Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522296 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. Christian,Christmas,Holiday,Praise & Worship. Octavo. 5 pages. Paul A. Jorg #11135. Published by Paul A. Jorg (A0.522296). A NEW CHRISTMAS SONG - PIANO / SA VOCAL DUET The first verse is a conversation between Christ and His Father, which might have occurred before Christ's coming to earth that first Christmas; some of Christ's concerns were expressed to His Father in the Garden of Gethsemane. These lyrics are by the arranger. The second verse is a current day conversation between Christ and one seeking Him at Christmastime. These lyrics are of an unknown authorship.

C Instrument - Digital Download SKU: A0.808256 By Fred Astaire. By Irving Berlin. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3540169. Published by Mark Wayne Music, LLC (A0.808256). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808271 Composed by Isham Jones, Gus Kahn. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3591747. Published by Mark Wayne Music, LLC (A0.808271). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1048800 By Elley Duhe. By Andrew Wells, Elley Duhe, and Samuel Elliot Roman. Arranged by Michael Habrom. Pop. Individual part. 2 pages. Michael Habrom #653205. Published by Michael Habrom (A0.1048800). Wonderful song by Elley Duhé for Clarinet in Bb. Also have a look at the other arrangements by Michael Habrom., one of the most popular arrangers. You will always find current songs that fit the instrument perfectly: https://www.sheetmusicdirect.com/de-DE/Search.aspx?query=habrom.

C Instrument - Digital Download SKU: A0.1078127 Composed by Ira Gershwin and Vernon Duke. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #682339. Published by Mark Wayne Music, LLC (A0.1078127). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1087447 By Against The Current. By Alexander Seaver, Justin Tranter, and Sebastien Najand. Arranged by Josée Weigand-Klein. Contemporary,Pop,Rock,Video Game,Wedding. Score and parts. 20 pages. Josée Weigand-Klein #685414. Published by Josée Weigand-Klein (A0.1087447). Arranged for trio! Perfect for parties, weddings, and cocktail hours! Beginner to intermediate level.

C Instrument - Digital Download SKU: A0.808472 Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #4414945. Published by Mark Wayne Music, LLC (A0.808472). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

C Instrument - Digital Download SKU: A0.808474 Composed by Antonio Carlos Jobim. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #4609029. Published by Mark Wayne Music, LLC (A0.808474). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946219. Published by Keith Terrett (A0.747042). Arranged for Eb Alto Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522295 Composed by Paul A. Jorg. Arranged by Paul A. Jorg. A Cappella,Christian,Christmas,Holiday,Praise & Worship. Octavo. 5 pages. Paul A. Jorg #8037. Published by Paul A. Jorg (A0.522295). A NEW CHRISTMAS SONG - An a cappella arrangement for male voiced (TTBB) The first verse is a conversation between Christ and His Father, which might have occurred before Christ's coming to earth that first Christmas; some of Christ's concerns were expressed to His Father in the Garden of Gethsemane. These lyrics are by the arranger. The second verse is a current day conversation between Christ and one seeking Him at Christmastime. These lyrics are of an unknown authorship.

Brass Ensemble - Level 3 - Digital Download SKU: A0.1024842 Composed by Stanley P. Hung. Contemporary,Holiday. Score and parts. 18 pages. Stanley P. Hung #6497765. Published by Stanley P. Hung (A0.1024842). Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu)    Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1356476 Composed by Amos Elkana. 21st Century,Chamber,Contemporary. 17 pages. Amos Elkana #941147. Published by Amos Elkana (A0.1356476). Blast, for woodwind quintet, is a reflection of my continuous exploration of both musical innovation and current realities. This piece follows my previous compositions, including Que sais-je?, Echoes of Eíkosi, Roots and Mostly Cloudy, each embodying my commitment to creating music that resonates with contemporary experiences while being rooted in a rich musical tradition. The title Blast emerged from a confluence of meanings and personal reflections. It alludes to the fundamental act of blowing into wind instruments, forming the essence of this quintet. This direct, physical engagement with the instruments creates a visceral connection between the musicians and their art, mirroring the intimate connection I strive to maintain with my creative process. However, the title also carries a deeper, more poignant significance. Living in Tel Aviv, I am constantly reminded of the harsh realities of conflict, where the sounds of blasts are a grim reminder of the ongoing strife in our region. As someone who deeply opposes war and champions human rights and peace, Blast is my artistic response to these troubling times. It is an expression of my longing for a world where the creative and life-affirming act of making music can overpower the destructive sounds of conflict.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1028162 By X Ambassadors. By Adam Levin, Alexander Junior Grant, Casey Harris, Noah Feldshuh, and Samuel Harris. Arranged by Trey Lockett. A Cappella. Octavo. 9 pages. Trey Lockett #3423219. Published by Trey Lockett (A0.1028162). Originally performed by TIGEROAR, Clemson University's all-male a cappella group, this powerful arrangement of the X Ambassadors' hit Unsteady will give your audience chills! This arrangement is simple and straightforward, however it is still very dynamic and full of emotion. This arrangement centers a good bit on the soloist, however still has many places where the ensemble is highlighted. Add this arrangement of Unsteady to your all-male a cappella group's repertoire for this season!Trey Lockett (arranger) is a Senior Performing Arts major at Clemson and the current Music Director of TIGEROAR. For more information or to contact, visit tigeroarclemson.com/trey.For more information about TIGEROAR, visit tigeroarclemson.com.

C Instrument - Digital Download SKU: A0.808288 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Mark W. Huxhold. Jazz,Pop. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #3663511. Published by Mark Wayne Music, LLC (A0.808288). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.