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String Quintet Cello - Level 3 - Digital Download SKU: A0.1396266 Composed by George Frideric Handel. Arranged by Ander. Baroque,Chamber,Christian,Easter. 21 pages. Woods Only, Arrangements #979655. Published by Woods Only, Arrangements (A0.1396266). We present our arrangement of the acclaimed song Hallelujah from Handelâ??s oratorio â??The Messiahâ?, adapted for Violoncello Quintet. This sheet music is a faithful reproduction of the original composition, bringing the grandeur of Handelâ??s work to the chamber music. George Frideric Handel, one of the greatest composers of the Baroque period, composed The Messiah in 1741. The piece, cataloged as HWV 56 in Handelâ??s works catalog, is known for its emotional depth and musical complexity. The song â??Hallelujahâ? is one of the most recognized in the oratorio, celebrating the resurrection and the final victory over sin and death. This arrangement is perfect for teachers looking to expand their student's didactic repertoire, offering a unique opportunity to explore Baroque music in a chamber context. In addition, it is an excellent choice for groups wishing to present an impactful piece in recitals or concerts. With the arrival of the month of March, Easter is approaching. What better way to celebrate than with the music that encapsulates the joy and hope of this season? This arrangement of Hallelujah is the perfect choice to add a special touch to your Easter celebrations. Purchase our arrangement of Hallelujah and experience the timeless beauty of Handelâ??s music in a new way. Take the opportunity to own a piece that will surely delight musicians and listeners. Donâ??t miss the chance to make your performances even more memorable.
Hallelujah from Messiah by Handel for Cello Quintet
Ensemble de Violoncelles

$9.99 8.63 € Ensemble de Violoncelles PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.21303 Arranged by F. Fest. Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21303). Hail! La Fayett. Written by Major J.N. Barker. A tribute of respect to that illustrious friend of Liberty on his arrival in the United States. Adapted to Genl. La Fayette's March, the Marsellois Hymn. The Music Arranged for a full Military Band at the request of the Committee of Arrangement by F. Fest. Published 1824 by G.E. Blake, No.13 South Fifth Street in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. First line reads When Freedom roud'd our Sires to glory, and bade them strike for life and land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Hail! La Fayett
Piano, Voix

$5.99 5.17 € Piano, Voix PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♭ major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$4.95 4.27 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Cello Solo - Level 1 - Digital Download SKU: A0.1257857 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. Individual part. 2 pages. Alex Rodrigues #851092. Published by Alex Rodrigues (A0.1257857). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
Here Comes The Sun
Violoncelle
The Beatles
$4.99 4.31 € Violoncelle PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-06E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 6: Heureux anneau from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.59 € Piano, Voix PDF SheetMusicPlus

Viola Solo - Level 1 - Digital Download SKU: A0.1257902 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. Individual part. 2 pages. Alex Rodrigues #851137. Published by Alex Rodrigues (A0.1257902). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
Here Comes The Sun
Alto (partie séparée)
The Beatles
$4.99 4.31 € Alto (partie séparée) PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.977343 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Des McNutty. Film/TV. Score and parts. 18 pages. Des Press #4405670. Published by Des Press (A0.977343). ABBA, the Swedish pop phenomenon, burst onto the scene in April 1974 by winning the Eurovision Song contest with Waterloo. To celebrate the 45th anniversary of that occasion, Des Press is proud to release three of ABBA’s later hits, arranged for string quartet by Des McNutty. Dancing Queen featured on their 1976 album Arrival.These famous numbers are sure to delight guests at parties, weddings etc. and as a mood-lifting encore in recital concerts. The level is on the easier side of advanced; quickly rehearsed by professional quartets and an accessible challenge for experienced students.
Dancing Queen
Quatuor à cordes: 2 violons, alto, violoncelle
ABBA
$12.99 11.22 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.59 € Piano, Voix PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
Saxophone Tenor et Piano

$24.95 21.55 € Saxophone Tenor et Piano PDF SheetMusicPlus

Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1257885 By The Beatles. By George Harrison. Arranged by Alex Nunes Rodrigues. Rock. Individual part. 2 pages. Alex Rodrigues #851120. Published by Alex Rodrigues (A0.1257885). Here Comes the Sun is a classic song by The Beatles that exudes a sense of joy, optimism, and renewal. With its cheerful melody and uplifting lyrics, the song celebrates the arrival of a brighter and more hopeful future. It captures the essence of a new beginning, evoking feelings of warmth and happiness. Here Comes the Sun has become an anthem of positivity and resilience, resonating with listeners and reminding them that even during challenging times, the sun will eventually shine again.
Here Comes The Sun
Contre Basse
The Beatles
$4.99 4.31 € Contre Basse PDF SheetMusicPlus






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