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Tenor voice solo and SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8864-E Composed by James McCullough. Christmas, African American Heritage. 7 pages. E. C. Schirmer Music Company - Digital #8864-E. Published by E. C. Schirmer Music Company - Digital (MQ.8864-E). English. Matthew 1:16; Matthew 1:18; Luke 2:12.Three variants of this spiritual tune are set for Tenor Solo and unaccompanied SATB chorus. With its modal, plaintive quality, the form reflects a question-and-answer response structure, so commonly used in African American spirituals. However, the overall musical structure of this work is strophic in its melodic design. Mostly homophonic with approachable choral writing, this is a fresh and useful setting.
Mary Had a Baby (Downloadable)

$2.25 1.94 € PDF SheetMusicPlus

SATB choir and organ - Moderately Easy - Digital Download SKU: MQ.8456-E Composed by David Hurd. Building Dedication, African American Heritage, New Year, Wedding. 15 pages. Duration 3 minutes, 20 seconds. E. C. Schirmer Music Company - Digital #8456-E. Published by E. C. Schirmer Music Company - Digital (MQ.8456-E). English. Psalms 100.This anthem was commissioned by Dorothy Yates to mark the 50th anniversary of St. Dunstan’s Episcopal Church, Atlanta, Georgia. The text is announced by a brief fanfare on the organ. The raised 4th scale degree of the opening theme suggests the Lydian mode and accentuates the music’s upward thrust. Following the opening fanfare, the setting passes back and forth between duple and triple meter several times. Triple and duple rhythmic elements occur simultaneously and play off of one another. In the anthem’s middle section, the rhythmic energy of the opening is exchanged for a gentle extended crescendo as voices alternately sing their four-note, stepwise, rising lines over sustained organ chords. Then, the more energetic and somewhat metrically ambiguous elements of the previous section return. Finally, the text and music heard at the anthem’s opening recur in the manner of an antiphon. Duration: 3:20.
Psalm 100 (Make a Joyful Noise to the Lord) (Downloadable)
Chorale SATB

$2.85 2.46 € Chorale SATB PDF SheetMusicPlus

SATB choir (choir divisi) and chamber ensemble (SATB — 1 0 1 0 — 0 0 0 0 — 1[dr set,mar,vib,claves] — pf(cel) — vn,vc) - Difficult - Digital Download SKU: MQ.8829-E Composed by William Averitt. African American Heritage. 14 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8829-E. Published by E. C. Schirmer Music Company - Digital (MQ.8829-E). English.From the large work Black Pierrot, Jazzonia (1923) describes the scene in a Harlem café of the 1920s in which “six long-headed jazzers play,†and beautiful girls dance. After a short introductory section, the music moves into a lively ragtime—complete with drum set—that forms the background for the remainder of the piece. Altogether, it is something of a poetic and musical glance at the era of the Harlem Renaissance in which so much African-American music, art, and poetry emerged as vital forces in the arts. Duration: 4:30.
Jazzonia: from Black Pierrot (Piano/Vocal Score)
Chorale SATB

$2.85 2.46 € Chorale SATB PDF SheetMusicPlus

Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.
Plead My Cause, O Lord (Revised Version)

$1.95 1.68 € PDF SheetMusicPlus


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