C Instrument - Digital Download SKU: A0.1350676 Composed by Gus Kahn and Walter Donaldson. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #935496. Published by Mark Wayne Music, LLC (A0.1350676). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.925392 Composed by Robert E. Bennett. Contemporary. Octavo. 11 pages. Published by Robert E Bennett #5983943. Published by Published by Robert E Bennett (A0.925392). This is a current  old-English style madrigal  -  The seemingly nonsensical title is an anagram but we'll let the legends

C Instrument - Digital Download SKU: A0.1152009 Composed by George Whiting and Walter Donaldson. Arranged by Mark W. Huxhold. Jazz,Rock. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #752217. Published by Mark Wayne Music, LLC (A0.1152009). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.575304 Composed by Giovanni Gabrieli. Arranged by David Musgrove. Baroque,Classical,Renaissance. Score and parts. 64 pages. David Musgrove #182959. Published by David Musgrove (A0.575304). Italian composer and organist Giovanni Gabrieli (1557-1612) was one of the most prominent musicians of the age. He sits at the cusp of the Baroque and the Renaissance, and is today best known for his sacred music, both choral and instrumental. Much of his music was written to ring out around the large space inside St Mark's Basilica in Venice. Familiar to many brass players, the current arrangements for trombone quartet are designed to spread the burden of high playing among the ensemble, even within a particular canzona, making them practical and attractive as concert openers and for other occasions. Item number: DM 2475 MP3 sound file is produced from Sibelius.

Violin Solo - Level 4 - Digital Download SKU: A0.1019673 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. 5 pages. Publicado por Ivan Lyran #3604319. Published by Publicado por Ivan Lyran (A0.1019673). Gray is the day Opus 18 is a solo violin piece specially written for the CD Colors of Brazil, a project by the great Brazilian violinist Ayran Nicodemo. Unfortunately, the recording of the CD was postponed due to other violinist projects and also due to the death of producer composer Sergio Roberto de Oliveira. The work was premiered on 11/06/2018 at the XIX Panorama of current music – UFRJ Music School – Congregation Room. Main building, 4th floor, Rua do Passeio nº 98 – Centro – RJ. Violinist: Luiza Chain. In 2019, the work was a semifinalist at the Radio Mec Festival.

C Instrument - Digital Download SKU: A0.808321 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Mark W. Huxhold. Oldies. Lead Sheet / Fake Book. 7 pages. Mark Wayne Music, LLC #3675795. Published by Mark Wayne Music, LLC (A0.808321). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Full Orchestra - Level 4 - Digital Download SKU: A0.837152 Composed by Joseph Parry. Arranged by Paul Cowell Editor. Romantic Period. Score and parts. 201 pages. Paul Cowell #6688481. Published by Paul Cowell (A0.837152). Joseph Parry (1841 – 1903) was a Welsh composer and first professor of music at Aberystwyth University, and later at Cardiff University. In some ways, he is the Father of Welsh classical composition. He is best known as the composer of Myfanwy and the hymn tune Aberystwyth. This edition is the first modern performing edition conforming to current practice. A number of transposition and other errors have been corrected.

C Instrument - Digital Download SKU: A0.808080 Composed by Herbert Lawson. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2329653. Published by Mark Wayne Music, LLC (A0.808080). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A,   ABAC-heavy barline at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys included with each title, each key having its own page.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796585 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 28 pages. DR GARY D BELSHAW #2926489. Published by DR GARY D BELSHAW (A0.796585). Includes Accompanist Copy at half-price! 28 pages. Perfect for opera scenes, opera workshop, or solo recitals. 51/2 minutes. The character, Cecilia, in the Two-Act Comic Opera Incident at Burro Java is a graduate vocal performance major at an urban University's School of Music. She is stressed, trying to finish her degree and graduate, yet her work on her dissertation and recital practice keeps getting interrupted. In this aria from Act I Scene 3, she has fled to the women's restroom, but immediately realizes that this is not going to help. She did NOT audition for a role in the School's current opera production for fear she might have been cast as Fiordiligi in Mozart's Cosi fan tutte, and that worries her even more. But, let her explain it to you.Follow Gary D. Belshaw Music on Facebook and Twitter; we'll follow you back!

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piano Solo - Level 3 - Digital Download SKU: A0.928440 Composed by Janette Mason, James Thompson. Celtic,Concert,Contemporary,Praise and Worship,Standards. Score. 5 pages. Janette Mason #6321069. Published by Janette Mason (A0.928440). Contemporary Classic solo piano piece for Grade 3-4 intermediate players.‘Lyra’s Lament’ is an uplifting piece in the Key of F major with a beautiful Celtic influenced melody and simple chord sequence based on the primary chords. It has a freely played introduction which creates a contrast to the gentle movement create by the LH accompaniment pattern. Key techniques• Left Hand Bass note and chord pattern• Intervallic stretches of a sixth in the Right Hand  â€¢ Octave melody playingComposer Tips• Take your time with the introduction, don't rush and enjoy the harmony. • You can be very expressive with the right hand melody allowing your emotions to lead the way. • Keep the left hand light and bouncy.Lyra’s Lament  is suitable for home performance, practice pieces, ABRSM, RSL grade support pieces, professional performance, school and student learning.Influenced by the current top pianists in this field such as Ludovico Einaudi, Alexis Ffrench, Nils Frahm, Luke Howard etc. Piano Hive always aim to write and produce music that is clearly laid out, very readable and will help improve several aspects of your playing whilst sounding great at the same time. We hope you enjoy and please come over to our socials to leave some feedback!

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.

Small Ensemble Clarinet,Euphonium,Guitar,Horn,Trumpet,Voice - Level 3 - Digital Download SKU: A0.933706 Composed by Josh Rogan. Instructional. Score and parts. 21 pages. Josh Rogan #3392403. Published by Josh Rogan (A0.933706). This book was written for anyone who wishes to improve their major scales, regardless of their current ability to play the instrument.It is is split into two sections, Part 1 and Part 2. Part 1 focuses on typical scale patterns, incorporating articulation patterns into each exercise. These can also be played using double tonguing if you wish to improve your multiple tonguing. Part 2 focuses on repetition to help build muscle memory and ‘iron out’ some of the more awkward finger patterns.These are the same 15 exercises used in the Scales Bootcamp (also available for purchase from Sheet Music Plus), but by putting them into this book with only major scales, you are able to get the benefits of these exercises at a greatly discounted price. If you like this book, then you can follow it up later with all of the modes, and other scale types in the Scales Bootcamp.

C Instrument - Digital Download SKU: A0.808116 Composed by McDonald/Hanley. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2332311. Published by Mark Wayne Music, LLC (A0.808116). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808167 Composed by Lockhart /Seitz. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2835631. Published by Mark Wayne Music, LLC (A0.808167). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com