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Cello,Instrumental Duet,Pipe Organ - Level 3 - Digital Download SKU: A0.549919 Composed by James M. Guthrie. 20th Century,Sacred,Standards. 10 pages. Jmsgu3 #3914741. Published by jmsgu3 (A0.549919). The chaconne has evolved from a quick dance song in Spanish culture to a significant musical form. Initially, it was a dance accompaniment, often with somewhat bawdy lyrics, and was characterized by a repeated harmonic progression. Over time, it transitioned into an instrumental form in slow triple time, built on a recurring harmonic pattern or a repeated bass line called a ground. The chaconne's spread in Europe through guitar music and theater further transformed the genre, and it became prevalent during the Baroque era, with many chaconnes existing from the 17th and 18th centuries. In more recent times, the chaconne, like the passacaglia, need not be in 3/4 time, showcasing its continued evolution and adaptability.
Guthrie: Chaconne for Cello & Organ
Violoncelle, Orgue

$27.95 24.35 € Violoncelle, Orgue PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014377_H1 1st F Horn. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_H1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
Broken Bow: 1st F Horn
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Steel Pan - Level 4 - Digital Download SKU: A0.1231170 Composed by Johann Sebastian Bach. Arranged by Michelle Rudder. Classical,Contemporary,Multicultural,World. 88 pages. Michelle Rudder #826716. Published by Michelle Rudder (A0.1231170). This arrangement of J.S. Bach's Orchestral Suite in D Major: Air (Air on a G String) for steel orchestra (steelband) has been entitled “Wine Bach,†a play on the term “wine back†that refers to a form of dancing native to Trinidad and Tobago called wining. The wine is danced to calypso and soca music and is very prevalent during the Carnival festivities. The term to “wine back†is to perform this dance with one’s back to one’s dance partner. The name “Wine Bach†celebrates the blend of Bach’s music with calypso rhythms played by the steel orchestra, in a way that people could dance on the streets at Carnival.
Wine Bach ("Air on a G String" arrangement for Steel Orchestra, Steelband)

$60.00 52.27 € PDF SheetMusicPlus

French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
O Come All Ye Faithful for French Horn & Piano
Cor et Piano

$24.95 21.74 € Cor et Piano PDF SheetMusicPlus

Ukulele - Level 3 - Digital Download SKU: A0.1149540 By Michael P Walker. By Various. Arranged by Michael P Walker. 19th Century,Romantic Period. Score. 168 pages. Michael P Walker #749686. Published by Michael P Walker (A0.1149540). These sixty-six compositions were arranged for the Low G ukulele and represent some of the greatest composers of the 19th Century – The Romantic Era as a movement does not refer to romantic love, though that theme was prevalent in many works composed during this time period. Romanticism describes the expansion of formal structures within a composition, making the pieces more passionate and expressive. The Romantic period contradicted the Classical period by introducing freedom, artistic creativity, and experimentation. Expressing an emotion or an idea was the most important, therefore the melody was the dominant feature Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Sixty-five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
ROMANCE! Compositions from the 19th Century Romantic Movement for Low G Ukulele
Ukulele
Michael P Walker
$19.95 17.38 € Ukulele PDF SheetMusicPlus

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548635 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3405927. Published by jmsgu3 (A0.548635). Away in a Manger arranged for string quartet with a re-harmonization for the final verse. Very easy to play and easy on the ear. Away in a Manger is a popular Christmas song published in the late 19th century and performed worldwide. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought Martin Luther wrote it, but now the song is considered American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published as Luther's Cradle Hymn by James R. Murray. Then came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the music has become known as Mueller. Nobody knows who this Mueller is, but the name stuck. Popularity By the 1880's the cradle song was being performed in church. By the 1990's the song was becoming the most popular Christmas song ever. Nearly everyone sang it in school, in church, and at home. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not attributing the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published many different arrangements of the music. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement uses the songs to an old Normandy carol. 
Away In A Manger for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
the 1880's the cradle song was being performed in church
$24.95 21.74 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  
O Come All Ye Faithful for Clarinet & Piano
Clarinette et Piano

$24.95 21.74 € Clarinette et Piano PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014377_T2 2nd B-flat Trumpet. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_T2). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
Broken Bow: 2nd B-flat Trumpet
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1306695 By GRIGORY SOKOLOV. By J. P. Rameau. Baroque. Score. 3 pages. Polly #896024. Published by Polly (A0.1306695). Les Sauvages is a famous harpsichord piece composed by the French composer Jean-Philippe Rameau. It is part of Rameau's suite of keyboard pieces titled Nouvelles Suites de Pièces de Clavecin (New Suites of Harpsichord Pieces), which he composed in the early 18th century. Les Sauvages is the closing piece of the suite titled Suite in G major.This composition is renowned for its lively and spirited character. It reflects the fascination with the exotic and the savage that was a prevalent theme in European art and music during the 18th century. Les Sauvages is known for its energetic and rhythmic qualities, featuring rapid and repetitive musical figures that evoke a sense of wild and primal dancing.Rameau's Les Sauvages remains a popular and frequently performed piece in the harpsichord and classical music repertoire. Its lively and exuberant character makes it a favorite choice for harpsichordists and audiences alike, and it provides a glimpse into the musical tastes and styles of the Baroque era.
J. P. RAMEAU - "LES SAUVAGES"
Piano seul
GRIGORY SOKOLOV
$1.99 1.73 € Piano seul PDF SheetMusicPlus

Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Contrabassoon & Piano

$24.95 21.74 € PDF SheetMusicPlus

Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass.  
O Come All Ye Faithful for Piano Trio
Piano Trio: piano, violon, violoncelle

$24.95 21.74 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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