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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Viola - Level 4 - Digital Download

SKU: A0.869566

Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 32 pages. Thomas Oboe Lee #3471445. Published by Thomas Oboe Lee (A0.869566).

Sally Pinkas and I go way back.  She and Evan Hirsch have performed my music on many occasions.   In 2002 they recorded my Visconti Sforza Tarot Cards ... Twenty Two Salon Pieces for Two Pianos on Arsis Audio Records.

A year ago Sally asked me to write a new work for her trio Ensemble Schumann.   For a while I had no idea where to begin.  But then the name of the group inspired the idea of taking Robert Schumann's music as a point of departure for the trio.  In my search for a title, I came upon a cactus called Parodia Schumanniana.  Perfect!  That is what I will call my trio - Parodia S. (2018).

The work is in five movements.

1. Presto - Trio - Presto
2. Largo
3. Adagio
4. Interlude - Molto Allegro

Audio link: https://thomasoboelee.bandcamp.com/album/parodia-schumanniana-2018-for-oboe-viola-and-piano

YouTube scrolling video link: https://youtu.be/S083rnbrBTs.

Parodia Schumanniana (2018) for oboe, viola and piano
Alto, Piano

$9.99 9.34 € Alto, Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download

SKU: A0.1332112

Composed by Clara Schumann (1819-1896) and Robert Schumann (1810-1856). Arranged by Stephen Levintow. 19th Century,Chamber,Romantic Period. 13 pages. Cypress Publishing #918892. Published by Cypress Publishing (A0.1332112).

A matched pair of love songs by Robert Schumann and his wife Clara, who was a celebrated pianist and gifted composer in her own right, as this example proves. The selections are her Liebst du um Schönheit and Robert's Mondnacht.

CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. 

The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.

Two Songs by the Schumanns
Quatuor à cordes: 2 violons, alto, violoncelle

$4.00 3.74 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Oboe,Piano - Level 5 - Digital Download

SKU: A0.1276462

Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462).

The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.

An average full performance lasts roughly 12 minutes.

The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.

On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.

The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).

Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.

3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Hautbois, Piano (duo)

$15.00 14.02 € Hautbois, Piano (duo) PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download

SKU: A0.1275386

By Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score. 3 pages. Flavio Regis Cunha #867308. Published by Flavio Regis Cunha (A0.1275386).

Welcome to the magic of Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the incomparable pianist Martha Argerich.   From the dancing runs to explosive climaxes, shimmering lyrical passages, and breathtakingly elegant nuances, ‘Of Foreign Lands and Peoples’ is one of the most beloved pieces in piano repertoire.  We’re now offering you the opportunity to get your own copy of the sheet music for ‘Of Foreign Lands and Peoples’, complete with detailed notes and fingerings from the inimitable Martha Argerich.  Whether you’re a student of piano wanting to explore the power of repertoire or a professional pianist looking for the finishing touches to your performance, Martha’s sheet music is the perfect selection.  So join us in discovering the hidden beauty, grace, and emotion of Robert Schumann’s ‘Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples)’ as played by the legendary Martha Argerich.  Get your copy today and take your performance of this amazing piece to the next level.

Intermediate
Format: Concert, 9 x 12 inches
2 pages.

Program Notes

Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples) is a romantic piano piece composed by Robert Schumann in 1838. This piece is a part of Schumann's Kinderszenen (Scenes from Childhood) suite. It explores themes of the unfamiliar and a child's curiosity of the world.   Von fremden Ländern und Menschen utilizes a lyrical ABA form set in an ABA ternary meter. The opening melody is soft, nostalgic, and reflective representing the innocence of childhood. The second section begins with a marching-like motif that gradually builds intensity as it progresses, creating feelings of awe and wonder as the music approaches the climax. The piece ends reflecting on the initial melody.   Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen is an emotionally evocative piece that allows the listener to enter the whimsical world of childhood. The piece’s subtle development makes it a great piece for piano students looking to explore the Romantic era.

Schumann: Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen (as played by Martha Argerich)
Piano seul
Robert Schumann
$4.99 4.67 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1119123

By Víkingur Ólafsson · Robert Schumann. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period. Score. 8 pages. Flavio Regis Cunha #720537. Published by Flavio Regis Cunha (A0.1119123).

🎵 Unleash Your Musical Genius with the Ultimate Sheet Music Experience! 🎵

Calling all students and professional pianists: Elevate your musical journey with the mesmerizing sounds of '6 Studies in Canonic Form, Op. 56 - No. 1' composed by the legendary Robert Schumann, brought to life by the virtuoso Víkingur Ólafsson.

🎹 Dive into the Depths of Musical Mastery:
Experience the thrill of each meticulously crafted note as Víkingur Ólafsson's magical touch guides your fingers across the keys. Discover the artistry behind every crescendo, every decrescendo, and every breathtaking pause, as you embark on a sonic adventure that will leave you spellbound.

📚 Immerse Yourself in Unrivaled Expertise:
This sheet music is not just notes on paper – it's a gateway to musical brilliance. Whether you're a student aiming for perfection or a seasoned professional seeking new heights, '6 Studies in Canonic Form, Op. 56 - No. 1' holds the secrets to unlocking your true pianistic potential.

🌟 Why Choose Our Sheet Music?
✓ Authentically Engraved: Each note is an invitation to excellence, beautifully engraved to capture the essence of Schumann's genius.
✓ Expert Insights: Uncover exclusive insights and performance tips from Víkingur Ólafsson himself, as you delve deeper into the heart of the composition.
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Don't miss your chance to own a piece of musical history! Elevate your pianistic skills, captivate your audience, and leave an indelible mark on the world of music. Order your copy of '6 Studies in Canonic Form, Op. 56 - No. 1' sheet music now and let the enchantment begin!

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Notes

Schumann: 6 Studies in Canonic Form, Op. 56 - No. 1, Nicht zu schnell (Grand Piano) · Víkingur Ólafsson · Robert Schumann. Icelandic pianist Víkingur Ólafsson reflects on his musical life story, from childhood memories to his international career and contemporary inspirations, on his new album From Afar released on 7 October 2022. Based on the album From Afar.

Advanced intermediate.
Format: Concert 9 x12 inches.
7 Pages.

Schumann: 6 Studies in Canonic Form, Op. 56 - No. 1, as played by Víkingur Ólafsson
Piano seul
Víkingur Ólafsson · Robert Schumann
$5.99 5.6 € Piano seul PDF SheetMusicPlus






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