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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462932 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contest,Festival,Historic,Multicultural,Patriotic,Singer/Songwriter,World. Score. 9 pages. White Piano International Publishing #1041646. Published by White Piano International Publishing (A0.1462932). HERE’S TO THE PEOPLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesDuration: 3:15Inspired by TOASTMASTERS INTERNATIONAL and their vision of helping people achieve their full potential and realize their dreams, I composed this song HERE’S TO THE PEOPLE in 2009.As a dedicated member of Toastmasters for over 17 years, I believe that effective communication is essential for success. Through this music, I have found another powerful way to connect and inspire others.My original intention for composing this song was to give back to all the men and women in Toastmasters who have helped me achieve a new image of myself; an image of self-confidence, leadership and self-expression .This song is dedicated to all the men and women who have been influenced by Toastmasters, as well as those who will be in the future.The Piano/Vocal Sheet Music of HERE’S TO THE PEOPLE features a clearly published piano accompaniment and a vocal part with chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance that can be presented at Toastmaster meetings, contests and events. The original key is E Flat Major modulating to E Major for the last chorus. The mp3 example is performed and sung by Robert in the key of C Major modulating to D Flat Major. Here is the First Original Video of Robert playing and singing HERE’S TO THE PEOPLE.Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
HERE'S TO THE PEOPLE (A New Toastmaster Song)
Piano, Voix
ROBERT VAN HORNE
$5.99 5.71 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.914983 Composed by ROBERT VAN HORNE. Children,Multicultural,Pop,Sacred,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #6712121. Published by White Piano International Publishing (A0.914983). DANNY'S DREAM  (Piano/Vocal)Popular SongFor SAINT JUDE CHILDREN'S RESEARCH HOSPITAL Words & Music by ROBERT VAN HORNE6 PagesSAINT JUDE CHILDREN'S RESEARCH HOSPITAL was dedicated on February 4, 1962 by founder and entertainer Danny Thomas.Since then, Danny's Dream of finding cures and saving children has been a life saving gift for many children who are stricken with an illness that may shorten their life.This is a popular song for singers who would like to add a new and original piece to their repertoire and at the same time acknowledge the wonderful and beneficial work of ST. JUDE CHILDREN'S RESEARCH HOSPITAL. The sheet music is clearly notated with meaningful lyrics, chords, piano accompaniment and vocal part.DANNY'S DREAM was written for and dedicated to everyone who believes in Danny's Dream at Saint Jude's. A 2013 Youtube video is available at: http://www.youtube.com/watch?v=KPpz_QAmIxk  Robert Van Horne is a member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com    
DANNY'S DREAM Piano/Vocal (A Song For St. Jude Children's Research Hospital)
Piano, Voix

$4.99 4.76 € Piano, Voix PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
THE FINAL WAVE for Violin & Piano
Violon et Piano

$14.99 14.29 € Violon et Piano PDF SheetMusicPlus

Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
South Bay Angle for violin and piano
Violon et Piano

$28.00 26.7 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1389118 By Ella Fitzgerald. By Lorenz Hart and Richard Rodgers. Arranged by ROBERT VAN HORNE. Film/TV,Instructional,Jazz,Pop,Standards. Score. 8 pages. White Piano International Publishing #972623. Published by White Piano International Publishing (A0.1389118). LOVER  Advanced Intermediate Piano Arrangement From “The Great American Songbookâ€Words by Lorenz HartMusic by Richard RogersPiano Solo Arrangement by ROBERT VAN HORNE8 Pages.Words are not included in this arrangement.This popular standard song from the 1932 movie “LOVE ME TONIGHT, has been recorded by many vocalists including Jeanette MacDonald, Frank Sinatra, Peggy Lee, Deanna Durbin, however the most favorite recording is by Ella Fitzgerald.    This unique Advanced Intermediate piano solo arrangement is written in a syncopated 6/8 Waltz time of D Major, later modulating to E Flat. It is clearly and carefully notated with dynamic marks, phrasing, suggested fingerings, pedal indications, chord identifications and appropriate musical terms for playing. The sheet music arrangement of LOVER is a study in reading accidentals and chromatic harmonies. Improvisational techniques color the piece and are incorporated throughout. The left hand sometimes features arpeggiated patterns made up of 9ths while the right hand utilizes sixth intervals with a touch of jazz harmony.     This piano arrangement sounds artistic and impressive…a wonderful selection, ideal for teaching, recitals and enjoyment.Robert Van Horne is a member of ASCAPOfficial Website: www.robertvanhorne.comElla Fitzgerald Version Link = https://www.youtube.com/watch?v=fACKdzd1bD4
Lover
Piano seul
Ella Fitzgerald
$6.99 6.67 € Piano seul PDF SheetMusicPlus

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.966178 Composed by Robert Johnson and Robert Johnson. Arranged by Joe Rosochacki. Instructional,Renaissance. Score and parts. 4 pages. Joe Rosochacki #2010413. Published by Joe Rosochacki (A0.966178). This Alman was originally written for lute. The Alman was part of the dances of Renaissance Suites that later occurs in the Baroque Period. Robert Johnson was a master lutenist during the Renaissance England. The beautiful 16th Century counterpoint is ewvident in his writing. Robert Johnson was the son of John Johnson, who was lutenist to Elizabeth I. In 1594 Robert's father died, and in 1596 he joined the household of George Carey, 2nd Baron Hunsdon as an apprentice. Robert is assumed to have been around 13 at the time, as this was a typical age to begin an apprenticeship, but his date of birth is not known. Carey and his wife Elizabeth Spencer, were patrons of the lutenist and composer John Dowland, who dedicated various compositions to them. (wiki reference http://en.wikipedia.org/wiki/Robert_Johnson_%28English_composer%29) ThIs arrangemen is for intermediate orchestra and is geared for educational purposes of uncerstanding 16th Century counterpoint.
Alman
Quatuor à cordes: 2 violons, alto, violoncelle

$4.99 4.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Level 2 - Digital Download SKU: A0.1408403 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,New Age. 2 pages. Robert A. Howard #990982. Published by Robert A. Howard (A0.1408403). Critical Mass is a sculptural installation by Antony Gormley (1995), which as been displayed at Tate St. Ives, Cornwall. It consists of multiple iron casts of the artist's body, in various poses. These are randomly distributed around the gallery space. This flexibly scored piece is a musical reflection of this artwork, in 6 sections (labelled A-F), for any mixed ensemble, with an untuned percussion part (F). Rhythms and pitch material remain similar throughout. However, following an initial solo statement (A), the texture is continually varied within the context of multiple free canons (B-E). The piece concludes with a conventionally notated and conducted unison section (in octaves), as the work comes full circle (F). Note: this document is the full score (with transpositions indicated). No audio track is provided here due to the considerable flexibility and variability of performances. The original score is available via a search of the COMA Music Library.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
Critical Mass - Score Only

$2.99 2.85 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira #3115357. Published by Sergio Roberto de Oliveira (A0.962317). Nominated for the 2011 Latin Grammy in the category of Best Contemporary Classical Composition and for the 2012 Latin Grammy for the CD Prelúdio 21 - String Quartets for which he participated as producer and composer, Sergio Roberto de Oliveira has been actively participating in the Brazilian and international music scenes over 17 years as a composer. His work has made an impact outside Brazil, particularly in the USA and England, with lectures, interviews, concerts and musical publications. He is one of the most active and most widely performed composers in Brazilian contemporary music. His work has been widely disseminated by groups such as Quarteto Radamés Gnattali, Duo Santoro, Música Nova, GNU, Quarteto Colonial, and many others.In England his performers included two of the leading British musicians: baroque flutist Stephen Preston and recorderist John Turner. His piece Expresso for solo alto recorder was published by the Peacock Press and was featured in concerts of The North West Composers' Association and The British Academy of Composers and Songwriters, and his CD Sem Espera was released in London (upon the invitation of the Brazilian Embassy) and in Manchester (at the University of Salford).In the United States the works of Oliveira have been part of the scene since 1999, with dozens of concerts and commissions by groups such as Mélomanie (who included Angico, by Oliveira, in their latest CD). Other American performers of his works include the Ciompi Quartet, Tracy Richardson, Susan Fancher, Tom Moore, and many others. Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.   Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.
A pedra e o mar
Piano seul

$4.27 4.07 € Piano seul PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1447578 Composed by Andrew Deroberts, Emily Weisband, Forest Blakk, and Jesse Cameron. Arranged by Leadsheets for Performers. Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Leadsheets for Performers #1027363. Published by Leadsheets for Performers (A0.1447578). This is a Leadsheet score for Robert Blakk's song I Choose You. THIS IS --NOT-- THE SARA BAREILLES SONG. This was notated in full, according to the original recording and in the original key.Every score pubished by Leadsheets for Performers has been written by a professional keyboardist out of necessity after not finding an appropriate existing score online. These scores are often keyboard oriented scores, designed to give the keyboardist the most accurate and comprehensive information regarding the parts they need to play. Other instrumentalists can use these scores as chord and form sheets.
I Choose You
Instruments en Do

$3.99 3.8 € Instruments en Do PDF SheetMusicPlus


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