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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1328234 By Keith Anderson. By Camille Saint-Saens. Arranged by Keith Anderson. Chamber,Contemporary,Instructional. 48 pages. Keith Anderson #916224. Published by Keith Anderson (A0.1328234). Danse Bacchanale is taken from the 19th-century opera Samson and Delilah by French composer Camille Saint-Saëns. The opera tells the story of the Biblical account of Samson and Delilah from the book of Judges. Samson has been given unnatural strength and has become a mortal enemy of the Babylonians. Delilah seeks to seduce Samson in an effort to get him to reveal the source of his strength, allowing the Babylonians to capture and humiliate him. The Danse Bacchanale represents this interaction between Samson and Delilah, telling the story of their relationship, the seduction, and the eventual capture. It ends with the “bacchanaleâ€, a wildly celebratory dance.
Danse Bacchanale
Ensemble de Percussions
Keith Anderson
$40.00 34.56 € Ensemble de Percussions PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_AX1 E-flat Alto Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_AX1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Flute or violin (fiddle) and piano; guitar ad libitum - easy to intermediate - Digital Download SKU: S9.Q46240 15 Pieces for Flute (Violin) and Piano. Composed by Toirdhealbhach O Cearbhallain. This edition: Sheet music. Flute - Irish music - violin. Downloadable. Schott Music - Digital #Q46240. Published by Schott Music - Digital (S9.Q46240). English • German.Unlike any other, Turlough O'Carolan (1670-1738) knew how to combine old Irish music with Italian Baroque music which the high society liked to listen to at that time. The use of little repeating motifs, the kind of melody and way of tension building reveal Carolan's sense and knowledge of the styles of playing typical of the Baroque period. These Baroque influences in his harp music became his unmistakable trademark. Thus, he created a whole new genre, as it were: the Celtic Classics.
The O'Carolan Book

$16.99 14.68 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.901539 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Holiday,Praise & Worship,Sacred. Score. 4 pages. Ginger Fairbanks #3892703. Published by Ginger Fairbanks (A0.901539). Though written in 1757, this hymn by Robert Robinson and John Wyeth continues to resonate with Christians seeking divine grace. Ginger’s powerful arrangement expresses the emotions of the text, with poignant soft sections, a soaring climax, and dissonant notes that reveal the conflict in the phrases, Prone to wander, Lord, I feel it, Prone to leave the God I love. Throughout the song, the arrangement carries an air of hope, then ends triumphantly as the words invite us to turn our will to God and ask him to make us something more than ourselves, saying, Here’s my heart, O take and seal it, Seal it for thy courts above. This melody-centric arrangement for the intermediate pianist is well-suited for worship services and occasions when you want to inspire your listeners.Listen to this song in its entirety on Spotify: https://open.spotify.com/artist/68sJ3cgLo60l50ngysdki2
Come Thou Fount
Piano seul

$4.95 4.28 € Piano seul PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_BTX E-flat Baritone Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_BTX). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: E-flat Baritone Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Heidi Savoie
$24.99 21.59 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.
Faroese National Anthem for Piano
Piano seul
Keith Terrett
$4.99 4.31 € Piano seul PDF SheetMusicPlus

Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
Berkshire Storms (Downloadable Study Score)
Orchestre

$24.00 20.74 € Orchestre PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.845979 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 29 pages. ViolinVagabond Music #5739335. Published by ViolinVagabond Music (A0.845979). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this chart in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.**This score is also available with Rhythm Section Parts for guitar, bass & drum set, which your ensemble can use to perform with a full band. Visit https://www.sheetmusicplus.com/title/21765313?aff_id=655189 for more details**Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
Better Days
Quatuor à cordes: 2 violons, alto, violoncelle
OneRepublic
$19.99 17.27 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1211877 Composed by Elizabeth Borowsky. Blues,Jazz. Score. 7 pages. Piano Prodigies #809427. Published by Piano Prodigies (A0.1211877). The game of hide-and-seek is loved by people around the world. The hider must defy expectations. Where would the seeker never expect you to hide? When your heart is thudding in your ears, how still can you hold yourself? How long can you evade the seeker? The seeker, in turn, must learn to suss out the hider. They must learn to think like the hider, and use tricks to try and reveal the location of person they are hunting. In this piece you must be both the hider and the seeker, learning tricks and foils to tease out the playful moods of this piece.
Hide-N-Seek
Piano seul

$7.00 6.05 € Piano seul PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1264182 By Leda Georgieva, Julian Gospodinov, Mihaela Takens, Anna Takens, Berend Takens. By Leda Georgieva. Arranged by Leda Georgieva. Christian,Praise & Worship,Religious,Spiritual. Score and Parts. 51 pages. Leda Georgieva #856995. Published by Leda Georgieva (A0.1264182). A nice christian song, that is performed by a soloist child, choir, two violins, violoncello, flute, piano and vibraphone. It can be performed by a soprano soloist. It can be accompanied by organ or piano.It is sang in Bulgarian language. The text in English is:You are worthy me to sing todayabout your everlasting mercy and love,because You reveal to me your works every day!I will sing again for You, my Lord,and I will never stop.With Your power and with Your spirit I will glorify You!Let there be a song, so sonorous and to echoand loudly annouce, that You are love!For the joy that You donate to me so generously every momentand for the peace deeply in me I will glorify You all the time.Let there be a song, so sonorous and to echoand loudly announce, that You are love!
You are worthy - ДоÑтоен Ñи
Orchestre d'harmonie
Leda Georgieva, Julian Gospodinov, Mihaela Takens, Anna Takens, Berend Takens
$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Organ, optional trumpet - Medium - Digital Download SKU: MQ.10-589-5E Composed by Robert J. Powell. 9/11 Service, Funeral, National Songs/Patriotic. 5 pages. MorningStar Music Publishers - Digital Sheet Music #10-589-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-589-5E). Includes: 1. An Evening Call to Prayer Taps (DAY IS DONE), AR HYD Y NOS, MERRIAL, TALLIS' CANON, EVENTIDE, STILLE NACHT 2. A Prayer for the Protection of Our Armed Forces HESPERUS, GOD OF OUR FATHERS, MONTEZUMA, MELITA 3. War Is the Blemish on Any Nation's Character MATERNA, AMERICA (NATIONAL ANTHEM/ MY COUNTRY 'TIS OF THEE), STAR-SPANGLED BANNER, BATTLE HYMN OF THE REPUBLIC Tone poems reveal the official hymns of all branches of the Armed Forces, and such patriotic favorites as Materna, America, The Star-Spangled Banner/National Anthem, and Battle Hymn of the Republic. 4. In Memoriam: The Grief of Separation Tempered by Faith and Courage Taps (DAY IS DONE) 5. National Glory Is Restored, but Trumped by the Promise of an International Resurrection EASTER HYMN (WORGAN/LYRA DAVIDICA), DUKE STREET, VICTORY (PALESTRINA), Taps (DAY IS DONE) Parts for optional Trumpet included.
National Glory Is Restored, but Trumped by the Promise of an "International" Resurrection (Downloadable)

$5.00 4.32 € PDF SheetMusicPlus

Small Ensemble Guitar,Low Voice - Level 3 - Digital Download SKU: A0.576041 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 8 pages. David Warin Solomons #2030189. Published by David Warin Solomons (A0.576041). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years, (sound sample performed by the composer) but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes.
Three words too many for alto and guitar

$7.00 6.05 € PDF SheetMusicPlus






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