Piano - Digital Download SKU: A0.1070367 Composed by Barbara Graff. Contemporary,New Age. Full Performance. Duration 243. Barbara H Graff #4592199. Published by Barbara H Graff (A0.1070367). Out of the Dark is one of the most popular instrumentals on Spotify by composer Barbara Graff. It is the second track on Barbara's Into the Light EP. For Barbara, it meant eschewing unproductive thoughts and embracing the moment as part of life's journey. The result is relaxing, beautiful and uplifting piano.Barbara is an award-winning pianist and composer. Her music is played on Pandora Radio and several prestigious piano and new age radio stations. Her current album, Beginnings, is charting in the Top 20 on several radio stations and the Zone Music Reporter Top 100. She is also a prolific and published songwriter with placements in television shows.

Concert Band - Digital Download SKU: AX.00-PC-0001517_WP14EB (wp) 14 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp14Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP14EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.

C Instrument - Digital Download SKU: A0.808103 Composed by Walter Donaldson. Arranged by Mark Huxhold. Holiday. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2331635. Published by Mark Wayne Music, LLC (A0.808103). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A,   ABAC-heavy barline at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

Small Ensemble Alto Saxophone,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.767620 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Mike Lyons. Rock. Score and parts. 14 pages. Lyons Music Services #2162981. Published by Lyons Music Services (A0.767620). This is an arrangement of the classic John Lennon track for Sax quintet with Horn Solo (F or Eb). The current ensemble is SATTBari Sax with Horn in F or Eb soloist. Other parts can be provided on request. A great little restful number for the ensemble It is possible for the solo line to be taken by a Tenor or Alto if required. (Parts available on request.).

Piano Solo - Level 3 - Digital Download SKU: A0.1140732 By None. By old folk tune. Arranged by MICHAEL TARRO. Early Music,Folk,Historic,Pop,Traditional. Score. 3 pages. Michael Tarro #740969. Published by michael Tarro (A0.1140732). Scarborough Fair is a creative and whimsical piano arrangement, and is written for the intermediate level pianist. It contains several embellished, left hand figures throughout the piece that immediate establish it's unique character. Michael Tarro is a current author for Hal Leonard & Santorella Publications. Additional music arrangements by Michael Tarro are available on this website: https://www.sheetmusicplus.com/search?Ntt=Michael+Tarro+music.

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015716). ISBN 9780739099339. UPC: 038081464053. Lee Adams.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).

Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.932236 Arranged by Ken Mackie. Contemporary,Sacred. Score and parts. 10 pages. Cuivre Press #5196331. Published by Cuivre Press (A0.932236). Fantasia on My Father’s World opens with a melodic thread flowing like a river from horn to horn before glimpses of the melody appear. The melody coalesces in the first horn part while the river flows and swirls underneath. Following a brief interlude, the melody reappears in the second horn part before eddies and current move the melodic line from horn to horn. This intermediate level, two and a half minute piece is well-suited for performances as part of a worship service as well as part of a concert repertoire.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651276. Published by Keith Terrett (A0.1046936). An arrangement of one of Puccini’s greatest arias for Eb Alto Saxophone & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.

Piano Solo - Level 3 - Digital Download SKU: A0.928443 Composed by Janette Mason, James Thompson. 20th Century,Concert,Contemporary,Praise & Worship,Standards. Score. 5 pages. Janette Mason #6327385. Published by Janette Mason (A0.928443). Contemporary Classic solo piano piece for Grade 3-4 intermediate players.   ‘Reflections’, is a gently evolving ambient piece in the key of G major. It uses a repetitive eight note broken chord pattern, spread between the hands, based on the primary chord of the key. This develops into arpeggios in the left hand as the right plays the melody in two part harmony. Sonically rich four note chord voicings are utilised to introduce a contrasting theme in the relative minor.     Key Techniques:   • Broken chords patterns • Four note chord voicings • Left hand intervallic stretches of an octave plus.   Composer Tips:   • Play with a gentle touch throughout. • Be sure to count the beats in the bars with the held semibreves. • Keep the left arm light and loose when negotiating the octave plus intervals on page 4.     Reflections is suitable for home performance, practice pieces, ABRSM, RSL,TRINITY grade support pieces, professional performance, school and student learning. Influenced by the current top pianists in this field such as Ludovico Einaudi, Alexis Ffrench, Olafur Arnalds, Luke Howard etc. Piano Hive always aim to write and produce music that is clearly laid out, very readable and will help improve several aspects of your playing whilst sounding great at the same time. We hope you enjoy and please come over to our socials to leave some feedback!  

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Harp - Level 5 - Digital Download SKU: A0.922120 Composed by Fredrik Johan Ekdahl and Martin Bo Erik Erikson. Arranged by Silvia Maserati. Contemporary. Score. 6 pages. Silvia Maserati #6205637. Published by Silvia Maserati (A0.922120). For Lever Harp or Pedal Harp, this complete arrangement (treble & bass clef staff) is for Advanced Harpists.Key: BmRange: C2 to G5Chord Symbols are written above the treble staff, for those whishing to create their own arrangement.Lenght: 3 pages for the complete arrangement (treble & bass clef staff). Please notice that page 2 and 3 of the file are samples to allow the preview on Sheetmusicplus and can be easily deleted.When printing the current pdf file, make sure to select pages 1-4-5-6.Because the Night is a milestone of rock and one of Patti Smith's immortal hits. This arrangement captures the winding energy spreading from the intro to the verse, the chorus and the bridge. Lever adjustments are notated with diamond notes. There is no marking for pedal adjustments.This arrangement is perfect for entertainment/weddings/background music and can be used in therapeutic harp settings with proper tempo and style.For more music, feel free to contact me through my website www.arparama.net and join my newsletter!!

Small Ensemble Cello,Guitar,Violin - Level 3 - Digital Download SKU: A0.790859 Composed by Traditional Andes. Arranged by Georg Mertens. Folk,Pop,World. Score and parts. 8 pages. Georg Mertens #3509903. Published by Georg Mertens (A0.790859). El Condor Pasa is a traditional Andes song The Condor passes over us - if I mention it to South American friend, the Peruvian say it's theirs, the Bolivian say it's theirs etc because the song is older than the current borders - so they are all correct!The guitar imitates the South American Charango, the variety of guitar played in the Andes. here a recording for violin and guitar, this time performed in the Australian Rainforest, not in the Andes but the Blue Mountains: https://www.youtube.com/watch?v=Jd4v09tPAek.

Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1027927 Composed by Philip Bliss, Horatio Spafford. Arranged by Cam McAllister. Christian,Concert,Sacred,Spiritual. Score and parts. 10 pages. Cam McAllister #6050389. Published by Cam McAllister (A0.1027927). Arranged for trumpet quintet, this beautifully arranged take on the old hymn really brings it into the current day, with plenty of contemporary and fresh sounding re-harmonization. For Bb trumpets, flugelhorns and Piccolo trumpet in A (1st part only).

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Concert Band - Digital Download SKU: AX.00-PC-0001517_WP8BBBC (wp) 8 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp8BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP8BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.