Flute Duet Flute - Level 2 - Digital Download SKU: A0.692833 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. Score. 1 pages. A. J. Cornell Publications #6713637. Published by A. J. Cornell Publications (A0.692833). de Visee’s Bourre�e in D Minor (from Suite in D Minor) for flute duet

Violin Duet Violin - Level 2 - Digital Download SKU: A0.692947 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. 1 pages. A. J. Cornell Publications #6745409. Published by A. J. Cornell Publications (A0.692947). de Visée’s Bourre�e in D Minor (from Suite in D Minor) for violin duet

Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.692861 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. 2 scores. 1 pages. A. J. Cornell Publications #6718153. Published by A. J. Cornell Publications (A0.692861). de Visée’s Bourre�e in D Minor (from Suite in D Minor) for clarinet duet

Alto Saxophone Duet Alto Saxophone - Level 2 - Digital Download SKU: A0.692919 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. 2 scores. 1 pages. A. J. Cornell Publications #6744327. Published by A. J. Cornell Publications (A0.692919). de Visée’s Bourre�e in D Minor (from Suite in D Minor) for alto sax duet

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Vocal Solo,Voice - Digital Download SKU: A0.856780 Composed by Robert Schumann. Arranged by Change the Key. Romantic Period. 3 pages. Change the Key #3062893. Published by Change the Key (A0.856780). Die Rose, die Lilie, die Taube from Dichterliebe Op.48, No.3 transposed to D Major for voice and piano. Vocal range D - E.

Vocal Solo,Voice - Digital Download SKU: A0.856787 Composed by Robert Schumann. Arranged by Change the Key. Romantic Period. 3 pages. Change the Key #3063185. Published by Change the Key (A0.856787). Wenn ich in deine Augen seh' from Dichterliebe Op.48, No.4 transposed to D Major for voice and piano. Vocal range C# - C with an alternative high note of D.

Guitar - Level 3 - Digital Download SKU: A0.691136 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. Guitar Tab. 1 pages. A. J. Cornell Publications #2949709. Published by A. J. Cornell Publications (A0.691136). Suite in D Minor: Prelude for classical guitar, in standard notation and tablature. Note: Music has been transposed from D minor down to A minor to make it more playable. Optional: Place capo at 5th fret to match original key.

Easy Piano - Level 1 - Digital Download SKU: A0.1385916 Composed by Johann Pachelbel. Arranged by SilverTonalities. 19th Century,Baroque,Classical,Instructional. Score. 42 pages. SilverTonalities #969859. Published by SilverTonalities (A0.1385916). Canon In D and Friends Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!Letter Names Embedded in Noteheads to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2ODE TO JOY from Ludwig van Beethoven’s 9th Symphony, Opus 125 which premiered in Vienna in 1824, pages 3-4THE FLOWER DUET from the French Opera Lakme by Leo Delibes, premiering in Paris in 1883, pages 5-8THE SORCERER’S APPRENTICE by Paul Dukas, featured in the 1940 Disney Movie “Fantasia�, pages 9-11POMP AND CIRCUMSTANCE, Opus 39 by the English Composer Edward Elgar, written for full Orchestra in 1904, pages 12-14CARO MIO BEN from the Italian Composer, Guiseppe Giordani’s popular 1783 Aria, pages 15-17AIR from George Friedrich Handel’s, “Water Music�, which is a collection of 3 Orchestral Suites, pages 18-20TO A WILD ROSE, from “Woodland Sketches� Opus 51, by the American Composer Edward MacDowell, pages 21-23THE GREAT GATE OF KIEV, from the Russian Composer Modeste Mussorgsky’s famous “Pictures at an Exhibition�, pages 24-26CANON IN D by the German Baroque Composer Johann Pachelbel, transposed to C Major, pages 27-29GYMNOPEDIE NUMBER 1 from the French Impressionistic/20th Century Composer Erik Satie, pages 30-34THE HAPPY FARMER, Opus 58 Number 10 from Robert Schumann’s “Album for the Young�, pages 35-37THE BLUE DANUBE WALTZ Opus 314, or “On the Beautiful Blue Danube� by the Austrian Composer, Johann Strauss Junior, pages 38-40.

Guitar - Level 3 - Digital Download SKU: A0.691143 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #2949725. Published by A. J. Cornell Publications (A0.691143). Suite in D Minor: Minuet for classical guitar, in standard notation and tablature. Note: Music has been transposed from D minor down to A minor to make it more playable. Optional: Place capo at 5th fret to match original key.

Guitar - Level 3 - Digital Download SKU: A0.691137 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #2949713. Published by A. J. Cornell Publications (A0.691137). Suite in D Minor: Courante for classical guitar, in standard notation and tablature. Note: Music has been transposed from D minor down to A minor to make it more playable. Optional: Place capo at 5th fret to match original key.

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.

Vocal Solo,Voice - Digital Download SKU: A0.856627 Composed by Robert Schumann. Arranged by Change the Key. Romantic Period. 6 pages. Change the Key #3004533. Published by Change the Key (A0.856627). Mondnacht from Schumann's song cycle Liederkreis Op. 39, transposed to D Major for voice and piano. Vocal range D - E.

4fl. Afl. Bfl. Cafl. Cbfl - Intermediate - Digital Download SKU: F2.FM400 Composed by Maurice Ravel. Arranged by Robert Rainford. Arranged for Flute Ensemble/Choir - 4 Flutes, Alto Flute, Bass Flute, Contr'alto Flute, Contrabass Flute. Score and Parts. 12 pages. Forton Music - Digital #FM400. Published by Forton Music - Digital (F2.FM400). ISBN 9790570482993.Flute Ensemble (4 flutes, alto flute, bass flute, contr'alto flute, contrabass flute). Maurice Ravel wrote this exquisite miniature piece originally for piano in 1909, to mark the centenary of the death of the composer Franz Joseph Haydn. Ravel has used the letters of Haydn's name to give him the initial theme of the piece at the very start (flute 1 of this arrangement). B natural represents H, A and D represent their own letters, the next D represents the letter Y, and the final G represents N. This theme then weaves through the whole piece in various versions, sometimes upside down, and sometimes backwards. Many composers have used this method of using letters to give melodic pitches, from Josquin back in the fifteenth century all the way through to such twentieth century composers as Shostakovich, Messiaen and Elliott Carter. This arrangement uses just about the full range of flutes, including contr'alto and contrabass. Each flute has it's own independant part, and the 'HAYDN' theme is shared between them all.Whilst not technically difficult, it needs sensitive playing to balance the parts, and a strong sense of musical colour to make the most of the piece.

Guitar - Level 3 - Digital Download SKU: A0.691139 Composed by Robert de Visee. Arranged by Mark Phillips. Baroque. Guitar Tab. 2 pages. A. J. Cornell Publications #2949717. Published by A. J. Cornell Publications (A0.691139). Suite in D Minor: Gigue for classical guitar, in standard notation and tablature. Note: Music has been transposed from D minor down to A minor to make it more playable. Optional: Place capo at 5th fret to match original key.