the song begins. At the end of each verse, the adult suddenly drops their leg to imitate the child falling off the horse. The child falls to the floor amidst a peal of laughter.  The song can be sung in either Pennsylvania Dutch or in English (written underneath the Dutch). This unique arrangement will lift your audience’s spirits as they are reminded of the songs of their youth, and your singers will enjoy its high energy and pulsating rhythms! A thorough pronunciation guide is also included.

Brass Ensemble - Level 3 - Digital Download SKU: A0.816886 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by JORDI MARTI. Contemporary. Score and parts. 19 pages. Jordi Martí #6073007. Published by Jordi Martí (A0.816886). Tuxedo Junction composed by Erskine Tate, reachedworld fame in the Glenn Miller version. Apparently, the subject referred to a crossing of streets inBirmingham (Alabama), in which there was a famous tuxedo rental shop.

Brass Ensemble - Level 3 - Digital Download SKU: A0.816888 Composed by Erskine Hawkins, Julian Dash, and William Johnson. Arranged by JORDI MARTI. Contemporary. Score and parts. 18 pages. Jordi Martí #6092097. Published by Jordi Martí (A0.816888). Tuxedo Junction composed by Erskine Tate, reachedworld fame in the Glenn Miller version. Apparently, the subject referred to a crossing of streets inBirmingham (Alabama), in which there was a famous tuxedo rental shop.

String Quartet String Quartet - Digital Download SKU: A0.1376150 By OneRepublic. By Brent Kutzle, Eddie Fisher, Noel Zancanella, and Ryan Tedder. Arranged by Lorento Golofeev. Rock. 13 pages. Lorento Golofeev #960701. Published by Lorento Golofeev (A0.1376150). A string quartet arrangement of OneRepublic's Good Life.

Piano,Violin - Level 4 - Digital Download SKU: A0.596563 Composed by Juan María Solare. 20th Century,Concert,Jazz,World. 18 pages. Juan Maria Solare #4624367. Published by Juan Maria Solare (A0.596563). Juan María Solare: Dimensión Dimensión is a neolassical tango that was composed based on two simple piano pieces destined to young pianists: the first theme is Langostango and the second one Continuando. When joining to build up Dimensión, additional elements came into the game, such as an important secondary melody and a few transitions. Dimensión is therefore a clear example of a successful composition: a couple of good ideas and a lot of work to achieve that nobody notices how much work lies behind it. About the title, it obeys to my (slightly excessive) concern towards finding names that can be understood in any language of the places I usually am related to (i.e. in Spanish, English and German). In the case of dimensión it is a transparent word, understanding as such the words that are practically identical in any language while keeping their meaning (there exist words that are quite similar in different languages, but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words. In September 2002 I startd conducting the Orquesta No Típica at the University of Bremen, Germany, a chamber group of variable instrumentation devoted to tango music. Dimensión was the first piece that I composed especially for this group, in January / February 2003. The original version of Dimensión is therefore for Sextet: flute, clarinet, violin, guitar, bass, piano.Since that first version (performed several times in Germany and Argentina) I wrote a long dozen of arrangements for different instrumental groups.

Piano Solo - Level 2 - Digital Download SKU: A0.1216991 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Joe Forget (JFpiano). Broadway,Jazz,Musical/Show,Pop. Score. 3 pages. PianoMotifs (JFpiano) #813518. Published by PianoMotifs (JFpiano) (A0.1216991). (W/FINGERINGS)  //  avec DOIGTÉS SUGGÉRÉS)  This is a piano arrangement for the song Alice in wonderland, popularised by Bill Evans and many other musicians. It is also an ''Étude'' for learning the basic concepts of Jazz piano solo left-hand technics. Mostly the ''2-hands voicings'' , that is used on quite every measures, but played differently; sometimes in ''block style'', in arpeggios, and so on...Cet arrangement pour piano solo de la chanson Alice au pays des Merveilles, popularisée par Bill Evans et plusieurs autres musiciens est aussi une Étude pour apprendre différents concepts du Piano Jazz en solo pour la main gauche en particulier. On y voit majoritairement les voicings 2-mains, qui sont utilisées presqu'à chaque mesure, mais joués de différentes façons; en accords plaqués, arpégés, etc...pour info ou reporter des erreurs: jfpiano@hotmail.com.