Piano Solo - Digital Download SKU: A0.1239232 By Gunter Scholler. By Gunter Scholler. Classical,Contemporary,Film/TV,Multicultural,New Age,World. Score. 3 pages. Scholler #834637. Published by Scholler (A0.1239232). Peaceful Atmosphere: The composition creates a serene ambiance through flowing melodies, delicate harmonies, and gentle dynamics. It embraces a soothing character that invites listeners to unwind and find solace in the music.Rhythmic Undercurrent: To infuse the piece with energy and movement, a subtle rhythmic undercurrent is woven into the composition. This rhythmic element is carefully integrated to enhance the listening experience without overpowering the peaceful nature of the piece.Neo-Classical Influence: Drawing inspiration from classical music traditions, « Echoes of Eternity » incorporates elements of neo-classical composition. It combines the elegance and melodic richness of the classical era with a contemporary touch, resulting in a unique musical experience.Dynamic Contrasts: The composition features moments of contrasting dynamics to enhance the emotional impact. Soft passages provide a gentle and introspective mood, while occasional bursts of intensity add depth and engage the listener on a rhythmic level.Evocative Harmonies: The harmonic progression and chord voicings in « Echoes of Eternity  » contribute to the overall peaceful and contemplative atmosphere. The carefully crafted harmonies create a sense of emotional depth and invite the listener to explore the sonic landscape.Artistic Expression: This composition offers a platform for pianists to showcase their interpretive skills and bring their artistic voice to the music. There is room for subtle nuances and personal expression, allowing performers to imbue the piece with their own musical personality.Whether performed in a concert setting, as a meditative backdrop, or for personal enjoyment, Echoes of Eternity offers a peaceful yet rhythmically engaging experience for both the performer and the listener.Embrace the transformative power of musicSchollermusic

Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510223 Composed by Jesus Adrian Romero. Arranged by Antonio Ramirez. Christian,Praise & Worship,Sacred,Spiritual. 5 pages. Hope Ram #1085424. Published by Hope Ram (A0.1510223). Arreglo para coros con partes para solista soprano o alto y duetos soprano/alto y alto/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos:?- Selecciona solista y duetos primero.?- Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas ??facil de juntar. ?- Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico.?- Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos.?- Termina practica con todas las voces al mismo tiempo. ?- Practica con la solista y dueto por separado. ?- Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. ??Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos ??de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:30 a velocidad 130 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano or alto soloist and alto/tenor and soprano/alto duets.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions:?- Select soloist and duets first.?- Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble.?- Harmonies are key to make this hymn uplifting for both performers and audience.?- Continue learning sopranos and altos together, and then tenor and basses together.?- Finish with all parts together.?- Practice soloist and duets separately.?- Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. ??Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:30 at tempo 130 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.

Percussion Ensemble - Level 1 - Digital Download SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com

Oboe and Piano - Advanced - Digital Download SKU: F2.FM188 Composed by Vincenzo Sorrentino. Score and parts. 18 pages. Forton Music - Digital #FM188. Published by Forton Music - Digital (F2.FM188). ISBN 9790570480876.A one movement piece for oboe and piano from the pen of Vincenzo Sorrentino that makes the most of the crisp articulation of the instrument. Syncopated rhythms and modern harmonies add spice to this piece. Requiring nimble fingerwork (particularly in the demisemiquaver passages) and some stamina (142 bars long with few rests), this is a piece for the more able player that would make a great addition to the concert platform.

'Canzone di Cenerentola' from 'La Cenerentola'. Composed by Gioachino Rossini (1792-1868). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2013 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music (S9.Q18104). - - - Schott Music

Wind Instruments, Percussion, Organ and Radios - Digital Download SKU: S9.Q51849 Composed by Heinz Holliger. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 16 minutes. Schott Music - Digital #Q51849. Published by Schott Music - Digital (S9.Q51849). 4 * 4 (auch 2 Engl. Hr.) * 4 * 4 - 4 * 4 (auch Trp. in hoch B) * 4 * 2 - 3 P. S. (4-8 Trgl. * 2 Beck. [hoch] * 2 hg. Beck. [hoch/mittel] * Sizzle-Beck. * 2 Tamt. [mittel/tief] * 4 Bong. * kl. Tr. m. Schnarrsaite * gr. Tr. * 4 Einfell-Tomt. oder Timb. * 2 Metallbl. * Glass-Windchimes * 2 Sandbl. * Bamboo-Woodchimes * 2 Mar. [hoch/mittel] * Peitsche * 2 Ruten * Guero * Flexaton * 1-4 kleine Lotusflote(n) * starke Transparentpapiere * Seidenpapier) (4 Spieler) - Klav. u. E-Org. (1 Spieler) - 4 Kopfstucke von Sopranblockfl. * Sho (jap. Mundorgel) * 3 Hohner Melodicas (2 Sopran/1 Alt) * 4 Transistor-Radios (4 Spieler)4 · 4 (auch 2 Engl. Hr.) · 4 · 4 - 4 · 4 (auch Trp. in hoch B) · 4 · 2 - 3 P. S. (4-8 Trgl. · 2 Beck. [hoch] · 2 hg. Beck. [hoch/mittel] · Sizzle-Beck. · 2 Tamt. [mittel/tief] · 4 Bong. · kl. Tr. m. Schnarrsaite · gr. Tr. · 4 Einfell-Tomt. oder Timb. · 2 Metallbl. · Glass-Windchimes · 2 Sandbl. · Bamboo-Woodchimes · 2 Mar. [hoch/mittel] · Peitsche · 2 Ruten · Guero · Flexaton · 1-4 kleine Lotusflöte(n) · starke Transparentpapiere · Seidenpapier) (4 Spieler) - Klav. u. E-Org. (1 Spieler) - 4 Kopfstücke von Sopranblockfl. · Sho (jap. Mundorgel) · 3 Hohner Melodicas (2 Sopran/1 Alt) · 4 Transistor-Radios (4 Spieler).

Small Ensemble Clarinet,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811779 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Instructional,Standards. Score and parts. 10 pages. Piper Publications #6274491. Published by Piper Publications (A0.811779). SUITE No. 1 in C major Opus 11 No. 1 PB 277This Suite is the first of a set of six first published by Boivin in Paris in 1727 for two musettes (bagpipes). It has been edited and arranged for pairs of flutes or oboes or violins. It would also work very well for a pair of clarinets. Players of Intermediate standard and above will enjoy the five contrasting movements in the Baroque French style, Ouverture, muzette, Viele, Menuet, Sarabande & a pair of Contredances. The format is a playing score.The original edition used the ‘violin clef’  which placed the g above middle c on the bottom line of the stave instead of the line above as is usual today.The notation has been modernised for ease of reading. All edits have been indicated using dashed lines or parentheses ( ). No dynamics are marked in the original edition since bagpipes do not usually have means of volume control. The dynamics I have added (in parentheses) are suggestions only.The Suite would have been bought and played by flute, oboe and violin players as well as bagpipers. Boismortier wrote and published a substantial number of chamber works aimed at amateur players which were very popular and made him a very wealthy man.

Choral Choir,Choral (SATB Chorus) - Level 3 - Digital Download SKU: A0.1510235 Composed by N/A. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. 2 pages. Hope Ram #1085436. Published by Hope Ram (A0.1510235). Arreglo para coros con partes para dueto soprano/alto.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos:?- Selecciona solista y dueto primero.?- Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas ??facil de juntar. ?- Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico.?- Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos.?- Termina practica con todas las voces al mismo tiempo. ?- Practica con la solista y dueto por separado. ?- Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos. ??Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos ??de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 2:14 a velocidad 70 (4/4). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soprano/alto duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions:?- Select soloist and duet first.?- Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble.?- Harmonies are key to make this hymn uplifting for both performers and audience.?- Continue learning sopranos and altos together, and then tenor and basses together.?- Finish with all parts together.?- Practice soloist and duets separately.?- Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way. ??Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 2:14 at tempo 70 (4/4).Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com.

Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1005653 Composed by J. S, Bach (1685-1750). Arranged by Rudy Volkmann. Baroque,Concert. Score and parts. 5 pages. Rudy Volkmann #6361813. Published by Rudy Volkmann (A0.1005653). The Sinfonia (three-part inventions) of J. S. Bach were written as keyboard teaching pieces for his children.  As such, most pianists whir through them at often blistering tempi, often obscuring the wonderful music contained therein.  This adaptation suggests a much more moderate tempo, and allows the timbre of the three instruments to differentiate the three voices and the wonderful counterpoint which makes up the piece.  Notes in parenthesis suggest breathing spots (if necessary).  This is a great recital piece or concert opener.

Piano Solo - Level 2 - Digital Download SKU: A0.1282441 By Rentaro Taki. By Rentaro Taki. Arranged by pfkaori. Folk,Traditional. Score. 2 pages. Pfkaorimusic #873746. Published by pfkaorimusic (A0.1282441). Japanese Folk Song Oshogatsu Piano Solo/Beginner to Intermediate (Cdur,C major) ♫ With chord lyrics ^^.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922030 Composed by Cesareo Gabarain. Arranged by Antonio Rmz. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Hope Ram #3626507. Published by Hope Ram (A0.922030). Arreglo para coros con partes para solista y duetos soprano/alto y soprano/tenor.Acordes incluidos para acompanamiento de piano/teclado. Para misas y celebraciones cristianas.Ideal para coros de Iglesia, y coros de escuelas secundarias, preparatorias y universidades.Tiempo de practica: 2 horas. Preferentemente divididas en 2 sesiones.Sugerencias para ensayos:  - Selecciona solista y duetos primero. - Aprender cada voz por separado. Asegurate que cada nota es cantada correctamente para asi el ensamble es mas   facil de juntar. â€ƒ- Las armonias son clave para que esta pieza pueda crear el objetivo de sensibilizacion para ambos coro y publico. - Despues de que cada parte este dominada, continua con sopranos y altos juntos, y luego tenor y bajos juntos.  - Termina practica con todas las voces al mismo tiempo. â€ƒ- Practica con la solista y los duetos por separado. â€ƒ- Acomoda a los integrantes del coro en forma de media luna. En la primera fila, sopranos, luego altos, tenores y bajos.   Luego una segunda fila de las misma forma. Y asi sucesivamente. Las sopranos tienen que estar viendo a los bajos   de frente. De esta manera, todos los integrantes pueden escuchar y disfrutar de la armonia. Duracion de la pieza: 3:18 a velocidad 80 (6/8). Cualquier pregunta o peticion para algun otro arreglo, por favor no dudes en contactarme a mi email: al42609@hotmail.comChoral Arrangement with soloist, soprano/alto duet, and soprano/tenor duet.Chords provided for piano/keyboard accompaniment.For Christian services.Ideal for Church choirs and middle/high school, and college choirs.Practice time: 2 hours. Preferably 2 1-hour practices.Performance practice suggestions: - Select soloist and duets first. - Learn each part separately. Make sure all notes are sung correctly so it's easier to practice ensemble.  - Harmonies are key to make this hymn uplifting for both performers and audience. - Continue learning sopranos and altos together, and then tenor and basses together. - Finish with all parts together. - Practice soloist and duets separately. - Arrange choir in a half moon with sopranos, altos, tenor and basses in the first line. Then second line the same way.   Sopranos should be facing basses. This way, everybody can listen and enjoy the harmony.Duration of work: 3:18 at tempo 80 (6/8). Any question or arrangement request, please don't hesitate to contact me at email: al42609@hotmail.com

Piano Solo - Level 3 - Digital Download SKU: A0.958772 Composed by Horacio Pettorossi y Juan Carlos Marambio Catán. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6597445. Published by Juan Carlos Cortés Aguirre (A0.958772). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión fonográfica vocalizada por el cantor argentino Agustín Magaldi acompañado de su grupo de Guitarras.Vídeo Agustín Magaldi: https://www.youtube.com/watch?v=k5j4q... Texto:AcquaforteLetra: Carlos Marambio Catan.Música: Horacio Pettorossi.Grabado en 1933 por Carlos Gardel.Es medianoche, el cabaret despierta,muchas mujeres, flores y champán.Va a comenzar la eterna y triste fiesta,de los que viven al ritmo de un gotán.Cuarenta años de vida me encadenan,blanca la testa, viejo el corazón:Hoy puedo ya mirar con mucha pena,lo que otros tiempos miré con ilusión.Las pobres milongas, dopadas de besos,me miran extrañas, con curiosidad.Ya no me conocen: Estoy solo y viejo,No hay luz en mis ojos... La vida se va...INTERLUDIO:Un viejo verde que gasta su dinero,emborrachando a Lulú con su champán,hoy le negó el aumento a un pobre obrero,que le pidió un pedazo más de pan.Aquella pobre mujer que vende flores,y fue en mi tiempo la reina de Montmartre,me ofrece, con sonrisa, unas violetas,para que alegren, tal vez, mi soledad.Y pienso en la vida: Las madres que sufren,los hijos que vagan Sin techo ni pan,vendiendo La Prensa, ganando dos guitas...Que triste es todo esto! Quisiera llorar! Es medianoche, el cabaret despierta.Muchas mujeres, flores y champán.Va a comenzar la eterna y triste fiesta,de los que viven al ritmo de un gotán.Cuarenta años de vida me encadenan,blanca la testa, viejo el corazón:Hoy puedo ya mirar con mucha pena,Lo que otros tiempos, miré con ilusión.

Concert Band - Level 4 - Digital Download SKU: A0.962402 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 59 pages. Salvador Rojo-Gamon #4897801. Published by Salvador Rojo-Gamon (A0.962402). This composition was premiered of Premio Maestro Villa 2010 as a wind band composition. This recording was made at the premiere of the work on November 8, 2011 in charge of the Banda Sinfónica Municipal de Madrid under conducting Enrique García Asensio.Esta composición fue estrenada de Premio Maestro Villa 2010 como una banda de viento composición. Esta grabación se realizó en el estreno de la obra el 8 de noviembre de 2011 a cargo de la Banda Sinfónica Municipal de Madrid bajo la dirección de Enrique García Asensio.Éxodo es un poema sinfónico en un solo movimiento, inspirado en los sentimientos y las diferentes sensaciones provocadas por el éxodo sufrido por diferentes pueblos a lo largo de la historia. Musicalmente intercala dos amplias secciones que se van entrelazando como si de un rondó se tratase, siendo su estructura final la sonata.

Small Ensemble Piano - Level 1 - Digital Download SKU: A0.910812 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Fernando Pereira. Pop. Score and parts. 14 pages. Nando Geraldes #6327415. Published by Nando Geraldes (A0.910812). This arrangement was writed for students in diferent levels: beginner, early intermediate, intermediate and advanced, working in four diferent keyboards. The primo have to play the melody one octave above.

Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.