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Level 3 - Digital Download SKU: A0.1405940 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 9 pages. Robert A. Howard #988987. Published by Robert A. Howard (A0.1405940). This piece was inspired by the small bronze sculpture by Henry Moore titled 'Three-Way Piece'. This artwork has three similar but slightly different sides to it. This evokes a musical equivalent similar to Satie's Gymnopedies. The piece attempts to capture these concepts, for example by using the number three in various ways. This involves a predilection for three-part harmony, and an overall structure of three cycles, varied on each statement. Note: this document is the score only. The full set of parts (and score) are available via a search of the COMA Music Library.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
Three-Way Piece - Score Only

$4.49 3.84 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.962317 Composed by Sergio Roberto de Oliveira (1970 - 2017). Contemporary,Latin,World. Score. 12 pages. Sergio Roberto de Oliveira #3115357. Published by Sergio Roberto de Oliveira (A0.962317). Nominated for the 2011 Latin Grammy in the category of Best Contemporary Classical Composition and for the 2012 Latin Grammy for the CD Prelúdio 21 - String Quartets for which he participated as producer and composer, Sergio Roberto de Oliveira has been actively participating in the Brazilian and international music scenes over 17 years as a composer. His work has made an impact outside Brazil, particularly in the USA and England, with lectures, interviews, concerts and musical publications. He is one of the most active and most widely performed composers in Brazilian contemporary music. His work has been widely disseminated by groups such as Quarteto Radamés Gnattali, Duo Santoro, Música Nova, GNU, Quarteto Colonial, and many others.In England his performers included two of the leading British musicians: baroque flutist Stephen Preston and recorderist John Turner. His piece Expresso for solo alto recorder was published by the Peacock Press and was featured in concerts of The North West Composers' Association and The British Academy of Composers and Songwriters, and his CD Sem Espera was released in London (upon the invitation of the Brazilian Embassy) and in Manchester (at the University of Salford).In the United States the works of Oliveira have been part of the scene since 1999, with dozens of concerts and commissions by groups such as Mélomanie (who included Angico, by Oliveira, in their latest CD). Other American performers of his works include the Ciompi Quartet, Tracy Richardson, Susan Fancher, Tom Moore, and many others. Falls House Press has published his works  Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam).  The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012.  More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra.   Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording. He died from pancreatic cancer in 2017.
A pedra e o mar
Piano seul

$4.27 3.65 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197299 By The Platters. By Jerome Kern and Otto Harbach. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #796463. Published by John Fries (A0.1197299). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City. Cole performed it on television in 1957 for The Nat King Cole Show.
Smoke Gets In Your Eyes
Piano, Voix et Guitare
The Platters
$4.99 4.27 € Piano, Voix et Guitare PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.499611 By The Platters. By Jerome Kern and Otto Harbach. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112903. Published by John Fries (A0.499611). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City. Cole performed it on television in 1957 for The Nat King Cole Show.
Smoke Gets In Your Eyes
Ligne De Mélodie, (Paroles) et Accords
The Platters
$3.99 3.41 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home.  Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show.  Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
Smoke Gets In Your Eyes
Piano seul
The Platters
$8.99 7.68 € Piano seul PDF SheetMusicPlus






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