Composed by Richard Wagner (1813-1883). Arranged by Daniel Kelley. Romantic Period, Repertoire, Wedding. Individual Part, Set of Parts. 5 pages. Published by Last Resort Music Publishing - Digital (S0.105531). - Individual Part,Set of Parts - Romantic Period,Repertoire,Wedding - Last Resort Music Publishing - Digital

Composed by Richard Wagner (1813-1883). Arranged by Daniel Ashcroft. Score, Set of Parts. 196 pages. Published by DanielAshcroftMusic (S0.99219). - Score,Set of Parts - - DanielAshcroftMusic

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225911). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225909). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225913). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225919). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Daniel Ashcroft. Score. 49 pages. Published by DanielAshcroftMusic (S0.99221). - Score - - DanielAshcroftMusic

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225917). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Doug Clyde. Romantic Period, Opera, Wedding. Score, Set of Parts. 16 pages. Published by ALBEDO MUSIC (S0.225907). - Score,Set of Parts - Romantic Period,Opera,Wedding - ALBEDO MUSIC

Composed by Richard Wagner (1813-1883). Arranged by Ray Thompson. Romantic Period, Repertoire, Birthday, Wedding. Score, Set of Parts. 59 pages. Published by RayThompsonMusic (S0.87415). - Score,Set of Parts - Romantic Period,Repertoire,Birthday,Wedding - RayThompsonMusic

1 · Altfl. · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. - 2 · 0 · 0 · 0 - Hfe. - Str. (6 · 4 · 4 · 4 · 2) alto and chamber orchestra - Digital Download SKU: S9.Q2899 Fünf Lieder für eine Frauenstimme auf Gedichte von Mathilde Wesendonck von Richard Wagner. Composed by Hans Werner Henze and Richard Wagner. This edition: conductor's and study score. Music Of Our Time. Downloadable, Full and study score. Duration 15 minutes. Schott Music - Digital #Q2899. Published by Schott Music - Digital (S9.Q2899). German.During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze’s focal point of interest. In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.' - Hans Werner Henze.

Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.