Piano - Digital Download SKU: A0.1070367 Composed by Barbara Graff. Contemporary,New Age. Full Performance. Duration 243. Barbara H Graff #4592199. Published by Barbara H Graff (A0.1070367). Out of the Dark is one of the most popular instrumentals on Spotify by composer Barbara Graff. It is the second track on Barbara's Into the Light EP. For Barbara, it meant eschewing unproductive thoughts and embracing the moment as part of life's journey. The result is relaxing, beautiful and uplifting piano.Barbara is an award-winning pianist and composer. Her music is played on Pandora Radio and several prestigious piano and new age radio stations. Her current album, Beginnings, is charting in the Top 20 on several radio stations and the Zone Music Reporter Top 100. She is also a prolific and published songwriter with placements in television shows.

Guitar,Piano - Level 3 - Digital Download SKU: A0.747040 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946201. Published by Keith Terrett (A0.747040). Arranged for Vibraphone/Marimba & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Piano Solo - Digital Download SKU: A0.891695 Composed by Ernesto Nazareth. Arranged by Islo Nantes. 20th Century,Jazz,Latin,World. Score. 5 pages. Luiz C Teixeira #5777099. Published by Luiz C Teixeira (A0.891695). This piece by Ernesto Nazareth entitled ATREVIDINHA is a beauty. The piano arrangement is based on the original. The first edition of this piece is from 1889 but it is as current as if it were composed yesterday.

Cello and string orchestra - Digital Download SKU: S9.Q43502 From String Quartet No. 1, Op. 11 in Tchaikovsky's own arrangement for cello and string orchestra. Composed by Peter Ilyich Tchaikovsky. This edition: set of parts. Eulenburg Chamber Series. Downloadable, Set of parts. Ernst Eulenburg & Co. GmbH - Digital #Q43502. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q43502). Key: B major.This little lyrical and sumptuous gem is based on the famous 2nd movement of his String Quartet No. 1 in D major Op. 11. The arrangement was probably written in Paris in 1888 for his friend, the Russian cellist Anatoly Brandukov. The current edition is based on the edition from the volume of the old Tchaikovsky Complete Edition published by Victor L. Kubacky (1891-1970), a pupil of Brandukov.

Full Orchestra - Digital Download SKU: AX.00-PR-0003972 Score. Composed by William Finn. Arranged by Douglas E. Wagner. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0003972. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003972). UPC: 038081276892.Can you spell B-R-I-L-L-I-A-N-T? Well, that's the word that most aptly describes William Finn's GRAMMY-nominated soundtrack for the current Broadway hit. Doug Wagner captures all of the excitement in his dynamic concert (full) orchestra scoring. School, community and professional orchestras will quickly embrace this gem as an instant audience pleaser.

Steel Drum Band Bass Voice,Double Second,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan,Triple Cello - Level 2 - Digital Download SKU: A0.1353363 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Tyler North. Pop,Rock. Score and Parts. 10 pages. Tyler J. North #938121. Published by Tyler J. North (A0.1353363). This is an 5-Part (plus percussion) arrangement of the Harry Styles mega-hit As It Was written specifically for Steel Ensemble.  Bass parts are included for both bass pans and electric bass (with the bass pan parts sounding an octave lower than written).  Please note that the current sample recording uses vibraphone and marimba (due to my lack of a steel pan sample library), but this arrangement is intended for steel ensemble. Part Ranges:Both the 1st and 2nd Lead parts  assume C4 as the lowest pitch. The Cello part does not venture below C3The Bass part does not venture below C2 (though the music is written an octave higher than it sounds for easier readability).The ranges have been selected for maxumum compatibility, but feel free to adjust octaves as needed since steel pan ranges have not yet been fully standardized.

Bassoon Solo - Level 5 - Digital Download SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

C Instrument - Digital Download SKU: A0.808523 Composed by Joseph Lacalle. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #6212055. Published by Mark Wayne Music, LLC (A0.808523). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1075616 Composed by Gabriel Faure. Arranged by Frank Reifenstahl. Classical. Score. 12 pages. Frank Reifenstahl #679424. Published by Frank Reifenstahl (A0.1075616). As for me, one of Faure's most enchanting songs. Much of it's original impression comes from the lulling piano accompaniment. I tried to capture as much of it while adapting it to the guitars limited scope (regarding pitch range and dynamics compared to a piano) focusing on fluidity and harmonic conformance. For some parts (which might be difficult especially for players with smaller hands) the guitar score offers alternative fingerings, feel free to use whatever single alternative bar fits your taste. The download contains a score and parts, as well as a guitar tab and chord diagrams for easier accessibility.Edit: the most current download is a complete overhaul. It now contains two levels for guitar, an advanced close to piano notation and a new gig-proofed notation which is much easier to render (advanced intermediate level), both as score and tablature.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.806588 Composed by Thomas Tallis. Arranged by W. F. Schmidt. Christian,Easter,Renaissance,Sacred. Octavo. 4 pages. Wilhelm Schmidt #6319209. Published by Wilhelm Schmidt (A0.806588). This musical gem from the pen of Thomas Tallis has been arranged for SAB choir with optional accompaniment. The lyrics from John 14 have been changed from the original to reflect current conventions.

Small Ensemble Cello,Clarinet,Drums,Flute,Multi-Percussion,Vibraphone,Violin - Level 4 - Digital Download SKU: A0.927035 Composed by Kaya Roth. 20th Century,Contemporary. Score and parts. 53 pages. Kayla Roth #6711195. Published by Kayla Roth (A0.927035). This piece was written as part of the 2018 Composing In The Wilderness workshop and reflects our journey down the Koyukuk River in arctic Alaska.It is written in three movements: Mvt. I - Grey-Green Sandstone and a Bitter Current: the beginning of our journey; the roaring, bitterly cold water, the colossal mountains, the sandstone river pebbles, and even the clouds all seemed to be a stormy hue of grey-green. Mvt. II - Mica and Quartz: calmer waters further south, where pulverized mica shimmered in the sunlit river, and massive veins of milky quartz streaked the cliffs. Mvt. III - Petrified Wood: the boreal forest, where chunks of ancient, unbreakable petrified wood and infigo granite dotted the black sand beaches, while layers of exposed permafrost showed thousands of years of history.Written for flute (concert and alto), clarinet (Bb and bass), violin, cello, and percussion. 

C Instrument - Digital Download SKU: A0.808099 Composed by Hart A.Wand. Arranged by Mark Huxhold. Blues,Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2331565. Published by Mark Wayne Music, LLC (A0.808099). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A,   ABAC-heavy barline at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1369498 Composed by David W. Barber. A Cappella,Comedy,Sacred. 2 pages. David W. Barber #953863. Published by David W. Barber (A0.1369498). I wrote this little choral Amen in 1979, when the joke would have been more current and Ugandan dictator Idi Amin was all over the news. It opens in Emaj, then over the course of six bars modulates through Bmaj, Bmin7, F#min, Adim7, Cmin, F#dim and Amaj7, to arrive at a I(3)-V7-I cadence in Dmaj.It is my E-D Amen.This piece and more of my music is available for download and purchase from SheetMusicPlus and SheetMusicDirect via ArrangeMe. Find my music books and my new mystery novel, Hedshot, at IndentPublishing.com Read my author/composer blog at DavidWBarber.com Contact me at dbarber@indentpublishing.com.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.503255 By The Beatles. By John Lennon and Paul McCartney. Arranged by Yonathan Katz. 20th Century,Rock. Score and parts. 13 pages. Yonathan Katz #115411. Published by Yonathan Katz (A0.503255). - The famous song of the Beatles now arranged for trombone quintet! - The arrangement also includes improvisations section (in the nah, nah, nah... measures), where every trombonist in its turn just plays whatever comes to his mind for as long as he wants, while the rest play the background! - The melody is distributed as evenly as possible between the parts, so the ideal performers should be at roughly the same level (this is not necessary though, as you can play in a more comfortable octave if you wish). Notes: 2nd trombone part includes chords in the last 4 bars. This is to indicate 2 things: A. It shows the part of the other players in this section, so that he/she can play the current improviser's missing part. B. It's the chord progression for improvising (if you want to improvise using those chords): F, Eb, Bb, F. Hope you'll enjoy!

C Instrument - Digital Download SKU: A0.808229 By Modernaires. By Vernon Duke. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3531821. Published by Mark Wayne Music, LLC (A0.808229). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.