Piano Solo - Level 3 - Digital Download SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.

C Trumpet,Euphonium,Flute,Horn,Tuba - Digital Download SKU: A0.830692 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 19 pages. Richard Byrnes #3435181. Published by Richard Byrnes (A0.830692). The Girl with the Flaxen Hair (La fille aux cheveux de lin), the 8th Prelude in Debussy's Preludes, Book 1 is one of the most famous pieces by Claude Debussy. It's tender melodic and harmonic beauty is unrivaled.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.   In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.

Cello and piano - easy to intermediate - Digital Download SKU: S9.Q12425 Military March No. 1. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39/1. Schott Music - Digital #Q12425. Published by Schott Music - Digital (S9.Q12425). A 'Last Night of the Proms' without this march – unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857–1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.

Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A

2-part treble voices (SA children), piano - Digital Download SKU: MQ.7536-E Composed by Julian Wachner. 7 pages. E. C. Schirmer Music Company - Digital #7536-E. Published by E. C. Schirmer Music Company - Digital (MQ.7536-E). Derivative of #5808.

Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861871 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 9 pages. Mark O'Connor Musik International #6204449. Published by Mark O'Connor Musik International (A0.861871). F. C.’s Jig (violin part – vln, cel) MO117BViolin Part (score and parts available)Music by Mark O’Connor5 pages - 3:20 minutes in length F. C.’s Jig for violin and cello is from the album Appalachia Waltz which features Mark O’Connor and Yo-Yo Ma playing the jig. O’Connor utilized the third movement of his Fiddle Concerto and arranged from it a violin and cello duet. The result is thrilling - a virtuoso duet full of melody, interplay and energy, pushing both instruments all the way to its conclusion. F. C.’s Jig is a spirited, well known derivation of the Fiddle Concerto’s jig. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1991 Composed by Mark O’ConnorF.C.’s Jig can be heard on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma, Sony ClassicalF.C.’s Jig can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO117BCopyright © 1991 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.751122 Composed by Benedikt Brydern. 20th Century,Classical,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #3569753. Published by ConSordino Music Publishing (A0.751122). This trio for Bb clarinet, violin and piano won a 2001 Marmor Foundation Composition Award sponsored by the Department of Music of Stanford University. After its premiere at Stanford it got selected by ACM ( Access Contemporary Music) and performed multiple times, including in their Best of Weekly Readings concerts. Chicago Classical Reviewer  Wynne Delacoma  wrote: For Friday’s concert ACM founder, Seth Boustead, and his gifted young musicians returned to five of their favorites among the more than 200 submitted works. A sense of 21st-century life-slightly edgy, slightly dark-ran like a faint electric current through the short pieces. There was plenty of dissonance, but it was subtle, adding sparkle to the often childlike sweetness of Brydern’s Homecoming for violin, clarinet and piano. Homecoming was full of arrivals and departures, moving easily from introspective moments to episodes with a strong tango sway or a hint of sinewy stride piano rhythms.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).      A song learned in primary school years and years ago had words something along the lines of the following:          Oh!  I’m a young musician,          From distant lands I come.          Singing and playing,          Ever I’m straying.     Also known as “I Am a Fine Musician,� “I Am a Gay Musician� and perhaps other titles, that song is still around and has evolved into many different versions.  The original was probably a German folk song from the early 1800s.  As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.�  That translates as “I am a musician.�  In the lyrics the musician claims to be “from Schwabenland� (Swabia) and to play geige (violin: “Dide schum schum schum�), flöte (flute: “Päde wäpp päpp päpp�) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp).  Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.      Anyway, that’s the tune on which “The Brass Player� was built.  But here, the musician is concerned only with brass.  Which brass?  Well, possibly trumpet.  Or maybe horn in F.  Or trombone.  Or tuba.  Or perhaps all four; certainly, all are featured in this piece.     “The Brass Player� comprises four sections.  The first is in the key of C major and is played at a moderate 2/4 tempo.  After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme.  Other instruments join in and play around with a variation or two.      The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.      In section three, the mood changes radically.  Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor.  All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.     Section four, in G Major, clips along at a fast 4/4 time.  It returns to the main theme and (as in “Ich bin ein Musikant� and its multitudinous derivations) presents in call-and-response form.  The first few measures are straight, but discord quickly creeps in.  The melody begins to include smears, flutter tonguing and off-beat rhythmic figures.  There is even a brief section in G Minor.  Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.     This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length.  There are four changes of key and four changes of time signature.  Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff.  Trumpet 2 has a few G-below-its-staff notes.     The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.912739 Composed by Caeleb Tee. A Cappella,Christian,Christmas,Sacred. Octavo. 5 pages. Caeleb Tee #4366416. Published by Caeleb Tee (A0.912739). Traditional hymn text Veni, veni, Emmanuel (O Come, O Come Emmanuel) is set for choral SATB a capella (no divisi).Suitable for different sizes of ensemble. Suitable for Advent/Christmas.duration: 4:30Text:Veni, veni Emmanuel!Captivum solve Israel!Qui gemit in exilio,Privatus Dei Filio,Gaude, gaude, Emmanuelnascetur pro te, Israel.Translation:O come, O come, Emmanuel,And ransom captive Israel,That mourns in lonely exile here,Until the Son of God appear.Rejoice! Rejoice! EmmanuelShall come to thee, O Israel.

Level 5 - Digital Download SKU: C7.CGB434 Composed by Cathy Moklebust. General. Master Ringer. With Congregation. Full score. 24 pages. Chorister's Guild - Digital #CGB434. Published by Chorister's Guild - Digital (C7.CGB434). UPC: 749193011034.This energetic setting of the tune ELLACOMBE uses syncopated percussion parts to build a polyrhythmic texture, providing a somewhat different flavor to this well-known martial hymn. Handbell entrances of derivative motives follow the percussion opening. These first 20 measures could easily be memorized and used as a processional. After a stately announcement of the tune, the middle section contains refreshing harmonic interest and a slower tempo for variety, followed by a rousing reprise of the hymn complete with percussion.

Altosaxophone solo (cor anglais) and saxophone quartet (SATBar) - intermediate to advanced - Digital Download SKU: S9.Q47550 Variationen über einen Tanz aus El Maestro (1536) von Luis de Milán. Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q47550. Published by Schott Music - Digital (S9.Q47550). The Catalan composer and vihuela player Luis de Milán (1500-1561) ranks among the most important composers of the Spanish Renaissance. His collection El Maestro from 1536 was the first publication of vihuela music in music history (the vihuela is a predecessor of the guitar). The six pavans contained therein are typical examples of the stately processional dance. According to the etymological derivation of 'pavo' (Spanish/Latin: 'peacock'), this characteristic bird call which can be performed freely and naturalistically by the saxophone player can sometimes be heard in this 'peacock's dance'. World premiere: 15.2.2017 Ballhaus Berlin, with Domiki Wollenweber (cor anglais) and the saxophone quartet CLAIR OBSCUR.Also published by Schott: a version for alto saxophone (cor anglais) and organ (ED 21260).

Guitar - Advanced - Digital Download SKU: ZY.DO-1555 Composed by Stephen Goss. Score. 15 pages. Les Editions Doberman-Yppan (digital) #DO 1555. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1555). Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.

Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Robert A. Howard #6496061. Published by Robert A. Howard (A0.998889). This is a set of three solo bassoon works. The first piece, Pierrot, develops the notion of 'line'. It explores various facets of the instrument (as in the more complex nature of Pierrot's Commedia Dell'Arte character). The piece features a serial 'note-row' procedure but in a relaxed manner, more akin to Berg than either Schoenberg or Webern. The second piece, Folk Lament, alludes to a folk idiom by using modality (characterised by the flattened seventh degree of the scale) within a sonata form structure. The two main themes give a broad feel of being improvised and, particularly in the case of the second subject, includes composed-out forms of folk-like ornamentation. The final piece, The Clown, employs bluesy inflections, an irregular time signature (5/4) and a clear rondo structure. Varied repetitions of the main, jaunty theme, alternate with contrasting episodes in related keys, one of which is even a derivation of the 12-bar Blues. The set is highly accessible and suitable for more advanced bassoonists including students and professionals. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 8 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

Small Ensemble Flute,Harp,Percussion - Level 5 - Interactive Download SKU: A0.1162505 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical. Score and parts. 10 pages. Duration 61. Father Ambrose Press #2Blxzv0Ne9LaJSt8GIS9mY. Published by Father Ambrose Press (A0.1162505). Key: C major.A colorful, derivative confection from Ambrosi 15, for small chamber ensemble...

Piano Solo - Level 4 - Digital Download SKU: A0.1151204 By Greg D’Amato. By Greg D’Amato. Arranged by Greg D’Amato. Classical,Historic,Praise & Worship,Romantic Period,Traditional. Score. 2 pages. Gregory D’Amato #751383. Published by Gregory D’Amato (A0.1151204). Solo piano music for a sacred space. From “Variants and Derivatives�. This is a lyric and emotive eclogue based on one of the most beloved hymns in the Unitarian Universalist hymnal “Singing the Living Tradition�.