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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792231 Composed by John Frith. 20th Century,Contemporary. Score and individual part. 55 pages. Gordon Cherry #4729067. Published by Gordon Cherry (A0.792231). John Frith began composing the `Sonata for Bass Trombone and Piano` for Stephen Fissel of the Seattle Symphony Orchestra in 2008. Originally it was intended to write only a single movement. When Mr. Fissel requested more did the idea of a three movement Sonata begin to take shape. In order to create a cohesive piece, Mr. Frith decided to use the opening Trombone figure of F-E-F as the thread to create a thematic unity within the three movement structure. The Piano introduction to the slow second movement bears this `motto` in reverse (EFE) and this is duly adopted by the Trombone and continues to be evident throughout the movement. The third movement, likewise, uses (EFE) but this time beginning with the Trombone. The composer remembers describing this movement to Stephen Fissel as a manic Waltz and it does,indeed, reach fever-pitch by the Coda. The relationship between the two instruments in this Sonata is never that of soloist and accompanist, rather as a conversation between two equal players, each in partnership with the composer’s ideas, committed to creating something of beauty.The work is written for very advanced performers and is about 14 minutes in length. John Frith 2009
Sonata for Bass Trombone and Piano
Trombone basse et Piano

$22.50 19.55 € Trombone basse et Piano PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014552_T1 1st B-flat Trumpet. Composed by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014552_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014552_T1). UPC: 038081380353.If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to hang out with a very hip melodic hook offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!
Stay Cool: 1st B-flat Trumpet
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014552_O1 Oboe. Composed by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014552_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014552_O1). UPC: 038081380353.If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to hang out with a very hip melodic hook offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!
Stay Cool: Oboe
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.987503 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 10 pages. Nina Quinlivan #15803. Published by Nina Quinlivan (A0.987503). Smile is written in an A, B, C format for an SATB choir. Part A starts with a haunting but beautiful vocal line eventually being enhanced with rich harmonic tones. Part B is the same tempo as Part A but is now in a major key with splendid harmonies which starts to give the song an uplifting feeling. Part C is now faster with each voice getting a chance to shine with gorgeous melodic lines. This song can be sung by a high school choir or an adult choir. A note from the composer; I wrote Smile because I am around young people a lot and there is so much talk about sadness and suicide in today’s culture. I wanted to write a song that gave them hope. Sometimes it just takes a smile from you to turn someone’s day around. It can also work in reverse. Someone may take the time to smile at you to turn your day into a good day. So smile, it’s free.
Smile
Chorale SATB

$2.95 2.56 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.920240 Composed by James MacConnachie. 20th Century,Contemporary. 24 pages. James MacConnachie #5215477. Published by James MacConnachie (A0.920240). Full Score and Parts for flute, 2 clarinets, bassoon and harp - Score only/ Parts only are also available at sheetmusicplus.com'Waterwheel' is an impressionistic piece principally based on whole tone scales. It is built on a series of leitmotifs, developed from melodic and rhythmic ideas as featured in the opening section. These reappear in different guises throughout the music. The piece follows an arch form – each section is referenced again later on in reverse order, with the ending an exact repeat of the opening five bars - hence the title 'Waterwheel'.The piece itself is reasonably slow, usually taking around 6 minutes to perform at the suggested tempo marking. This makes it appropriate for Intermediate/Advanced Intermediate players, either in a school environment or elsewhere.
Waterwheel - Full Score and Parts for Woodwind and Harp
Flûte, Hautbois, Clarinette, Basson

$14.99 13.03 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1193877 Composed by Jack Segal and Marvin Fisher. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #793345. Published by John Fries (A0.1193877). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  When Sunny Gets Blue is a song written by Marvin Fisher (music) and Jack Segal (lyrics), which has become a jazz standard. The song was originally recorded by Johnny Mathis and Ray Conniff and his Orchestra in 1956 as the reverse side of their hit Wonderful! Wonderful!. The song has subsequently been recorded by many artists. This arrangement includes the lyrics.
When Sunny Gets Blue
Piano, Voix et Guitare

$4.99 4.34 € Piano, Voix et Guitare PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014552_BBC1 Baritone B.C.. Composed by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014552_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014552_BBC1). UPC: 038081380353.If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to hang out with a very hip melodic hook offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!
Stay Cool: Baritone B.C.
Orchestre d'harmonie

$3.00 2.61 € Orchestre d'harmonie PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1329495 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917477. Published by Danny Crocome Music (A0.1329495). These info sheets show guitarists how to play all of the seven modes, starting from the root note D.1. D Ionian (also known as the D Major Scale)2. D Dorian (2nd mode of C Ionian)3. D Phrygian (3rd mode of Bb Ionian)4. D Lydian (4th mode of A Ionian)5. D Mixolydian (5th mode of G Ionian)6. D Aeolian (6th mode of F Ionian)7. D Locrian (7th mode of Eb Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various D modes, and to incorporate more tonal color into ones guitar playing.
D Ionian to D Locrian (Playing Through the Seven 'D' Modes)
Guitare notes et tablatures

$8.99 7.81 € Guitare notes et tablatures PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
EP!C!!!
Orchestre

$40.00 34.76 € Orchestre PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PR-0002871 Score. Composed by Vince Gassi. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0002871. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002871). UPC: 038081380353.If COOL is what you're looking for, YOU JUST FOUND IT! A simple, yet effective descending line in the lower voices of the band decides to hang out with a very hip melodic hook offered by the upper affiliates. Reverse rolls for the bridge, add in some harmony in 4ths, and the result is a level of cool your band and audiences will not soon forget. Everyone has something to say in this partnership in the study of cool. All you can say at the end of this one is Du-u-ude!!
Stay Cool: Score
Orchestre d'harmonie

$6.00 5.21 € Orchestre d'harmonie PDF SheetMusicPlus

Harpsichord - Level 3 - Digital Download SKU: A0.862503 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 2 pages. Michael Butkus-Bomier #2032023. Published by Michael Butkus-Bomier (A0.862503). Thirds, seven-note scalar runs, and syncopation characterize this final entry in the series of Modal Inventions. The Locrian mode was not a true church mode. It was given that name by jazz musicians, who wanted a modal designation for each of the seven modes for every major scale. This piece uses cut-time, and a half-note figure as its subject. The countersubject is a scale. Each exposition and its reverse end with a syncopated series of thirds, like the E Major Invention of Bach. These elements mix and match themselves through the piece, which ends on a B7 chord without a 3rd or 5th degree, giving the finale its ambiguous, Locrian sound. All nine inventions make a nice program for the opening of a three-element recital. They also make an excellent introduction into the world of modern music, since the two-part invention format is familiar, and the scalar aspect is also a musical staple throughout the eras, even though the modal derivatives rather than the parent major scales are used. MBB.
Invention in B Locrian from 9 Modal Inventions
Clavecin

$1.99 1.73 € Clavecin PDF SheetMusicPlus






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