Flute Solo - Level 3 - Digital Download SKU: A0.1376909 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Guillaume Martin. 21st Century,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 3 pages. Guillaume Martin #961489. Published by Guillaume Martin (A0.1376909). Pop Songs Collection - TURN THE LIGHTS BACK ON (BILLY JOEL)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2024 Kobalt Music Services Ltd. / Rondor Music International, Inc. / Sony/ATV Music Publishing LLC / Universal Music Publishing Group.

String Quartet String Quartet - Digital Download SKU: A0.1027526 Composed by Martin Watt. Contemporary. Score and parts. 37 pages. Martin Watt #1988647. Published by Martin Watt (A0.1027526). The String Quartet no II comprises four movements: 1. Preludio, Passacaglia, Minuetto and Trio and Rondo. The first movement is fast and furious and cast in a modified sonata form - announcing two contrasting themes with a transitional section in between. The development section fulfills the role of various transformations and fragmental modifications of segmented thematic material, adding instabitily to the movement. The recapitulation is truncated, rather referential to the exposition and presented in reversed order. The second movement is a plaintive passacaglia, with a recurring eight-bar melody - in this case not traditional in nature as the bassline mostly carried the melody throughout, but nw distributed between all the string instuments. The theme is heard fourteen times. The use of textural contrast and canonic procedures add to the contrapuntal nature of the movement. The Minuetto and Tro movement is strikingly neo-tonal, and but sudden shifts of scalar centricities in the Minuetto add to suspension and elements of surprise. The Trio is more lyrical in character and fluttering fragments create dialogue between the members of the quartet. The last movement is cast in a modified Rondo form. The refrain parts are continuously presented in different textural and harmonic content. The alternating first episode draws material from the first movement and the second from the third movement, resulting in a cyclic structure of the work as a whole. The musical language is loosely based within extended tonality, with modal intersections and dissonant colours, making consonant sonoroties slightly ambiguous and unpredictable.2016 Chamber Music Contest Entry.

Viola Solo - Level 3 - Digital Download SKU: A0.1376918 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Guillaume Martin. 21st Century,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 3 pages. Guillaume Martin #961502. Published by Guillaume Martin (A0.1376918). Pop Songs Collection - TURN THE LIGHTS BACK ON (BILLY JOEL)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2024 Kobalt Music Services Ltd. / Rondor Music International, Inc. / Sony/ATV Music Publishing LLC / Universal Music Publishing Group.

Oboe,Piano - Level 3 - Digital Download SKU: A0.549470 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499773. Published by jmsgu3 (A0.549470). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Easy Piano - Level 2 - Digital Download SKU: A0.944696 Composed by João F. Ferreira. Children,Contemporary,Instructional,Standards. Score. 35 pages. Joao F. Ferreira #5024459. Published by Joao F. Ferreira (A0.944696). [EN] 18 easy pieces for piano, about a village full of fun and quirky characters with specific theatrical features that are related to different pianistic skills through physical and emotional capabilities.[PT] 18 peças fáceis para piano, sobre uma aldeia cheia de personagens divertidas e peculiares, com características teatrais específicas que estão relacionadas com diferentes habilidades pianísticas através de capacidades físicas e emocionais.

Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.  Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Cello Solo - Level 3 - Digital Download SKU: A0.1376906 By Billy Joel. By Arthur Lafrentz Bacon, Billy Joel, Freddy Wexler, and Wayne Hector. Arranged by Guillaume Martin. 21st Century,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 3 pages. Guillaume Martin #961485. Published by Guillaume Martin (A0.1376906). Pop Songs Collection - TURN THE LIGHTS BACK ON (BILLY JOEL)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2024 Kobalt Music Services Ltd. / Rondor Music International, Inc. / Sony/ATV Music Publishing LLC / Universal Music Publishing Group.

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1307806 Composed by Simei Monteiro. 20th Century,Religious,Sacred,Spiritual. Individual part. 14 pages. Marcio R Lisboa #896988. Published by Marcio R Lisboa (A0.1307806). Bible Suite on the Parableof the Good Samaritan (Luke 10:30-35)Solo OrganIntroduce a spiritual dimension to your musical experience with the Biblical Suite on the Parable of the Good Samaritan, a inspiring composition designed for the organ. This suite is a musical journey composed of three engaging pieces, each capturing a different perspective of the powerful narrative of Luke 10:30-35.I - The PriestII - The LeviteIII - The SamaritanIntroduza uma dimensão espiritual à sua experiência musical com a Suíte Bíblica sobre a Parábola do Bom Samaritano, uma composição inspiradora projetada para órgão. Esta suíte é uma jornada musical composta por três peças envolventes, cada uma delas capturando uma perspectiva diferente da poderosa narrativa de Lucas 10:30-35.I - O SacerdoteII - O LevitaIII - O Samaritano The Composer Simei Ferreira de Barros Monteiro, born in Belém, Brazil, in 1943, dedicated her life to music and education. With a background in Letters and Sacred Music, she was a teacher, a missionary of the United Methodist Church, and a researcher of Charles Wesley. She published a thesis, The Song of Life, and contributed poems and hymns to national and international hymnals. Her work included serving as a Worship Consultant at the World Council of Churches in Geneva. As a visiting professor in the USA, she translated hymns by the Methodist Charles Wesley. Simei left a lasting legacy in the worlds of music and theology.

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Medium-High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1474405 By Julia Peng. By Chang De Xu and Zhong Ping Ji. Arranged by Tommy Setiawan. Contemporary,Jazz,Pop,Singer/Songwriter,Wedding. 6 pages. Tommy Setiawan #1052030. Published by Tommy Setiawan (A0.1474405). Ai Dao Wu Lu Ke Tui is one of the hit/signature Mandarin/Chinese songs from singer Julia Peng.It is included in her 1997 album The Essential/Jue Dui Shou Zang.Julia Peng herself is a famous Taiwanese singer since the 90s.She won the Best Mandarin Female Singer Award at the 27th Golden Melody Awards in 2016.The song arrangement of Ai Dao Wu Lu Ke Tui this time is different from the original version/what is mostly often streamed in the Popular Music Channel such as You Tube,etc.In general,it is started with an Intro,Verse I-II,Chorus I,has 1 Bridge,Verse III (Last Verse),Chorus II,Chorus III (intiated with 1 transposition,from 4# to 6#),Chorus IV (2nd transposition,from 6# to 6b),Chorus V (Overtone/raised 1 octave above) and Ending (still in a High Voice).So from the Chorus V to the end of the song is the part that has the most distinguished feature that differentiate this type of arrangement from what's common we listen daily.

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.

Piano Solo - Level 5 - Digital Download SKU: A0.950882 Composed by Lynne German. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Lynne German #3567963. Published by Lynne German (A0.950882). Water Suite for Piano may be performed as a complete set or as individual pieces. Each piece is distinctively different stylistically, and each describes various activities of the ducks and waterfowl on the lake through the changing seasons.  A 4-note motif, found in the first measure, turns up in every piece, connecting the pieces together and representing the undercurrents in the lake through every season. The first and last pieces are the same, except that Crossing Paths, Part I ends without resolution, and Crossing Paths Finale ends on the tonic chord. 

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.824871 Composed by Phil Rawle. Concert,Contemporary. 12 pages. Phillip Rawle #6871361. Published by Phillip Rawle (A0.824871). A real oddball of a piece. It is surprising how well this composition holds together. It has so many changes of mood, different time signatures, dynamics and tempo but manages to be quite coherent and stable.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1470648 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Score. 17 pages. Marcos Fernandez-Barrero #1048301. Published by Marcos Fernandez-Barrero (A0.1470648). Work commissioned for mezzo-soprano Sandra Ferrández and pianist Irene Alfageme to be premiered at the Teatro de la Zarzuela (Madrid) on 1st April 2024.The piece takes inspiration from the the XV Century Spanish poem by anonymous author 'Van Y Vienen', which gave the lyrics of the work. Although the poem was written in the Middle Ages, it resonates with a timeless universality, allowing for a deep connection with the contemporary audience. Its metaphor of the sea as a reflection of human emotions – that come and go like the waves of the sea – transcends eras, resonating with the instability and hope that characterize the human experience.By using it as lyrics for a sort of contemporary habanera, I saw the possibility of merging the nostalgia of the past with the artistic expression of the present, creating a bridge between different historical moments through music and poetry. ____________________________________________________________________Obra encargo para el estreno a cargo de la mezzosoprano Sandra Ferrández y la pianista Irene Alfageme en el Teatro de la Zarzuela (Madrid) el 1 de abril de 2024. La pieza se utiliza el poema anónimo del siglo XV 'Van y Vienen'. Aunque fue escrito en la Edad Media, resuena con una universalidad atemporal, permitiendo una profunda conexión en la era actual. Su metáfora del mar como reflejo de las emociones humanas – que van y vienen como las olas del mar – trasciende épocas, resonando con la inestabilidad y la esperanza que caracterizan la experiencia humana. Al utilizarlo como letra para una especie de habanera contemporánea, vi la posibilidad de fusionar la nostalgia del pasado con la expresión artística del presente, creando un puente entre diferentes momentos históricos a través de la música y la poesía.

Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.