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Piano - intermediate to difficult - Digital Download SKU: S9.Q53312 Tarantella Napoletana. Composed by Franz Liszt. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53312. Published by Schott Music - Digital (S9.Q53312). Franz Liszt’s first publications with Schott in 1838 were his piano transcriptions of the song cycle ‘Soirées musicales’ by Gioacchino Rossini. The ninth of these, ‘La Danza. Tarantella Napoletana’ (plate numbers 4967-9) is still very popular with virtuosos today. Later, in 1855, 1858 and 1883, amongst other works, Liszt’s three volumes ‘Années de pèlerinage’ (‘Years of Pilgrimage’), probably his most important collection of character pieces for piano, were also published by Schott.
La Danza
Piano seul

$3.99 3.43 € Piano seul PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1122800 By Luke Combs. By Luke Combs, Robert Williford, and Wyatt Durrette. Arranged by Luis Turina and Nonamé Música. Country,Pop,Singer/Songwriter,Wedding. 11 pages. Nonamé Música #723757. Published by Nonamé Música (A0.1122800). (Spanish below) Arrangement commissioned by a groom for his entrance at the wedding. Beautiful song by Luke Combs, the theme changes between violin 1 and viola, while the cello just plays the bass and violin 2 doesn't suffer at all. Very simple to play. Arrangement on a single page per instrument to facilitate its interpretation outdoors. Arches, fingerings, rehearsal letters and dynamics to be able to make a good sightreading. More Noname Music arrangements on our channel: Noname Music Arreglo realizado por encargo de un novio para su entrada en la boda. Preciosa canción de Luke Combs, el tema se lo reparten el violín 1 y la viola, mientras que el cello se limita a hacer el bajo y el violín 2 no sufre nada. Muy sencillo de interpretar. Arreglo en una sola página por instrumento para facilitar su interpretación al aire libre. Arcos, digitaciones, letras de ensayo y matices para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música
Beautiful Crazy
Quatuor à cordes: 2 violons, alto, violoncelle
Luke Combs
$12.99 11.18 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.59 € Orchestre à Cordes PDF SheetMusicPlus

2 · 2 · 2 · 2 - 2 Ventilhr. · 2 Waldhr. · 2 · 0 · 0 - 2 P. - Str. orchestra - Digital Download SKU: S9.Q12438 Rhenish. Composed by Robert Schumann. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Schumann s'installa en 1850 à Düsseldorf, ville située sur le Rhin, pour y occuper le poste de directeur municipal de la musique. Ce sont probablement ses impressions de la Rhénanie qui inspirèrent au compositeur la 3e symphonie. Downloadable, Study score. Op. 97. Duration 28 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q12438. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12438). Key: E flat major. German • English.To occupy the post of municipal music director, Schumann came to Düsseldorf on the Rhine in 1850, and it was probably the impressions of the Rhineland that inspired the composer to write his Symphony No. 3. In a letter to the publisher Simrock, Schumann himself wrote that the peculiarities of Rhenish life had found expression in the work. To Schumann, the view of the Cathedral of Cologne was a highlight of his trips in the area surrounding Düsseldorf; even if there are no records testifying to his attending a church service, it almost seems as if the impressions of such a service are reflected in the fourth movement of the symphony which was originally entitled 'In the Character of the Accompaniment to a Solemn Ceremony'.
Symphony No. 3 Eb major

$16.99 14.62 € PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1013554 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Abigail Clarke. 20th Century,A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. 8 pages. Abigail Clarke #6508523. Published by Abigail Clarke (A0.1013554). ORIGINAL VERSION (for updated 2024 higher/shorter version suitable for YSIH please visit: https://www.sheetmusicdirect.com/en-US/se/ID_No/1458698/Product.aspx)This gorgeous classic sung by Julie Andrews in Mary Poppins is arranged for women's barbershop. Intermediate difficulty level. Ranges (female): Bass D3-F♯4, Baritone B3-B4, Lead G3-D5, Tenor F♯4-E5Learning tracks available for purchase: https://www.tracksbyjen.com/store#!/Feed-the-Birds-Abigail-Clarke/p/531032481Arranger contact: abbylalala@hotmail.com.
Feed The Birds (tuppence A Bag)
Chorale SSAA

$1.99 1.71 € Chorale SSAA PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre

$9.99 8.59 € Orchestre de chambre PDF SheetMusicPlus


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