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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1251749 By Sunday 7 p.m. Choir. By Words: Robert Stanley Weir/ Music: Calixa Lavallée. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #845961. Published by Leatherman Music Services (A0.1251749). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
O Canada!
Piano, Voix et Guitare
Sunday 7 p m
$2.99 2.57 € Piano, Voix et Guitare PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre Cordes

$9.99 8.6 € Orchestre Cordes PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927180 Composed by George S. Schuler, John Bacchus Dykes, Philip P. Bliss, Robert Lowry, William B. Bradbury, and William H. Monk. Arranged by George Willson. Jazz. Score and parts. 63 pages. George Willson #6359433. Published by George Willson (A0.927180). Written for a tribute concert, Make Me A Blessing was a favorite hymn of a departed friend who was a member of the T-Town Jazz Band. Using this hymn as its foundation, this composition uses a total of ten well-known hymns in the public domain as melodies, solos, and backgrounds transitioning them all into big band style swing 4/4. Hymns include It Is Well With My Soul, Just As I Am, Abide With Me, My Hope Is Built On Nothing Else, Nothing But The Blood, When I Survey The Wondrous Cross, Amazing Grace, Be Thou My Vision, and Holy, Holy, Holy. MP3 is generated from the composition software, but rehearsals of this piece can be found on the T-Town Jazz Facebook page.
Make Me A Blessing
Ensemble Jazz

$35.00 30.13 € Ensemble Jazz PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1292778 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Sérgio Matias da Cunha. 20th Century,Film/TV,Wedding. Score. 2 pages. Sérgio Matias da Cunha #883344. Published by Sérgio Matias da Cunha (A0.1292778). Arranjo objetivo e conciso apresentando marcações de cifra, linhas de oitava, mudança de tom e compasso composto, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado. Presença de sinais de repetição contribui para a praticidade e a concisão deste arranjo, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques” no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Have You Ever Really Loved A Woman?
Piano seul
Bryan Adams
$6.99 6.02 € Piano seul PDF SheetMusicPlus

Bass Guitar,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.765225 By Chicago. By Robert Lamm. Arranged by Jim Farley. Pop,Rock. 26 pages. Jim Farley arrangementsone.com #5303527. Published by Jim Farley arrangementsone.com (A0.765225). Arranged for 7 piece horn band, including: Directors score, Leadsheet, Guitar, Bass Guitar, Drums, Tenor Sax, Trumpet & Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, p college and high school pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact Jim at:jfarley@arrangementsone.com and visit his website at Arrangements On E!
Free
Chicago
$39.99 34.42 € PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.932687 Composed by G P Sante d'Palestrina/William Monk, Joachim Neander, and Robert Lowry. Arranged by Terry M. Forsyth. Christian,Easter,Instructional,Sacred. Score. 9 pages. Forsyth Publishing #6113049. Published by Forsyth Publishing (A0.932687). Used as Easter prelude and postlude in different years, this composition uses this hymn as the primary hymn to include first line in canon but also intertwines Lo, In the Grave He Lay using some pedal double counterpoint during plus The Strife Is O'er with all three melodies involved during the ending to include simultaneous play of first lines of two hymns..  This 7.00 minute composition is somewhat challenging but not greatly difficult.  A great blend of classical structure while using hymns people know.  Very, very well received after played as prelude.  Tune names:  Neander, Victory, Christ Arose
"He Is Risen!", toccata
Orgue

$6.99 6.02 € Orgue PDF SheetMusicPlus

Digital Download SKU: S9.Q49650 Komödie für Musik in drei Aufzügen von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Comedy - opera - theater. Downloadable, Piano reduction. Op. 59. Duration 195' 0. Fürstner Musikverlag - Digital #Q49650. Published by Fürstner Musikverlag - Digital (S9.Q49650). German.Mehr als ein Dutzend großer Bühnen im In- und Ausland setzten im Jahr der Dresdner Uraufführung von Richard Strauss’ Komödie für Musik Der Rosenkavalier das Werk auf ihre Spielpläne – der Beginn eines Siegeszuges ohnegleichen. Strauss selbst half mit den beiden Walzerfolgen (1911/12) und der Musik zum Rosenkavalier-Film von Robert Wiene (1926), die Musik auch außerhalb des Theaters bekannt zu machen. Die Idee, sein eigenes Regiekonzept in Verbindung mit den Kostüm- und Bühnenbildentwürfen Alfred Rollers als bindende Musterinszenierung zu etablieren, konnte Strauss nur in Dresden, München, Berlin, Wien und Mailand durchsetzen. Gleichwohl wirkten Rollers einem idealisierten Rokoko verhaftete Entwürfe bis in die 60er Jahre stilbildend. Erst dann begannen Regisseure und Ausstatter, mit aufregend kritischen, neuen Deutungen die Doppelbödigkeit des Werkes zu entdecken und es, beispielsweise mit einem analytischen Blick auf die Entstehungszeit kurz vor Ausbruch des Ersten Weltkriegs, in unsere Gegenwart zu holen.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 3 in B (1. auch in D und Es-Klar., 2. u. 3. auch in A u. C) · Bassetthr. (auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 3 · 3 · 1 - P. S. (Glsp. · Trgl. · Beck. · Tamb. · kl. Mil. Tr. · gr. Rührtr. · gr. Tr. · gr. Ratsche · Schellen · Kast.) (3 Spieler) - Cel. · 2 Hfn. - Str. (16 · 16 · 12 · 10 · 8) - Bühnenmusik im 3. Akt: 2 · 1 · 3 (1 in C, 2 in B) · 2 - 2 · 1 · 0 · 0 - kl. Tr. - Harm. · Klav. - Str. (solistisch oder in reichlicher Verdoppelung).
Der Rosenkavalier

$47.99 41.31 € PDF SheetMusicPlus


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