Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.

Piano Solo - Level 4 - Digital Download SKU: A0.994726 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 161 pages. Music Studio #4327167. Published by Music Studio (A0.994726). Poética.Poética - Piano Music / Album Poética by Darian Stavans.When the music becomes poetry, the soul expands, the self glows; It is light that shelters, provides and preserves. In this way, the heart shall be nourished. This phrase appears on the back-cover of this album, and it speaks for itself. The music composed for this recording was conceived to reflect the experience of feeling the poetical expression of music. Both the titles of each piece and the conceptual structure of Poetic were envisioned as literary poems in that they contain rhythm, cadence, verse and rhyme as if they were written literature. It is a current of poetic-musical verses inhabiting a baggage of musical sequences, which turn into feelings of nostalgia, windows of silence, ballad and romance. All of this describes this vivid musical poem that nurtures our hearing as it nourishes and enriches our spirit.1.- Balada2.- Lumina3.- Romance4.- De Amor5.- Balada II6.- Aire y Desaire7.- Romance II8.- En SilencioPiano Music work.159 pages.Duration:48:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/

C Instrument - Digital Download SKU: A0.808490 Composed by Gene Austin, Irving Mills, and Jimmy McHugh. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #5292939. Published by Mark Wayne Music, LLC (A0.808490). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Drums - Digital Download SKU: AX.00-PC-0014424_D Drums. Composed by George Goehring. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014424_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014424_D). UPC: 038081358956.What a tale Connie Francis sang back in 1959! But what a fun, sassy song for girl groups to sing today! Lipstick on your collar told a tale on you! Boy! Also featured in the current off-Broadway musical The Marvelous Wonderettes.Inst. Parts Available (choral); Recorded Acc. Available.

Concert Band - Level 5 - Digital Download SKU: A0.894397 Composed by Zack Richards. 20th Century,Contemporary,Film/TV. Score and parts. 120 pages. Zack Richards #5210677. Published by Zack Richards (A0.894397). Throughout my youth, I was highly influenced by Science Fiction, especially Star Trek: The Next Generation. It inspired me from a creative, musical, and human perspective and was a large factor in most of my current views of the world in which we all live. This work is largely inspired by that show as well as other Star Trek shows and movies. The title is inspired by the idea of space, called the final frontier throughout Star Trek. The first melody pulls many aspects from the The Original Series, including the opening interval of a minor 7th, the rhythmic use of triplets, and the chromatic intervals in the second half of the melody. It sits over quartal harmonies which help create the open spacey sound. The countermelody introduced by the Oboe in measure 13 is inspired intervalically and rhythmically by the 2009 Star Trek reboot movie theme. These 2 melodies are used in various ways from start to finish, sometimes rhythmically diminished, sometimes just as a motif passed from one instrument to another. Every section has a moment to shine like a distant star in this fun sci-fi inspired piece.

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Choral Choir (SATB) - Digital Download SKU: A0.973048 Composed by Francis Kayali. 20th Century,Contemporary. Octavo. 19 pages. Francis Kayali #6230277. Published by Francis Kayali (A0.973048). The Gift to Sing is a poem by James Weldon Johnson (1871-1938) published in 1917. The central theme of the text is one of optimism and resilience, using the power of song – meaning, more broadly, art or any kind of artful, heightened expression – to overcome adversity. Although the poem can be interpreted broadly to pertain to any kind of struggle, it is likely that Johnson, as a civil-rights activist was alluding more specifically to the oppression African-Americans in the United States, a struggle that continues to this day, in 2020. I composed this setting in September of 2020, right after the Black Lives Matter protests that took place that summer, so current events played a role in this interpretation on my part as well. If one reads the poem as pertaining the continued struggle of African Americans, some passages may come across as ambiguous. For instance, I brood not over the broken past should not be taken as suggesting that the horrors of the past should be forgotten, but as an injunction that the memory of these horrors should not discourage us or diminish our resolve to work toward overcoming the injustices. The musical inspiration for the opening of the piece comes from the song Lonesome Valley, which starts with a pentatonic melodic gesture. The pentatonic scale is often used in African American Spirituals, Christian hymns, and folksongs (e.g., Swing Low, Sweet Chariot, Amazing Grace, How Can I Keep from Singing?, Red River Valley, Oh Shenandoah). The more rhythmic parts take inspiration from the African-American spiritual tradition, as found for instance in the choral music of Moses Hogan (1957-2003). Meanwhile, the tenor solo at the end, is intended to be very loud, bright, and without the pronounced vibrato one would find in a Western operatic style. This kind of bright and intense vocal sound is not unfamiliar to most listeners, who may have encountered it in places as varied as Sacred Harp singing, the opening of the Lion King soundtrack, or the Muslim call to prayer.

Small Ensemble,Strings Piano,Voice - Level 2 - Digital Download SKU: A0.994872 Composed by Barbara Graff. Christmas,New Age,Pop. Score and parts. 7 pages. Barbara H Graff #4571405. Published by Barbara H Graff (A0.994872). PIanist/composer Barbara Graff introduces this beautiful holiday love song. Barbaraâ??s song Christmas Magic was one of the top holiday songs of the year on Jango Radio and was featured in a 2018 musical, 'Tis the Season. The piece includes a lovely piano solo between the verses and the final chorus. Barbara is an award-winning pianist and composer. Her music is played on Pandora Radio and several prestigious piano and new age radio stations. Her current album, Beginnings, is charting in the Top 20 on several radio stations and the Zone Music Reporter Top 100. She is also a prolific and published songwriter with placements in television shows.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1222066 By Chris Stapleton. By Dean Dillon and Linda Hargrove. Arranged by Arabella Berman and Sam LaGrego. Country. Score. 10 pages. Arabella's Voice Studio #818350. Published by Arabella's Voice Studio (A0.1222066). Piano and vocal arrangement of Tennessee Whiskey sung by Chris Stapleton. Arranged for Arabella's Voice Studio, Boston MA, for use in Piano for the Vocalist classes. Piano for the Vocalist is a revolutionary way to learn to play all of your favorite songs, no matter your current ability level. This format is designed to get you playing music right away and to teach you music fundamentals while you play. Piano for the Vocalist was inspired by the scaffolding and leveling provided in yoga classes. Yogis understand that muscles can be developed and that leveling can allow everyone to enjoy an activity, regardless of what they can do on any given day. Like yoga, this arrangement will provide you with a basic suggestion for starting the piece. These initial recommendations will help you play the entire song while you sing. As you progress through each song, suggestions will be offered to increase the complexity of the accompaniment. You can choose which suggestions work for you, as you build your musical skills. Arabella's Voice Studio: arabella@arabellavoicestudio.com, 617-468-6461Sam LaGrego:  samlagregomusic@gmail.com.

C Instrument - Digital Download SKU: A0.808321 By The Mamas And The Papas. By Fabian Andree and Wilbur Schwandt. Arranged by Mark W. Huxhold. Oldies. Lead Sheet / Fake Book. 7 pages. Mark Wayne Music, LLC #3675795. Published by Mark Wayne Music, LLC (A0.808321). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Piano Solo - Level 5 - Digital Download SKU: A0.913520 Composed by Keith Getty and Stuart Townend. Arranged by Junya Minami. Contemporary. Score. 5 pages. Junya Minami #6097095. Published by Junya Minami (A0.913520). This is an arrangement of a powerful modern sacred song The Power of the Cross, sometimes called by its first line Oh to See the Dawn. In the current time when it is very difficult for advanced pianists to find a hymn arrangement that has a good balance of technical demand, musical excellence, and faithfulness to the text, this arrangement will meet the practical and aesthetic needs of pianists both in churches and concerts.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.874608 Composed by Dave Barbour and Peggy Lee. Arranged by Chris Arnold. A Cappella. Octavo. 5 pages. Chris Arnold #4283025. Published by Chris Arnold (A0.874608). Fun swing number, originally written to be suitable for barbershop contests; please check with judges within your organization to confirm its suitability against current standards.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.

Violin Solo - Level 4 - Digital Download SKU: A0.1019673 Composed by Ivan Lyran. Concert,Contemporary,Graduation,Instructional,Standards. 5 pages. Publicado por Ivan Lyran #3604319. Published by Publicado por Ivan Lyran (A0.1019673). Gray is the day Opus 18 is a solo violin piece specially written for the CD Colors of Brazil, a project by the great Brazilian violinist Ayran Nicodemo. Unfortunately, the recording of the CD was postponed due to other violinist projects and also due to the death of producer composer Sergio Roberto de Oliveira. The work was premiered on 11/06/2018 at the XIX Panorama of current music – UFRJ Music School – Congregation Room. Main building, 4th floor, Rua do Passeio nº 98 – Centro – RJ. Violinist: Luiza Chain. In 2019, the work was a semifinalist at the Radio Mec Festival.

Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Concert Band - Digital Download SKU: AX.00-PC-0001517_WP7BBBC (wp) 7 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp7BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP7BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.