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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download

SKU: A0.734480

By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 15 pages. Chicory Music #5954073. Published by Chicory Music (A0.734480).

God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.

The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.

This version is arranged in F Concert for Clarinet Quartet plus Optional Acoustic Bass and Drum Set at the Intermediate Level.

Performance time is approx. 3 minutes.

God Bless The U.S.A.
Quatuor de Clarinettes: 4 clarinettes
Lee Greenwood
$15.99 15.11 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.534527

Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527).

It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.

The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.

My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.

I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.

This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.

Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
Saxophone Alto et Piano

$16.95 16.02 € Saxophone Alto et Piano PDF SheetMusicPlus

Guitar - Advanced - Digital Download

SKU: ZZ.DZ-4287

Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287).

ISBN 9782898522048.

Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.
In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.
Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.
Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).
In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.
In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.
Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.
The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.

Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.
En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.
De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.
Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).
En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.
En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.
Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.
La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».
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Madrigal Pavane / Timburibá

$7.95 7.51 € PDF SheetMusicPlus

Level 3 - Digital Download

SKU: A0.1456416

By Alicia Dominguez Arcos. By Francisco Asenjo Barbieri. Arranged by Alicia Domínguez Arcos. Classical,Film/TV,Multicultural,Patriotic,Traditional,World. 35 pages. Alicia Dominguez #1035500. Published by Alicia Dominguez (A0.1456416).

Gibraltar in 1890. Lyrical dream in one act and in verse. Text by José Picón. Music by Francisco Asenjo Barbieri. Premiere: Teatro de la Zarzuela, Madrid, January 22, 1866. Action in Gibraltar.
Musical numbers. Orchestral introduction. Chorus of foreigners and Juan (“Spanish Barbers”). Scottish Choir. Luis, Juan (“Right and firm!”). Quartet. García, López, Luis and Juan (“The daredevil project”). Scene. Samuel, Jews and soldiers (“Come quietly”). Final scene. Samuel, Jews, women, children (“My Lord, mercy”).
Characters and performers from the premiere. Miss Fanny Clayton, daughter of Lord Clayton (Dolores Fernández). Mistress Ana, Fanny's nurse (Carolina Luján).
Lord Clayton, Governor General of the Square (Calvet). Luis Pla, tavernkeeper (Dalmau). Juan Plo, barber (Landa). López, neo-Catholic (Arderíus). García, Republican (Jiménez). Samuel, Jewish merchant (Rochen). A policeman (Mr. Castillo).

Gibraltar 1890 "II" - Score Only
Alicia Dominguez Arcos
$9.00 8.5 € PDF SheetMusicPlus

Violin - Digital Download

SKU: BQ.979-0-50179-171-2

Composed by Josephus Andreas Fodor. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 34 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-171-2).

ISBN 9790501791712.

Fodor made his reputation as a touring violin virtuoso but in spite of his star status he mainly composed duets for violin. Of the few solo works that exist, the caprices in this edition illustrate a solid musicality that harks back to the influence of his teacher Franz Benda. The first three caprices were published and copied widely while the fourth has been restored from a sole surviving manuscript copy and marks the first republication of the piece in almost two hundred years.

Vier Capricen
Violon

$15.95 15.07 € Violon PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download

SKU: A0.1444286

By Ronan Tynan. By Frank O'Meara and Sean O'Meara. Arranged by Paul Johnson. Celtic,Folk,Irish,Pop. Brass Band. 18 pages. Sinfonia Music Co #1024200. Published by Sinfonia Music Co (A0.1444286).

This lovely melodic song was written about GRACE EVELYN GIFFORD PLUNKETT, who was an Irish Artist & Cartoonist and was active in the republican movement, she married her fiancee JOSEPH PLUNKETT in Kilmainham Gaol (Jail) only a few hours before he was taken out and executed for his part in the 1916 Easter Rising.
Its been arranged for 12 piece Brass Ensemble with percussion (Drum Set).

Grace
Ronan Tynan
$25.00 23.62 € PDF SheetMusicPlus

Bass Trombone,Double Bass,Drum Set,Tenor Trombone - Level 4 - Digital Download

SKU: A0.734492

By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Contemporary,Historic,Patriotic,Singer/Songwriter. 18 pages. Chicory Music #6018071. Published by Chicory Music (A0.734492).

God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.

The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.

This version is arranged in F concert for Trombone Quintet / Choir plus Optional Acoustic Bass and Drum Set at the Adv. Intermediate Level.

Performance time: approx. 3 minutes.

God Bless The U.s.a.
Lee Greenwood
$17.99 17 € PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.855493

Composed by Julia Ward Howe(1819-1910). Arranged by Joseph Pugh. Christian,Classical,Contemporary,Holiday,Patriotic,Sacred. Score and parts. 9 pages. Joseph Pugh #6878403. Published by Joseph Pugh (A0.855493).

This is the String Quintet arrangement by, Joseph Pugh of one of the most popular patriotic anthems of all time, this song is often performed at the funerals of American soldiers and statesmen, presidential nominating conventions and inaugurations (both Republican and Democrat), and at Independence Day church services and festivities. Download the sheet music and mp3 and play along.
© Copyright 2022 All Rights Reserved.

The Battle Hymn Of The Republic
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.99 9.44 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1121011

By Anónimo (Dominio Público). By Anónimo (Dominio Público). Arranged by Juan Carlos Cortés Aguirre. 19th Century,Historic,Instructional,Patriotic,Traditional. Score. 2 pages. Juan Carlos Cortés Aguirre #722202. Published by Juan Carlos Cortés Aguirre (A0.1121011).

Compuesta para el Libertador Simón Bolivar, obra extraída del Cuaderno de Carmen Caycedo hija del presidente Domingo Caycedo que dan testimonio de las piezas de moda en aquella época. Se escuchó en el campo de Boyacá el 7 de agosto de 1819 y repetidamente durante las festividades realizadas durante 15 días en Bogotá con ocasión del recibimiento de los libertadores.

La Vencedora - Contradanza tradicional de la época de independencia de la República de Colombia.
Piano seul
Anónimo (Dominio Público)
$7.99 7.55 € Piano seul PDF SheetMusicPlus

Recorder - Digital Download

SKU: A0.814593

Composed by Leopoldo Miguez. Arranged by Orlan Charles. 20th Century,Multicultural,Patriotic,Standards,World. Recorder Ensemble. 10 pages. ORLAN CHARLES MARCHIORI PRADO #3904035. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814593).

Hino da Proclamação da República do Brasil (Hymn to the Proclamation of the Republic of Brazil).
Composed by Leopoldo Miguez (1890)
Arranged for Recorder Quintet (Sn,S,A,T,B) by Orlan Charles

I played this arragement in this video:
https://www.youtube.com/watch?v=bxDFM7tZc6A

If you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below:

Email: orlandagaita@gmail.com

Instagram: @orlancharles

Facebook: https://www.facebook.com/orlancharlespage/


Hino da Proclamação da República do Brasil (Hymn to the Proclamation of the Republic of Brazil)

$9.99 9.44 € PDF SheetMusicPlus






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