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Fl. (picc.) · Eb cl. (dbl. Bb) · bcl. (dbl. Bb) · bsn (dbl. cbsn.) - 2hns. · 2tpts. (1: Bb, 1:C) · euph. - timp. · perc (crots.) - 3vln. · db. - Digital Download SKU: S9.Q7347 The Cricket Recovers. Composed by Richard Ayres. This edition: vocal/piano score. Downloadable, vocal/piano score. Duration 70 minutes. Schott Music - Digital #Q7347. Published by Schott Music - Digital (S9.Q7347). English.Richard Ayres transports us to an extraordinary forest in The Cricket Recovers where all is not as it seems. The eponymous cricket wakes up one morning with a gloomy feeling in his head. His proceeding voyage of self discovery to grapple with his depression with the help of his fellow animals is simultaneously entertaining and moving. The animals also help an elephant who can’t stop climbing trees. Yet as the sun comes up on a new day, the memories of the previous day vanish leaving only the wise Owl wondering what sort of world she inhabits. A fascinating heatrical experience for both children and adults alike.
No. 39

$25.99 22.49 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.13598 Composed by John M. Loretz. Patriotism, Campaigns & battles, Slavery, African Americans. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13598). Uncle Sam What Ails You? Song & Chorus. Words by Charles C. Sawyer. Music by John M. Loretz. Published 1862 by Sawyer & Thompson, 59 Fulton Av. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Patriotism, Campaigns & battles, Slavery, African Americans. First line reads Uncle Sam, wake up! wake up! Sure, courage never fails you.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Uncle Sam What Ails You? Song & Chorus
Piano, Voix

$5.99 5.18 € Piano, Voix PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4692 Composed by Giveadam Jones. African Americans, Dialects, Biblical references, Death, Symbols, Ethnic stereotypes. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4692). Boost Me Up To Glory. Camp Meeting Song and Chorus. Words by Bro. Wakeup Misery. Music by Giveadam Jones. Published 1887 by C.H. Ditson & Co., 867 Broadway in New York. Composition of strophic with chorus (and dance interlude; call and response) with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include African Americans, Dialects, Biblical references, Death, Symbols, Ethnic stereotypes. First line reads Bred'ren come and len' a han' Boost me up to glory.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Boost Me Up To Glory. Camp Meeting Song and Chorus
Chorale SATB

$5.99 5.18 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1173405 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 22 pages. Sarah Cellobat Chaffee #773538. Published by Sarah Cellobat Chaffee (A0.1173405). Viva La Vida was released by Coldplay as a single in 2008 to immediate critical and commercial success. It went on to become the band's first #1 US and UK single, and it won the Grammy Award for Song of the Year in 2009; with its catchy string hook and upbeat melody, it's no wonder that this song is now a ubiquitous request! Unfortunately, there are many existing arrangements of Viva La Vida that are so boring and repetitive that they put your players to sleep -- but I'm here to tell you that thankfully, this Cellobat arrangement for your string quartet is NOT one of those! This chart gives all your players enough variety to keep everyone awake -- with its lyrical melodies, beautiful countermelodies, dynamic variations, and driving beat, it will be just as much fun to play as it is to listen to. Originally written for a wedding ceremony, this one will also be great for cocktail hour, receptions, parties, corporate events, solo & ensemble contests and any other occasion in need of some good vibes! This is an intermediate level arrangement that will be easily learnable for students and sightreadable for professionals; there are a few tricky rhythms, but all the parts stay in first position throughout.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Viva La Vida
Quatuor à cordes: 2 violons, alto, violoncelle
Coldplay
$16.99 14.7 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre

$16.95 14.67 € Orchestre de chambre PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
The End Of The World
Piano seul
Skeeter Davis
$6.99 6.05 € Piano seul PDF SheetMusicPlus






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