EUROPE
1670 articles
USA
2558 articles
DIGITAL
3337 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
3337 partitions trouvées


Piano Solo - Level 3 - Digital Download SKU: A0.914196 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. 3 pages. Music for a While #6628991. Published by Music for a While (A0.914196). CeÌcile Chaminade (1857-1944) was born in Paris and began studying piano at an early age with her mother, she later studied violin and composition privately and became hugely popular in France, the UK and USA. She was the first female composer to receive the LeÌgion d’Honneur and often performed for Queen Victoria at Windsor Castle. Her US debut was with the Philadelphia Orchestra in 1908 where she performed her own Concertstück op. 40 for piano and orchestra. Despite the fact that most of her 400+ works were published during her lifetime her music fell into obscurity after her death; though in recent years there has been much renewed interest. PreÌlude was first published by Enoch & Cie, Paris in a collection of twelve short pieces called Album des Enfants vol. 1, op. 123. Many of the works in both volumes 1 and 2 have been on the syllabuses of the major music examination boards.
Cécile Chaminade - PreÌlude op. 123 no. 1 for solo piano
Piano seul

$1.99 1.7 € Piano seul PDF SheetMusicPlus

English Horn,Piano - Level 4 - Digital Download SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
Deux Pièces : Invocation et Air Slave
Cor anglais, Piano

$20.00 17.06 € Cor anglais, Piano PDF SheetMusicPlus

Violin and piano - easy to intermediate - Digital Download SKU: S9.Q12423 Military March No. 1. Composed by Edward Elgar. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39/1. Schott Music - Digital #Q12423. Published by Schott Music - Digital (S9.Q12423). A 'Last Night of the Proms' without this march – unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857–1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.
Pomp and Circumstance
Violon et Piano

$5.99 5.11 € Violon et Piano PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)

$12.99 11.08 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976882 Composed by Monica Bergo. Contemporary. Score. 4 pages. Monica Bergo #3259783. Published by Monica Bergo (A0.976882). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫A UNA LACRIMA DA QUA ♫*´¨`*•.¸¸.♫ Dormi, riposa, chissà dove sei... Dormi, riposa nei pensieri miei mentre l'assenza diventà realtà sogno e rinasco a una lacrima da qua. Dentro il sogno mio (io cerco te) non si soffre mai (ma dove sei?) e non c'è più bisogno di mascherare Mentre aspetto che (cercando te) la presenza tua (ma dove sei?) scriva la parola fine al mio dolore Ma che ne sai cosa hai fatto ai giorni miei mentre il tempo scorre via io non riesco a respirare ma che ne sai di quel buio che ora è in me e di quel silenzio che urlando esplode dentro me di quel sole spento ormai hai rubato i raggi suoi e nulla può scaldarmi se tu non ci sei... Triste quel giorno che ci separò, fredda la voce che a me ti strappò ma nel mio sogno c'è un'altra realtà noi camminiamo a una lacrima da qua..                                                                                       Monica Bergo
A una lacrima da qua
Piano seul

$3.99 3.4 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.914191 Composed by Cecile Chaminade. Arranged by Music for a While. 20th Century,Romantic Period. Score. 4 pages. Music for a While #6611241. Published by Music for a While (A0.914191). CeÌcile Chaminade (1857-1944) was born in Paris and began studying piano at an early age with her mother, she later studied violin and composition privately and became hugely popular in France, the UK and USA. She was the first female composer to receive the LeÌgion d’Honneur and often performed for Queen Victoria at Windsor Castle. Her US debut was with the Philadelphia Orchestra in 1908 where she performed her own Concertstück op. 40 for piano and orchestra. Despite the fact that most of her 400+ works were published during her lifetime her music fell into obscurity after her death; though in recent years there has been much renewed interest. Valse Mignonne was first published by Enoch & Cie, Paris in a collection of twelve short pieces called Album des Enfants vol. 2, op. 126 and has previously been on the AMEB grade 5 piano syllabus.
Cécile Chaminade - Valse Mignonne op. 126 no. 12 for solo piano
Piano seul

$1.99 1.7 € Piano seul PDF SheetMusicPlus

Guitar and voice - Intermediate - Digital Download SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1538). When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.
Eve’s Diary

$10.95 9.34 € PDF SheetMusicPlus

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.710224 By ... By J. Randolph Hall and John R. Sweney. This edition: Interactive Download. Classical,Film/TV,Praise & Worship,Standards,World. Score and parts. 16 pages. Duration 95. J. Randolph Hall #lIWiGenBjNzVJ9c4tzyYe. Published by J. Randolph Hall (A0.710224). Key: F major.Sweney was a 19th Century composer whose tune was borrowed by Fanny J. Crosby when she wrote Victory through Grace in 1890. After the brief introduction, the A section presents Sweney's theme. Section B goes to a different key and presents the second theme (by yours truly). Section C adds a descant to the second theme. Section D returns to the key of the first section and the first theme with a descant added there. The title is a Franco-Greek derivation of ΚίνητÏο which has to do with motivation.
March Kinétronique

$4.50 3.84 € PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale