Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1426797 By Missy Mist. By Eric Bernard Griffin and Michelle Renee Broom. Arranged by John Fries. 20th Century,Children,Comedy,Pop,Standards. Score. 2 pages. John Fries #1007502. Published by John Fries (A0.1426797). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini is a novelty song telling the story of a shy girl wearing a revealing polka dot bikini at the beach. It was written by Paul Vance and Lee Pockriss and first released in June 1960 by Brian Hyland, with an orchestra conducted by John Dixon. The Hyland version reached number one on the Billboard Hot 100, selling a million copies in the US, and was a worldwide hit. At a time when bikini bathing suits were still seen as too risqué to be mainstream, the song prompted a sudden takeoff in bikini sales. It is credited as being one of the earliest contributors to the acceptance of the bikini in society.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1122297 By Chet Baker. By Jerome Kern and Buddy da Sylva. Arranged by Liz Garnett. A Cappella,Barbershop,Standards. Octavo. 5 pages. Liz Garnett #723455. Published by Liz Garnett (A0.1122297). The first chorus of Jerome Kern's classic is conceived to be delivered in a free-flowing, conversational ballad style. It’s chord choices cast the song in a yearny, poignant light; sung from the point of view of someone who is currently finding things hard. Looking for the silver lining as courageous moral effort rather than an act of easy optimism. It then moves into tempo to the place of joy that the lyric promises as its goal. Syncopation and interchange between the parts bring musical sparkle to express lightness of spirits. The tag returns to the original tempo and feel, revealing the joy to be a vision rather than reality, but one which provides hope: we’ll find it some day. This version of the arrangement was designed to be suitable for barbershop contest. It is notated in in treble and bass alta (i.e. sung an octave higher than written) clefs. Vocal Ranges: Tenor: F4 - F#5 Lead: A3 - D5 Bari: B3 - D5 Bass: D3 - f4.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584250 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 9 pages. Jeff Tincher #5334477. Published by Jeff Tincher (A0.584250). This is the third song on Side 1 of the first LP or CD of The Beatles also known as the White Album. In the original key, the song is a story of past Beatle music, revealing who the walrus was. Duration = 2:29. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Piano with 2 oboes, 2 horns and strings - intermediate - Digital Download SKU: S9.Q16427 Composed by Johann Franz Xaver Sterkel. This edition: score. Concertino. Downloadable, Score. Op. 20. Duration 25 minutes. Schott Music - Digital #Q16427. Published by Schott Music - Digital (S9.Q16427). Key: C major.This work rewarding for soloist and orchestra is a revealing contribution to the development of the piano concerto at the end of the 18th century.

Piano Solo - Level 3 - Digital Download SKU: A0.1276456 By Jacques Offenbach. By Jacques Offenbach. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868180. Published by Darek (A0.1276456). Galop Infernal (Can-can) (MEDIUM PIANO) Orpheus in the Underworld [Jacques Offenbach]Intermediate arrangement for pianists of Galop Infernal (Can-can) Orpheus in the Underworld by Jacques Offenbach. Intermediate version for pianists | Intermediate piano arrangement | Intermediate Version | Intermediate Piano Sheet Music Classical Music | Romantic Period | Intermediate arrangement | Piano | Keyboard | For Intermediate Pianists. Included: Fingering, articulation, dynamics and video YouTube tutorial.  Embark on a captivating musical journey with meticulously crafted piano sheet music for Galop Infernal (Can-can) from Jacques Offenbach's beloved masterpiece, Orpheus in the Underworld. Immerse yourself in the vivacious melodies of this iconic composition, thoughtfully arranged for intermediate pianists seeking an exhilarating challenge. Transport yourself to the enchanting soundscape of the 19th century as you delve into this timeless piece. With meticulous fingering, articulation, and dynamics markings, each note takes on a life of its own, allowing you to infuse your interpretation with depth and expression. This arrangement bridges the gap between proficiency and virtuosity, enabling you to capture the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, revealing the intricacies and nuances of the composition. Whether seated at a piano or exploring on other instruments, the infectious energy of this captivating song transcends time and resonates with musicians of all backgrounds. Join me in celebrating the art of musical expression, as you honor Offenbach's legacy through an interpretation that captures the brilliance of his era. Ignite your passion for music and showcase your talents with this intermediate-level arrangement that promises both growth and enjoyment. Keywords: Galop Infernal, Can-can, Orpheus in the Underworld, Jacques Offenbach, intermediate pianists, piano sheet music, fingering, articulation, dynamics, YouTube tutorial, captivating song, musical expression, 19th-century music, exhilarating challenge, interpretation, essence, virtuosity.

Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - Digital Download SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)� explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadows�, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...�, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here

Violin solo and orchestra - Digital Download SKU: BQ.979-0-50179-036-4 Composed by Salomon Jadassohn. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 69. 40 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-036-4). ISBN 9790501790364.Composed for chamber orchestra, this intimate and revealing setting of the Cavatina for solo violin is one of the rare concert gems from the latter half of the nineteenth century from an acknowledged master of the form. Jadassohn was deeply impressed by the music of Richard Wagner and Cavatina is an almost sensual expression of the Wagnerian tradition in which emotional power is matched by the sophisticated handling of orchestral forces.

Level 3 - Digital Download SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score and parts. 13 pages. Jeff Tincher #5334493. Published by Jeff Tincher (A0.584254). This is the third song on Side 1 of the first LP or CD of The Beatles also known as the White Album. In the original key, the song is a story of past Beatle music, revealing who the walrus was. Duration = 2:29. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Large Ensemble Piano,Voice - Level 4 - Digital Download SKU: A0.978320 Composed by Jim Ailor. Christian,Christmas,Sacred. Score and parts. 16 pages. ResurrectionSong #6324827. Published by ResurrectionSong (A0.978320). Beginning in quiet of darkness and exploding into light, this anthem declares, Christ is the light revealing truth in the darkness. A Christ-is-the-light motif sounds throughout the piece. The anthem closes with a simultaneous singing of the motif and O Come, All Ye Faithful and a final declaration that Christ is the light! Hard copy available at J.W. Pepper.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.998537 Composed by Adolphe-Charles Adam. Arranged by Scott Fields Davis. Christmas,Easter,Sacred. Octavo. 31 pages. Scott Fields Davis #6560385. Published by Scott Fields Davis (A0.998537). O holy night by Adolphe Charles Adam, in my opinion, is easily one of the most beautiful and moving of all the Christmas carols. This arrangement has the chorus that we all know and love, with a few subtle changes. In this version, the accompaniment (played by two cellos) is stripped down to its essentials. Revealing its simplistic excellence. Lastly, each verse is written out with its own individual line of music. Making the text easier to read, it's no longer necessary to determine which one the four verses (usually stacked on top of one another) to sing. Approximate duration is 9 minutes and 46 seconds.   More music and contact information can be found at: compositionsbyscottfieldsdavis.com. Please follow me on Facebook and Youtube .

Vocal solo - Digital Download SKU: H1.8966DP Composed by Charlotte Elliott. Arranged by Mary McDonald. Piano Accompaniment. Vocal Score. 8 pages. Hope Publishing - Digital #8966DP. Published by Hope Publishing - Digital (H1.8966DP). Folk Melody with words by Charlotte Elliott This powerful ballad sets the familiar words of Just As I Am to the folk melody O WALY WALY. Arranger Mary McDonald adds an original refrain and crafts an enticing piano accompaniment that builds to an earnest and moving conclusion revealing a fresh emotional take on this beloved classic.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 16 pages. Darrell Harrison Goforth #506605. Published by Darrell Harrison Goforth (A0.747387). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Duettino, Marcellina, the maid of honor, and Susanna engage in a rather catty conversation, revealing their mutual disdain. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.

C Instrument - Level 4 - Digital Download SKU: A0.1420162 By Missy Mist. By Eric Bernard Griffin and Michelle Renee Broom. Arranged by John Fries. 20th Century,Country,Latin,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #1001589. Published by John Fries (A0.1420162). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini is a novelty song telling the story of a shy girl wearing a revealing polka dot bikini at the beach. It was written by Paul Vance and Lee Pockriss and first released in June 1960 by Brian Hyland, with an orchestra conducted by John Dixon. The Hyland version reached number one on the Billboard Hot 100, selling a million copies in the US, and was a worldwide hit. At a time when bikini bathing suits were still seen as too risqué to be mainstream, the song prompted a sudden takeoff in bikini sales. It is credited as being one of the earliest contributors to the acceptance of the bikini in society.

SATB choir (choir divisi) and organ - Medium - Digital Download SKU: MQ.8818-E Composed by Kevin Siegfried. Epiphany. Instrument parts. 10 pages. E. C. Schirmer Music Company - Digital #8818-E. Published by E. C. Schirmer Music Company - Digital (MQ.8818-E). Latin.In the tradition of Daniel Pinkham’s Christmas Cantata, Kevin Siegfried’s Vidimus stellam (We Have Seen His Star) is a radiant and uplifting work for SATB Chorus and Brass Quintet or Organ. Using traditional Latin texts drawn from Advent, Christmas, and Epiphany, Vidimus stellam evocatively traces the theme of Light through the Christmas season. In the choral parts, an expressive lyricism predominates, revealing Siegfried’s affinity for chant and early music. A balance between accessibility and challenge is maintained throughout. This is the fifth and final movement, Vidimus stellam, based on the Epiphany text, We have seen his star in the East. The organ begins quietly as if in awe, with the same material the choir will sing as Vidimus stellam. The mood remains quiet and adoring until it is interrupted by a majestic restatement of the opening material. A gentler section follows Venit lumen tuum (Your light is come). And again bursting out, the same text is repeated in a grand conclusion to this movement and the entire work.