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Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.912905 Composed by Brandon Nelson. Concert,Contemporary. Individual part. 6 pages. Brandon Nelson #1954833. Published by Brandon Nelson (A0.912905). According to Homer (Odyssey iv:412), the sandy island of Pharos, situated off the coast of the Nile delta, was the home of Proteus, the old god of the sea. In the Odyssey, Menelaus relates to Telemachus that he had been becalmed here on his journey home from the Trojan War. He learned from Proteus’ daughter Eidothea that if he could capture her father, he could force him to reveal which of the gods he had offended and how he could propitiate them and return home. Proteus emerged from the sea to sleep among his colony of seals, but Menelaus was successful in holding him, though Proteus took the forms of a lion, a serpent, a leopard, a pig, even of water or a tree. Proteus then answered truthfully, further informing Menelaus that his brother Agamemnon had been murdered on his return home, that Ajax the Lesser had been shipwrecked and killed, and that Odysseus was stranded on Calypso’s Isle Ogygia. This piece, for solo tenor sax, illustrates that mighty conflict between Menelaus and Proteus. Each movement illustrates a different form the god took in his attempt to evade sharing his knowledge. Composition The rhythmic motives are based on the ancient Greek poetic meters. I translated these patterns of long and short sounds to musical notation (using the sixteenth note as the basic unit). I randomized the order and deployed the resulting phrase as a sort of idee fixe. Each movement uses this rhythmic idea beginning at a different point. The melodic content is based on a pentatonic set and its permutations, primarily its modes. I arrayed these pitches into a grid (not unlike the matrix used in dodecaphonic music) and assigned pitches to the rhythmic motives using differing deployment schemes (rotation, chaining, etc). Learn more about me: bnelsonmusic.wordpress.com.
Proteus
Saxophone Tenor

$7.99 6.9 € Saxophone Tenor PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_AX1 E-flat Alto Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_AX1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Full orchestra - Medium - Digital Download SKU: MQ.8421-E Composed by Douglas Gerber. 23 pages. E. C. Schirmer Music Company - Digital #8421-E. Published by E. C. Schirmer Music Company - Digital (MQ.8421-E). Most people have heard the saying, 'If you don’t like the weather in New England, wait a minute.' Driving through the Berkshires one day in Western Massachusetts, I came across such an event when three short but very intense storms hit one after the other. Lightning flashed on either side of the highway, thunder crashed deafeningly all around me, and a torrent of blinding rain flooded the landscape. In between each storm was a very short yet magnificent and unsettling calm that allowed the sun to peek through the clouds to reveal a beautiful blue sky. Berkshire Storms aims to emulate these brief tempests with an uneasy calm between each of them. The blue sky opens up at the end, but the storm has the last say. -Douglas GerberDuration: 4:00.
Berkshire Storms (Downloadable Study Score)
Orchestre

$24.00 20.74 € Orchestre PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_BC B-flat Bass Clarinet. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_BC). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: B-flat Bass Clarinet
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Quartet,String Ensemble Cello,Viola,Violin - Digital Download SKU: A0.1092763 Composed by Ignaz Josef Pleyel. Arranged by Artaria Editions. Classical. Score and parts. 66 pages. Artaria Editions #696870. Published by Artaria Editions (A0.1092763). For string quartet Artaria Editions AE248 Edited by Dianne James 66 pages This is a scholarly edition of a public domain work. Pleyel's Op.2 String Quartets were first published in 1784 by the Viennese publisher Graeffer. They were advertised in the Wiener Zeitung on 15 December of that year and appeared with a dedication to Joseph Haydn. All six works reveal Pleyel as a composer of considerable skill and accomplishment. Thematic invention is consistently high across all six works and some movements, many of the sonata forms in particular, are remarkable for the rich variety of musical material presented.
String Quartet in D major, Op. 2, No. 6 (Benton 312) (score and parts)
Violon

$53.00 45.79 € Violon PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_BTX E-flat Baritone Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_BTX). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: E-flat Baritone Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Heidi Savoie
$24.99 21.59 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Strings and basso continuo - Digital Download SKU: S9.Q24162 Composed by Pietro Antonio Locatelli. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Volume op. 4/7-12, Op Band 2. Ernst Eulenburg & Co. GmbH - Digital #Q24162. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24162). Key: F major.For the six concertos that make up the second part of the Op. 4, Locatelli prescribed eight parts: Violino Primo, Secondo, Alto, è Violoncello, Soli. Violino Primo, Secondo, Alto, è Basso, Ripieni. The use of such forces immediately reminds one of the Corellian concerto grosso, to which Locatelli contributed also in his Op. 1, 7 and 9. But though the instrumentation used in this set seems to feature a clear opposition between the concertino (with solo parts) and the ripieno (with parts that can be doubled), we here encounter a group of works that are very varied in form, instrumentation and structure. Taken as a whole the concertos of the Op. 4 ideally exemplify the developments of Italian Baroque instrumental music: they reveal the close kinship between the concerto grosso and the sonata (as in Concerto X); they also show the derivation of the solo concerto from the concerto grosso; and there are even hints of thematic development and tripartite structures. Also featured are dynamic markings and other performing indications that were rare for the period and show increasing attention to the precise definition of sonorities.
6 Concerti

$16.99 14.68 € PDF SheetMusicPlus

Flute or violin (fiddle) and piano; guitar ad libitum - easy to intermediate - Digital Download SKU: S9.Q46240 15 Pieces for Flute (Violin) and Piano. Composed by Toirdhealbhach O Cearbhallain. This edition: Sheet music. Flute - Irish music - violin. Downloadable. Schott Music - Digital #Q46240. Published by Schott Music - Digital (S9.Q46240). English • German.Unlike any other, Turlough O'Carolan (1670-1738) knew how to combine old Irish music with Italian Baroque music which the high society liked to listen to at that time. The use of little repeating motifs, the kind of melody and way of tension building reveal Carolan's sense and knowledge of the styles of playing typical of the Baroque period. These Baroque influences in his harp music became his unmistakable trademark. Thus, he created a whole new genre, as it were: the Celtic Classics.
The O'Carolan Book

$16.99 14.68 € PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.725190 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival. Score and Parts. 41 pages. Paul Barker Music #4984795. Published by Paul Barker Music (A0.725190). Vortex is an intermediate level work for Full Orchestra suitable for Festivals, Finales, Competitions and Main Concerts. Action-packed orchestration and powerful themes soon reveal the ferocious force of the Vortex – truly an orchestral whirlwind! Also available for String Orchestra, Piano and Percussion! ​Duration: 2:25 Level: Intermediate (UK Grade 5+ & USA 2+) Occasion: Occasion: Concert - Formal/Informal - Festivals - Finale - Main Concert Orchestration: Full Orchestra
Vortex (Full Orchestra)
Orchestre
Paul Barker Music
$29.95 25.88 € Orchestre PDF SheetMusicPlus

Piano - Digital Download SKU: BQ.979-0-50179-143-9 Composed by Emil Hartmann. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 28 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-143-9). ISBN 9790501791439.This ambitious sonata in four movements is a progressive step upwards from Hartmann's first sonata with its more sophisticated treatment of modality and form. The technical range of the piece remains within the grasp of the intermediate pianist but the same agility and imagination at work in the first sonata is evident here too, and the more exploratory techniques the composer uses reveal a contemporary aspect to his writing that feels fresh and modern.
2. Klaviersonate
Piano seul

$15.95 13.78 € Piano seul PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0014563_TX1 B-flat Tenor Saxophone. Composed by Jeanne Vultaggio. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014563_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014563_TX1). UPC: 038081394978.Star-Rise is a programmatic work depicting the progress of the stars across the night sky. Bells set the tone with a simple three-note melody as twilight falls and the first stars appear. Percussion effects represent crickets and cicadas chirping in the background. The texture becomes more chorale-like as related but distinct themes reveal themselves, representing rising constellations. As the star themes gently roll by, the harmony grows warmer and the melody becomes more grandiose in preparation for the final star-rise: the arrival of the morning sun. The work is a great exercise in part layering. -The Instrumentalist.
Star-Rise: B-flat Tenor Saxophone
Orchestre d'harmonie

$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.
Faroese National Anthem for Piano
Piano seul
Keith Terrett
$4.99 4.31 € Piano seul PDF SheetMusicPlus






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