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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)

$12.00 10.34 € PDF SheetMusicPlus

String Quartet String Quartet - Level 1 - Digital Download SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$42.95 37.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  
O Come All Ye Faithful for Clarinet & Piano
Clarinette et Piano

$24.95 21.5 € Clarinette et Piano PDF SheetMusicPlus

Handbells handbell choir (3-7 octaves) - Level 3 - Digital Download SKU: H1.2412DP Arranged by Cynthia Dobrinski. Classics, Hymntune, General Worship, Assurance, Comfort. Handbell score. 10 pages. Hope Publishing - Digital #2412DP. Published by Hope Publishing - Digital (H1.2412DP). 1 Thessalonians 4:17 - 2 Corinthians 12:9 - Luke 8:22 - Luke 8:23 - Luke 8:24 - Luke 8:25 - Malachi 3:6 - Psalms 42:5 - Psalms 46:10 - Revelation 21:4 - Revelation 7:17.Classic Hymn Tune Cynthia Dobrinski's creativity is once again on display in this unique and elegant arrangement of Finlandia as she paints the text of all three verses of this timeless hymn. Verse one starts quietly with rich harmonies. The second verse uses rhythmic and harmonic alteration, a short sprinkling of quiet staccato techniques, and two well-placed echoes reflecting the intent of the text. After a transition, the piece culminates in an exciting, symphonic third verse. Six and seven octave choirs will be pleased by the frequent use of their low bass and upper octave bells.
Be Still, My Soul
Cloches

$6.50 5.6 € Cloches PDF SheetMusicPlus

Handbells 3-6 octave handbells with optional tambourine - Level 2 - Digital Download SKU: H1.2549DP Arranged by Martha Lynn Thompson. Easter Sunday, General Worship. Handbell score. 11 pages. Hope Publishing - Digital #2549DP. Published by Hope Publishing - Digital (H1.2549DP). 1 Tiomothy 6:15 - Isaiah 9:6 - Revelation 17:14 - Revelation 19:16.Ancient Hebrew melody This lively, fun to ring setting from Martha Lynn Thompson is based on an ancient Hebrew melody. Full of variety, verses 1 and 3 feature bass bells malleted on the table with the treble bells ringing the melody; in verse 2 the bass bells ring the melody while the treble bells have a malleted descant. To this, 4, 5 & 6 octave choirs add a lower malleted bass line. The optional tambourine part (included and reproducible) adds a further embellishment to this versatile, efficient (1:40 min. ) arrangement suitable for worship, concerts, or school occasions.
King of Kings and Lord of Lords
Cloches

$6.50 5.6 € Cloches PDF SheetMusicPlus

Choral SATB choir - Digital Download SKU: H1.C5300DP Composed by Paul Baloche. Arranged by Jack Schrader. Contemporary, Christ The King, General Worship, Prayer. Octavo. 12 pages. Hope Publishing - Digital #C5300DP. Published by Hope Publishing - Digital (H1.C5300DP). By Paul Baloche. Revelation 1:16 - Revelation 4:8 - Psalms 119:18 - Ephesians 1:18 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isaiah 6:7 - Isaiah 6:8 - Isaiah 42:7 - 2 Corinthians 4:6 - Acts 1:9 - Acts 1:10 - Acts.Popular praise song by Paul Baloche Paul Baloche's earnest prayer for intimacy with God is one of the most popular praise songs of the day. Jack Schrader approaches it as a gentle, stylized ballad, starting with a solo, building to the memorable refrain, and concluding with a lyrical section of Holy, Holy, Holy. This top-seller is now available in a new SAB setting.
Open the Eyes of My Heart
Chorale SATB
Paul Baloche Revelation 1:16 - Revelation 4:8 - Psalms 119:18 - Ephesians 1:18 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isaiah 6:7 - Isaiah 6:8 - Isaiah 42:7 - 2 Corinthians 4:6 - Acts 1:9 - Acts 1:10 - Acts
$3.25 2.8 € Chorale SATB PDF SheetMusicPlus

Choral, Handbell (Choral, Rhythm, SAB or Three-Part) - Level 2 - Digital Download SKU: H1.C5711DP Composed by Charitie Bancroft and Vikki Cook. Arranged by Joel Raney. Sing & Ring Series. Ring & Sing, General Worship, Sacred. Octavo. 11 pages. Hope Publishing - Digital #C5711DP. Published by Hope Publishing - Digital (H1.C5711DP). By Charitie Bancroft & Vikki Cook. Revelation 4:2 - Revelation 22:1 - Matthew 6:1 - Matthew 6:2 - Matthew 6:3 - Matthew 6:4 - Matthew 6:5 - Matthew 6:6 - Matthew 6:16 - Matthew 6:17 - Matthew 6:18 - Matthew 6:19 - Matthew 6:20 - Matthew 6:21 -.Popular worship song by Charitie Bancroft & Vikki Cook This compelling new worship song conveys the pardon and forgiveness that is found before the throne of God. Joel Raney has beautifully arranged this for SAB choirs as part of our Ring and Sing series, which features a full, stand-alone handbell setting which can double as the accompaniment to the choral setting. The recording features acoustic guitar and bass playing off the guitar chords that are included in the octavo. The P/A CD includes one track with rhythm and handbells to accompany a vocal choir and a second track of just the rhythm to accompany a bell choir. The Rhythm Packet include a Conductor's Score and parts for Acoustic Guitar, Bass & Synth.
Before the Throne of God Above
Charitie Bancroft & Vikki Cook Revelation 4:2 - Revelation 22:1 - Matthew 6:1 - Matthew 6:2 - Matthew 6:3 - Matthew 6:4 - Matthew 6:5 - Matthew 6:6 - Matthew 6:16 - Matthew 6:17 - Matthew 6:18 - Matthew 6:19 - Matthew 6:20 - Matthew 6:21 -
$3.25 2.8 € PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36942 Composed by David Huntsinger. Arranged by Richard Kingsmore. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 38 pages. Jubilate Music Group - Digital #00-36942. Published by Jubilate Music Group - Digital (JX.00-36942). English. Words by Bonnie Huntsinger; David Huntsinger.David Huntsinger presents a memorable and approachable musical framework for scriptures that are not commonplace but are rich nonetheless. The landscapes he paints of the afterlife with Christ have their roots in both Americana and Gospel; they are roots Huntsinger knows well and calls on with natural grace. Richard Kingsmore's light touch with the arrangement never interferes with pristine beauty of the music and text. In this moving anthem, we get a vision of a better world. Related scripture: Isaiah 19:18; Revelation 4:21; Revelation 4:23.
The Language of Canaan

$60.00 51.71 € PDF SheetMusicPlus






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