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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
An Avaloch Divertimento
Hautbois, Piano (duo)

$25.55 24.36 € Hautbois, Piano (duo) PDF SheetMusicPlus

Small Ensemble Cello,Harpsichord,Violin - Level 5 - Digital Download SKU: A0.890772 Composed by Martino Bitti. Arranged by Sneakwood Editions. Baroque. Score and parts. 16 pages. Sneakwood Editions #5321911. Published by Sneakwood Editions (A0.890772). Martino Bitti – Dresden Sonata for violin and continuo N.6 in A major (Sinfonia)Anton Domenico Gabbiani – Portrait of Three Musicians of the Medici Court (The violinist is Martino Bitti)Martino Bitti is one of the great virtuosos of the past who has fallen into oblivion. Few know his work today. However, a look at the works he has left us and his life as a musician reveals a great virtuoso who deserves to be rediscovered.The relatively recent work done by Professor Talbot in his work: A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743) [ Michael Talbot (2015) A Thematic Catalogue of the Instrumental Music of Martino Bitti (1655/6–1743), Royal Musical Association Research Chronicle, 46:1, 46-94, DOI: 10.1080/14723808.2014.986256] has brought to light some of Bitti’s most interesting compositions. This is the case of this Sinfonia, listed as anonymous until that moment in the archives of the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB).The only copy of this work is in the SLUB, as part of the Pisendel collection (Schrank II), the manuscript Mus. 2-R-8, 102, entirely copied by Pisendel. It is very probable that Pisendel copied the sonata during his trip to Italy and his passage through Florence in 1717, where he would meet the crème de la crème of the Florentine violinists: Fanfani and Bitti. Pisendel kept in his collection nine sonatas by Martino Bitti.Bitti’s virtuosity is noted in this work. The large number of double stops and their use in the complex counterpoint of the second movement demand a high technical mastery from the performer.
Martino Bitti. Dresden sonata N.6 in A major

$12.00 11.44 € PDF SheetMusicPlus

Mixed choir (SATB) - intermediate - Digital Download SKU: S9.Q53791 (Our Mountains). Composed by Peteris Vasks. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 3 minutes. Schott Music - Digital #Q53791. Published by Schott Music - Digital (S9.Q53791). Latvian.Peteris Vasks komponierte dieses Werk auf denText des gleichnamigen Gedichtes des 1936 in Riga geborenen Autors Knuts Skujenieks als liebevolle Hommage an die Landschaft seines Heimatlandes Litauen: Wolken, die sich wie Berge am Horizont türmen, Rehkitze, die sich in den Weiden am Wegesrand tummeln. Durch die Aussprachhinweise in der Ausgabe ist es auch für nicht-lettisch-sprachige, gemischte Chöre problemlos möglich, dieses Werk zu singen.
MÅ«su kalni
Chorale SATB

$3.99 3.8 € Chorale SATB PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com
Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts (PDF)
Orchestre à Cordes

$18.00 17.16 € Orchestre à Cordes PDF SheetMusicPlus






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