EUROPE
1674 articles
USA
2558 articles
DIGITAL
3336 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3336 partitions trouvées


Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon.                                                                                         As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)

$15.00 12.79 € PDF SheetMusicPlus

String Orchestra - Digital Download SKU: A0.830709 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 19 pages. Richard Byrnes #3493431. Published by Richard Byrnes (A0.830709). The Girl with the Flaxen Hair (La fille aux cheveux de lin), the 8th Prelude in Debussy's Preludes, Book 1 is one of the most famous pieces by Claude Debussy. It's tender melodic and harmonic beauty is unrivaled.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
The Girl with the Flaxen Hair, Prelude 8, Book 1 by Claude Debussy (String Nonet)
Orchestre à Cordes

$19.99 17.05 € Orchestre à Cordes PDF SheetMusicPlus

Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1499674 Composed by David Warin Solomons. 20th Century,Comedy,Contemporary. 2 pages. David Warin Solomons #1075740. Published by David Warin Solomons (A0.1499674). Intrumental version of my song inspired by this poem by Mary Holtby (by way of a parody on TS Eliot's Macavity the mystery cat).McQuiddity is a naughty and very funny dog:McQuiddity, McQuiddity, there's no-one like McQuiddityHis errors are so vulgar and so coarse in their solidityYou may walk along the pavementYou may step upon the stairIt's odorously evident McQuiddity's been thereMcQuiddity, McQuiddity, there's no-one like McQuiddityHe doesn't know the meaning of decorum or timidityHe barks at friends and neighboursand will give the boss a scareBut when burglars cart the silver off, he doesn't turn a hairIf you stagger through a doorwayWith an overloaded trayYou can bet that old McQuiddity's lying in the wayIf the chocolates vanish overnightor gloves vacate a chairThen it's absolutely certain that McQuiddity's been there.McQuiddity, McQuiddity, there's no-one like McQuiddityHe's totally unrivalled in the depth of his stupidityHis canine infelicities no cretin could surpassHe's undisputed champion of the disobedience classMcQuiddity!
McQuiddity (a playfully naughty dog) for clarinet and guitar
Clarinette, Guitare (duo)

$8.00 6.82 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1444646 Composed by Franklin Stover. 20th Century,21st Century,Medieval. 54 pages. Edition Hohenstaufen #1024536. Published by Edition Hohenstaufen (A0.1444646). This partly derivative work was written in 2024 and centers around Fumeux Fume par fumée, a secular song praising smoking, is a product of the Ars Subtillior school in France, the so-called 'avant-garde' of the 14th century. The composers of this time and place using neume notation witnessed and survived the Black Plague. In Fumeux, Jean Solage (c.1350-c.1403) experimented with different combinations of hexachords approved by the Church since the days of Guido van Arezzo (11th century). Using Fumeux as the basis of my composition, my idea was to alternate the tune with a complimentary contrapuntal responsive of my own making.
Reverie on 'Fumeux Fume par fumée' after Solage
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.00 5.12 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.934056 Composed by Carol Taylor. Arranged by Carol Taylor. Children,Christian,Praise & Worship,Sacred. Octavo. 3 pages. C.Taylor #3111415. Published by C.Taylor (A0.934056). Words are taken from Colossians 3 so this music should be appropriate for all Christian groups.Can be sung as a solo, a duet, by an ensemble or two-part choir or a piano solo.Takes 3-4 minutes to performMusic is quite suitable for children as it's lilting and fun with a great messageI am a member of a worldwide Church organization and this music may have been used privately for special music during servicesThe MP3 isn't professional but just to give a rough idea of how the music goesI have extensive contacts through multiple Facebook sites, social and religiousPlease contact me with questions, requests or comments at: CarolTaylor27@yahoo.com
Do All in the Name of the Lord (Colossians 3)
Chorale 2 parties

$1.99 1.7 € Chorale 2 parties PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861872 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6204451. Published by Mark O'Connor Musik International (A0.861872). F. C.’s Jig (cello part – vln, cel) MO117CCello Part (score and parts available)Music by Mark O’Connor4 pages - 3:20 minutes in length F. C.’s Jig for violin and cello is from the album Appalachia Waltz which features Mark O’Connor and Yo-Yo Ma playing the jig. O’Connor utilized the third movement of his Fiddle Concerto and arranged from it a violin and cello duet. The result is thrilling - a virtuoso duet full of melody, interplay and energy, pushing both instruments all the way to its conclusion. F. C.’s Jig is a spirited, well known derivation of the Fiddle Concerto’s jig. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1991 Composed by Mark O’ConnorF.C.’s Jig can be heard on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma, Sony ClassicalF.C.’s Jig can also be heard on Mark O’Connor’s Crossing Bridges OMAC Records, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO117CCopyright © 1991 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
F. C.'s Jig (cello part - vln, cel)
Violon, Violoncelle (duo)

$4.50 3.84 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.923137 By Mary McDonald. By words by Rose Aspinall and Mary McDonald music by Mary McDonald. Arranged by Mary McDonald. Christmas,Pop,Praise & Worship,Sacred,Spiritual. 17 pages. Marco Borsoi #529002. Published by Marco Borsoi (A0.923137). After the birth of Jesus in Bethlehem, three Wise Men arrived from the East. They were looking for the King of Kings and brought gifts of gold, frankincense, and myrrh. They expected to find him in a palace or in the Great Temple of Jerusalem, but the star led them to a manger, where they met Mary and Joseph who were watching over their child. The Magi kneeled and began to adore him. With that little baby was born the Lord of All, the Creator of the World, the one who would wash away sin from man, delivering him from darkness and bringing eternal Glory. - Dopo la nascita di Gesù a Betlemme, dall’est arrivarono tre Magi: cercavano il Re dei Re e portavano in dono oro, incenso e mirra. Si aspettavano di trovarlo in un palazzo oppure nel Grande Tempio di Gerusalemme: invece la stella li guidò in una mangiatoia, dove incontrarono Maria e Giuseppe che vegliavano sul loro bimbo. I Re Magi si inginocchiarono ed iniziarono ad adorarlo. Con quel piccolo bambino nasceva il Signore di Tutto, il Creatore del Mondo, colui che avrebbe lavato via il peccato dall’uomo, liberandolo dall’oscurità e portando la Gloria eterna.
Born a Mighty King!
Chorale SATB
Mary McDonald
$4.99 4.26 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)

$12.99 11.08 € PDF SheetMusicPlus

TTBB choir (a cappella) - Digital Download SKU: MQ.0539-E Composed by Randall Thompson. 18 pages. E. C. Schirmer Music Company - Digital #0539-E. Published by E. C. Schirmer Music Company - Digital (MQ.0539-E). Dedicated to Archibald Davison, Quis multa gracilis (Odes of Horace, No. 4) is Randall Thompson's first published work. It was was privately printed in Rome during his residency at the American Academy, and only two copies of this printing are known to survive. It was subsequently published by E. C. Schirmer Music Company in 1932. The text is by Quintus Horatius Flaccus (December 8, 65 BC – November 27, 8 BC), known in the English-speaking world as Horace. He was a leading lyrical Roman poet of his day. The words are about passion, nature, and the Gods. The music features a dramatic mix of homophony and polyphony to paint the words.
Six Odes of Horace: Quis multa gracilis (Downloadable)
Chorale TTBB

$3.15 2.69 € Chorale TTBB PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale