Guitar - Level 3 - Digital Download SKU: A0.1431408 Composed by Unattributed. Arranged by Alfonzo Alvarado. Classical,Folk. 8 pages. Alfonzo #1011878. Published by Alfonzo (A0.1431408). Venezuelan Valse Pica Pica for Guitar Quartet.This arrangement of my authorship has been used to train guitarists and has been presented on various occasions by different guitar orchestras and ensembles in the country.Valse Venezolano Pica Pica Para Cuarteto de Guitarras. Este arreglo de mi autoría se ha utilizado para formar guitarristas y ser presentado en diversas ocasiones por diferentes orquestas de guitarras y ensambles en el país.

Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Brass Ensemble,Brass Trio - Level 1 - Digital Download SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo Ferreira. Arranged by Helicleiton. Latin. 2 pages. Helicleiton #1078917. Published by Helicleiton (A0.1503468). If you're looking for a vibrant and unique arrangement for trumpet, saxophone, and trombone, my version of the iconic Me dá um dinheiro aí is the perfect choice. Blending the contagious energy of samba with rich and dynamic harmonies that highlight each instrument, this arrangement offers a truly unique musical experience. The trumpet shines with a bright and striking tone, the saxophone adds smoothness and charm, while the trombone completes the sound with its depth and power. Every phrase has been carefully crafted to create a fluid interaction between the instruments, respecting the essence of the original melody, yet with a modern twist that will surprise listeners.This arrangement is tailored for musicians seeking something distinct and impactful for their repertoire, especially for events, ensemble performances, and shows that demand a standout moment. The choice of trumpet, sax, and trombone is intentional—these instruments, when played together, create the perfect balance between brilliance and depth, producing a rich sound that fills any space. The arrangement explores various registers, providing moments of dialogue between the instruments, as well as unison passages that emphasize the strength of the composition. It’s a versatile piece that can be adapted to different settings without losing its original charm.Focused on creative and sophisticated arrangements, this work is ideal for musicians looking to add a popular yet stylish piece to their repertoire. In addition to offering an interesting technical challenge for the performers, the arrangement maintains the fun and irreverent essence of the original song, making it perfect for captivating audiences in any type of performance. It’s a tribute to one of Brazil’s most beloved songs, but with a fresh approach that makes it even more engaging and modern.

String Quartet Cello,String Quartet - Level 4 - Digital Download SKU: A0.873611 Composed by Andrea Rellini. Contemporary. Score and parts. 15 pages. Andrea Rellini #1989759. Published by Andrea Rellini (A0.873611). Motus is a collection of songs I've been writing over the years for theatre and contemporary dance.15 different scenes, stories and soundscapes that are come out from the infinite expressive possibilities of the Cello. http://www.andrearellini.it/?page_id=576. Motus è una raccolta di brani che ho scritto negli anni per la danza contemporanea ed il teatro. 15 differenti quadri, storie ed universi sonori fuoriusciti dalle infinite possibilità espressive del Violoncello. http://www.andrearellini.it/?page_id=576.

Oboe Solo - Level 3 - Digital Download SKU: A0.1376912 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Guillaume Martin. 21st Century,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 3 pages. Guillaume Martin #961494. Published by Guillaume Martin (A0.1376912). Pop Songs Collection - TURN THE LIGHTS BACK ON (BILLY JOEL)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2024 Kobalt Music Services Ltd. / Rondor Music International, Inc. / Sony/ATV Music Publishing LLC / Universal Music Publishing Group.

Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.836712 Composed by Brian Joyce. Christian,Sacred. Octavo. 21 pages. Brian Joyce #4325937. Published by Brian Joyce (A0.836712). If you ever need a break from the soundbyte theology found in so many contemporary Christian lyrics, why not revisit the words of Isaac Watts (1674-1748), who could stretch a single coherent thought across multiple verses of his hymns? Watts was a prolific writer on many subjects, including geography, astronomy, ethics, and psychology. His book on Logic became a standard university text, being used at Oxford for over 100 years. But his greatest desire was to assist Christians in the worship of God and it is his hymns for which he is best remembered today.These old words are here set to new music which represents a blending of three different traditions: First, and most obvious, is the rustic sound of early American shape-note singing. Second is the strong linearity of 13th century Ars Antiqua voice leading, in which each part was more or less independent. And third is my own fondness for mixed meters and sonorities built on fourths and seconds. Yet it all works somehow: these are actually very singable hymns once the choir has acclimated to the style. Most fall comfortably into a simple diatonic language and would present no jarring problems for the listener. Five of the hymns are for standard mixed voices (SATB); one is for men’s voices (TTB); one for women’s (SSA) and the last, a Doxology, is in six parts (SSATTB) with a florid threefold amen. There is admittedly a certain sameness about these settings; perhaps it’s best if they are not all sung in one go, cover to cover. Taken individually, however, there is no reason they couldn’t make for a refreshing change from the usual church anthem, and a group of three or four could easily find a place on a choral recital program.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1242770 By Various. By Alan Silvestri. Arranged by Wesley Dantas. Contemporary,Contest,Festival,Film/TV,Historic,Standards. 8 pages. Wesley Dantas #837862. Published by Wesley Dantas (A0.1242770). English (US):Arranger Wesley Dantas has crafted a delightful arrangement of the film theme Just An Oasis from The Mummy Returns, composed by Alan Silvestri, specifically tailored for an initial and intermediate-level woodwind quintet. The objective is to amplify the repertoire for this instrumental ensemble, providing an enriching musical experience.With skill and sensitivity, Dantas has translated the captivating melody and atmosphere of the original film theme into a captivating interpretation for the woodwind quintet. Each instrument, such as flute, oboe, clarinet, bassoon, and saxophone, plays unique roles, creating a balanced and harmonious sound.The technical complexity adjusted to an initial and intermediate level makes this arrangement accessible to musicians at different stages of learning. The arrangement preserves the essence of the original film theme, allowing musicians to explore the expressive capabilities of their instruments and create a pleasant musical experience for both performers and audiences.Through this graceful adaptation, Wesley Dantas showcases his talent as an arranger, enriching the repertoire available for initial and intermediate-level woodwind quintets and providing a gratifying musical experience for musicians and enthusiasts of this instrumental ensemble.Português Brasileiro:O arranjador Wesley Dantas desenvolveu uma adaptação encantadora do tema Just An Oasis do filme O Retorno da Múmia, composta por Alan Silvestri, especialmente concebida para um quinteto de madeiras de nível inicial e intermediário. Esse arranjo busca amplificar o repertório dessa formação instrumental, proporcionando uma experiência musical enriquecedora.Com habilidade e sensibilidade, Dantas traduziu a melodia envolvente e a atmosfera do tema do filme original em uma interpretação cativante para o quinteto de madeiras. Cada instrumento, como a flauta, o oboé, o clarinete, o fagote e o saxofone, desempenha papéis únicos, criando uma sonoridade equilibrada e harmoniosa.A complexidade técnica adaptada a um nível inicial e intermediário torna esse arranjo acessível a músicos em diferentes estágios de aprendizado. O arranjo preserva a essência do tema do filme original, permitindo que os músicos explorem as capacidades expressivas de seus instrumentos e criem uma experiência musical agradável tanto para os intérpretes quanto para o público.Com essa adaptação graciosa, Wesley Dantas demonstra sua habilidade como arranjador, enriquecendo o repertório disponível para quintetos de madeiras de nível inicial e intermediário e proporcionando uma experiência musical gratificante para os músicos e apreciadores dessa formação instrumental.

Flute - intermediate - Digital Download SKU: S9.Q47743 For Flute. Composed by Hermann Schroeder. This edition: Sheet music. Il Flauto traverso. Downloadable. Duration 8 minutes, 30 seconds. Schott Music - Digital #Q47743. Published by Schott Music - Digital (S9.Q47743). As professor of music theory at the Cologne Musikhochschule, Hermann Schroeder (1904-1984) composed many instrumental works for his colleagues, including 4 Imprompus for solo flute (1975).The impromtus are ideal as an introduction to the freely tonal style of 20th-century moderate modernism, e. g. in preparation for the music by Hindemith, Genzmer, Jolivet, or Roussel. The pieces deal with musical themes such as cantabile playing, free interpretation without time pattern, differentiated rhythm, extended tonality, major intervals, dexterity, and much more. The musically appealing little pieces each have a different character and tempo and are suitable performance pieces. Also published: Sonate für Querflöte und Orgel (Schott ED 8386).

Flute,Instrumental Duet,Recorder - Level 2 - Digital Download SKU: A0.1374649 Composed by James Devor. Chamber,Classical,Contemporary. 5 pages. JDevor Music, LLC #959177. Published by JDevor Music, LLC (A0.1374649). Five short, engaging pieces intended for all recorders and skill levelswhile originally intended for two soprano recorders, these pieces can also be performed any combination of F and C recorders (although the first part fits best on any F or C recorder and the second fits best on a C recorder)they can also be transposed so they can be performed on any two similarly tuned instrumentsthe duets are not ever required to be played in the given order nor concurrentlyfor educational purposes each short piece is composed using different tempi, key signatures, time signatures, harmonies and rhythmic materials.

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1376914 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Guillaume Martin. 21st Century,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 3 pages. Guillaume Martin #961497. Published by Guillaume Martin (A0.1376914). Pop Songs Collection - TURN THE LIGHTS BACK ON (BILLY JOEL)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2024 Kobalt Music Services Ltd. / Rondor Music International, Inc. / Sony/ATV Music Publishing LLC / Universal Music Publishing Group.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.

String Quartet String Quartet - Digital Download SKU: A0.1027501 Composed by André Mestre. Contemporary. Score and parts. 25 pages. Andre Mestre #550737. Published by Andre Mestre (A0.1027501). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition Written between 2014 and 2015. Duration: 6'50 Program notes: Corpo Confesso is part of a larger group of pieces, all of them carrying the word corpo (from portuguese, body). Overall, these works seek to synthesize, from the authors' perspective, two of ways in which one can look at acoustic ensembles: both through their sheer physical reality and through the referential corpus we inherit from their literature. Intimate in character, Corpo Confesso invites the listener to closely experience a multitude of instrumental surfaces. These glances are made possible through a plethora of performative techniques that also draw attention to the intense choreography intrinsic to the stage. The piece alternates more or less self contained windows of material, all of which cast a different light in the quartet's expressive potential. Web: Composer: www.corposinstrumentais.com.