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Chorus - Digital Download SKU: AX.00-PO-0001015 Over the Rainbow - SSAB, opt. a cappella. Composed by Harold Arlen. Arranged by Andy Beck. Choral. 18 pages. Alfred Music - Digital Sheet Music #00-PO-0001015. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001015). UPC: 038081398235. E. Y. Harburg.Israel Kamakawiwo'ole's Hawaiian-style Over the Rainbow has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar.A cappella; Recorded Acc. Available.
Over the Rainbow
Chorale 3 parties

$2.25 1.95 € Chorale 3 parties PDF SheetMusicPlus

French Horn,Piano - Level 1 - Digital Download SKU: A0.548511 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 4 pages. Jmsgu3 #3388113. Published by jmsgu3 (A0.548511). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Horn in F O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
O Come All Ye Faithful for French Horn & Piano
Cor et Piano

$24.95 21.59 € Cor et Piano PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.910349 Composed by Mykola Leontovych. Arranged by Joseph B. Neeley. A Cappella,Christian,Christmas,Film/TV,Holiday. Score. 1 pages. Joseph Neeley #6189989. Published by Joseph Neeley (A0.910349). Carol of the Bells is a popular Christmas carol written by Ukrainian composer Mykola Leontovych in 1914.  The song is based on the a folk chant Shchedryk.  The original work was sung a cappella by a mixed four-voice choir.  Additional dynamic and tempo markings have been added reflecting common performance of the composition in a four-voice choir.  There are innumerable recordings and is prevalent in popular culture including the Home Along movies, Saturday Night Live, The Muppets, and many covers.  A great song for the beginner to early intermediate pianist.
Carol of the Bells
Piano Facile

$1.99 1.72 € Piano Facile PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548715 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411741. Published by jmsgu3 (A0.548715). Out of the Depths I Cry to You by Martin Luther arranged for clarinet & piano.  The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Clarinet & Piano
Clarinette et Piano

$24.95 21.59 € Clarinette et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 37.16 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano - Digital Download SKU: B8.EB-8935 Urtext. Composed by Eduard Franck. These Six Piano Sonatas op. 40 comprise the first great sonata cycle by Eduard Franck. Composed in a longer period before 1882, the sonatas immediately found a great, in part brilliant reception after publication. Score. 152 pages. Breitkopf and Haertel - Digital #EB-8935. Published by Breitkopf and Haertel - Digital (B8.EB-8935). ISBN 9790004186022. 9 x 12 in inches.So, for instance, the Neue Zeitschrift fur Musik opined on 11 May 1883: Since Beethoven probably few top-ranking composers have brought into being such creations as Eduard Franck. […] Several of them deserved to be performed symphonically, because prevalent in them are dramatic elements […]. Eduard Franck's piano sonatas are perceived in our time as a modest continuation of the classical and romantic piano sonata in line with a recognized and proven model. With op. 40 now appearing, Breitkopf & Hartel begins its edition of Eduard Franck's piano works, thus completing the picture of the romantic piano sonata in the second half of the 19th century.
6 Piano Sonatas Op. 40
Piano seul

$44.95 38.89 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.726077 Composed by C.H.H. Parry (1848-1918). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 16 pages. Con Spirito Music #3469576. Published by Con Spirito Music (A0.726077). Dear Lord and Father of Mankind is a hymn text by the American Quaker poet John Greenleaf Whittier (1807-1892) that is customarily sung to either of two tunes. In the US, the tune Rest by the English organist and teacher Frederick Charles Maker (1844-1927) is more popular, while in the UK, Repton by the English composer, teacher, and music historian Sir Charles Hubert Hastings Parry (1848-1918) is prevalent.
Dear Lord and Father of Mankind (REPTON) - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.98 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB1052 I Sing the Mighty Power of God. Composed by George Christ. Arranged by George Christ. Palm Sunday, General. With Piano or Harp substitues for Choir 2, Handchimes 3-5 choirs. Score. 4 pages. Chorister's Guild - Digital #CGB1052. Published by Chorister's Guild - Digital (C7.CGB1052). UPC: 749193027370.A lament is a passionate expression of grief and mourning. The use of the harmonic minor scale (minor scale with a raised 7th) in Lament evokes anguish and sorrow. The piece is easily programmed for church and would help bring scripture to life, as laments and lamentations are a prevalent expression throughout the Bible. In non-religious settings, the piece can be programmed to express sorrow, recognize crisis, or anytime an evocative minor piece is needed. Ringers and listeners alike will appreciate the emotive journey of Lament.
Hosanna, Loud Hosanna - Keyboard Score (Organ or Piano)
Cloches

$6.95 6.01 € Cloches PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014377_PC1 1st Percussion. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_PC1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
Broken Bow: 1st Percussion
Orchestre d'harmonie

$3.00 2.6 € Orchestre d'harmonie PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Baritone Sax & Piano
Saxophone Baryton, Piano

$24.95 21.59 € Saxophone Baryton, Piano PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1205869 By Brian Harris. By Wolfgang Amadeus Mozart. Arranged by Brian Harris. Classical,Traditional. Score and Parts. 10 pages. Bandroom.com Publications #804059. Published by Bandroom.com Publications (A0.1205869). ___________________________________________________ Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4) Sinfonie in g K. 183 (K.6: 173 dB)Works with Barenreiter and other editions.These transposed parts have prevalent measure numbers, but the rehearsal letters (taken from the Barenreiter Urtext) might be in different locations in other editions. These are not edited parts, but are simply transposed into F from the publisher's original printing.Recently performed in concert, the parts have been highly proofed and edited for clarity and accuracy.Comment: Having both paired parts on a single staff (1st/2nd Horn; 3rd/4th Horn) can help with balance issues by allowing certain notes to be played by only one player; this is especially true for certain high notes in the 1st/2nd parts..Original keys:Mov. 1 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 2 - Horn 1 & 2 in Es (E-flat); Horn 3 & 4 - tacetMov. 3 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in GMov. 4 - Horn 1 & 2 in B (B-flat); Horn 3 & 4 in G_______________________________________________.
Mozart - Symphony No. 25 in G minor - transposed parts for Horn in F (Hn. 1, 2, 3, 4)
Orchestre
Brian Harris
$7.00 6.06 € Orchestre PDF SheetMusicPlus

Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Piano Trio

$42.95 37.16 € PDF SheetMusicPlus






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