3 violins - Digital Download SKU: S9.Q16088 Music for three Violins soloists or groups destined for the group-teaching and adapted to various methods. Composed by Henk Badings. This edition: performance score. Violin Library. Downloadable, Performance score. Op. Nr. 3. Schott Music - Digital #Q16088. Published by Schott Music - Digital (S9.Q16088). Music for three violins intended as a supplement to most current violin methods and suitable for group or one-to-one teaching.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.752493 By Runrig. By Calum Macdonald and Rory Macdonald. Arranged by Martin Schröder. A Cappella. Octavo. 6 pages. Martin Schröder #4792617. Published by Martin Schröder (A0.752493). One of the most popular songs by Scottish Folk Rock Band Runrig in a beautiful arrangement for 3 voices a cappella by Martin Schröder. watch the performance on YouTube: https://www.youtube.com/watch?v=Qmui6RcmXMk about Runrig: Runrig are a Scottish Celtic rock group formed in Skye, in 1973 under the name 'The Run Rig Dance Band'. Since its inception, the band's line-up has included songwriters Rory Macdonald and Calum Macdonald. The current line-up also includes longtime members Malcolm Jones, Iain Bayne, and more recently, Bruce Guthro, and Brian Hurren. To date, the band has released fourteen studio albums, with a number of their songs sung in Scottish Gaelic. Initially formed as a three-piece dance band, which played wedding receptions, the trio's first performance took place at Kelvin Hall, in Glasgow.[1] Runrig's music is often described as a blend of folk and rock music, with the band's lyrics often focusing upon locations, history, politics and people that are unique to Scotland. Songs also make references to agriculture and land conservation. Since 1999, the band has gained attention in Canada, following Nova Scotian singer Bruce Guthro's entry to the band. In 2016, the band announced that it would retire from studio recording after the release of its 14th studio album, The Story.

C Instrument - Digital Download SKU: A0.1474063 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #1051698. Published by Mark Wayne Music, LLC (A0.1474063). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.

Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1049353 Composed by Alexis Kesselman, Connor McDonough, Joel Castillo, Joji Kusunoki, and Riley McDonough. Arranged by Michael Habrom. Jazz,Pop. Individual part. 4 pages. Michael Habrom #653724. Published by Michael Habrom (A0.1049353). Wonderful song by Joji for Descant (Soprano) Recorder. Notice: This Arrangement is in A minor instead of Original Key F minor. So it's better to play! Also have a look at the other arrangements by Michael Habrom, one of the most popular arrangers. You will always find current songs that fit the instrument perfectly: https://www.sheetmusicdirect.com/de-DE/Search.aspx?query=habrom.

Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down� and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.

Cello Solo - Digital Download SKU: A0.745612 Composed by Tracey Craig McKibben. 20th Century,Concert. Individual part. 6 pages. Tracey Craig McKibben #2119487. Published by Tracey Craig McKibben (A0.745612). Chanson de la mer is a lyrical solo composed for the intermediate level cellist. Evoking the back and forth of waves on the shore, the haunting timbre of the cello expresses the beauty and dignity of the sea. For more information on current and upcoming arrangements, like my page on Facebook, TLC-Notes Music at www.facebook.com/TLCNotesMusic and visit my website at www.tlc-notes.com.

French Horn,Piano - Level 3 - Digital Download SKU: A0.1046495 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651018. Published by Keith Terrett (A0.1046495). An arrangement of one of Puccini’s greatest arias for French Horn & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.

Instrumental Duet Alto Flute,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.1140429 Composed by Phil Beaman. 20th Century,New Age,Spiritual. Score and parts. 4 pages. Phil Beaman #740680. Published by Phil Beaman (A0.1140429). This duet is a Meditation for Alto Flute and Cello. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The melodic range for Flute is thus quite large - a full two octaves, from Db above the staff to Eb on the bottom line. The cello accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord broken triad ostinato. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 2 pages; 3:00 minutes (presented in a condensed single staff score with the Cello part notated in the introduction then the score switches to the Flute part with instructions for the Cello to repeat that measure for the remainder of the song. 2 copies provided in download.).

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880901 Composed by Clifton Dillon, Omar Samuel Pasley, and Sly Dunbar. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6235323. Published by MARCO POLO IGNACIO (A0.880901). Hoax (stylized as HOAX) is an American indie pop band originating in Long Island, New York. The band is led by Michael P. Raj (vocals) and Frantz N. Cesar (bass).The band released Grow on September 28, 2018, which Earmilk compared to Bee Gees and praised for having a vintage feel while still maintaining to stay current..

Concert Band - Digital Download SKU: AX.00-PC-0015766_C2 2nd B-flat Clarinet. By Justin Bieber. Arranged by Victor López. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015766_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015766_C2). UPC: 038081417974.Victor LA3pez has selected and arranged three of the hottest titles from the Justin Bieber discography to be included in this medley: Somebody to Love, Down to Earth, and Baby. The arrangement is to be played in its entirety; however, as an added option, each title may be performed separately. This arrangement is current, exciting, and guaranteed to be a hit with your students and audience.

Piano Solo - Level 2 - Digital Download SKU: A0.803336 By Margery McKay. By Richard Rodgers. Arranged by Paul Taylor. Contemporary. Score. 3 pages. Paul Taylor #5759653. Published by Paul Taylor (A0.803336). Climb Every Mountain was first heard in 1965's hit musical entitled The Sound of Music. The recording is performed by 78-years-young Batya Bloomberg, a retired grocery clerk and online piano student of mine residing in Skokie, Illinois. This selection depicts the rewards of perseverance and hope in  the Von Trapp's family daring escape from Nazi-occupied Austria during the second world war.  Its message is still universally relevant for those of us living through the current pandemic. This arrangement for solo piano includes the text, chord symbols and some interpretive markings. .

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Full Orchestra - Level 2 - Digital Download SKU: A0.750822 Composed by Loys Bourgeois (c.1510 – c 1560). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 41 pages. BJE Music #3630473. Published by BJE Music (A0.750822). Old 100th or Old Hundredth (also commonly called Old Hundred) is a hymn tune in Long Metre from Pseaumes Octante Trois de David (1551) (the second edition of the Genevan Psalter) and is one of the best-known melodies in all Christian musical traditions. The tune is usually attributed to the French composer Loys Bourgeois (c. 1510 – c.1560).Although the tune was first associated with Psalm 134 in the Genevan Psalter, the melody receives its current name from an association with the 100th Psalm, in a translation by William Kethe entitled All People that on Earth do Dwell. [Wikipedia] This arrangement is for either concert band or orchestra or any combination of both. There are parts for Eb and F Horns, 3rd Violin (sub-Viola) and an optional Piano/Organ (not on the score) part included in the PDF.  A Descant part can be used in the 2nd and 4th verses played on Flute and/or Trumpet. The MP3 was recorded with NotePerformer 3.Grade = 3   Duration 1:20 mins (2 verses).

Piano Solo - Level 3 - Digital Download SKU: A0.745647 By Vince Gill. By Vincent Gill. Arranged by Tracey Craig McKibben. Country. Score. 5 pages. Tracey Craig McKibben #5792337. Published by Tracey Craig McKibben (A0.745647). Vince Gill's beautiful song, Go Rest High On That Mountain, is arranged for intermediate solo piano. The flowing, reflective interpretation highlights the beauty of the melody. Suitable for funerals as well as recitals and concerts. For more information on current and upcoming arrangements, like my page on Facebook, TLC-Notes Music at www.facebook.com/TLCNotesMusic.