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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1139587 Composed by Robert Chamberlin. 20th Century,Chamber,Classical. Score. 12 pages. Robert Chamberlin #739862. Published by Robert Chamberlin (A0.1139587). This work was composed originally to be performed by two performers--soprano voice doubling on tuba and piano. I composed it for a vocal performance major at Webster University in St. Louis, Missouri who could also play tuba. The attached recording is her performance of the piece. Since there aren't many performers who can sing soprano and play the tuba, the piece can also be done with three performers. The piece begins with a play on the opening motive from Mozart's Tuba Mirum. That motive also ends the piece.
Tuba Mirum for Soprano, Tuba, and Piano
Piano, Voix

$5.00 4.38 € Piano, Voix PDF SheetMusicPlus

SATB chorus, Unison chorus - Digital Download SKU: C7.CGA457 Composed by George Frideric Handel and Robert J. Powell. Arranged by George Frideric Handel and Robert J. Powell. Easter. With Congregation, organ, two B-flat trumpets, optional part for two octave handbells. Sacred Anthem. Octavo. 20 pages. Chorister's Guild - Digital #CGA457. Published by Chorister's Guild - Digital (C7.CGA457). UPC: 749193000847.This exciting work for Easter is part of our forthcoming new 'Heritage of Hymns, Series II'. A festival anthem that uses the resources of a multiple choir program to good advantage, the melodic and harmonic material is carefully constructed in Handelian style, and choral parts are easily singable though the score may look complex. (Children's choir, SA(T)B choir, congregation, organ, two B-flat trumpets, optional part for two octave handbells) Arranger: Robert J. Powell Text Author: Edmond Budry (1854-1939) and R. B. Hoyle (1875-1939).
Concertato on Thine Is the Glory
Chorale SATB

$2.25 1.97 € Chorale SATB PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.845757 By Bobby Darin. By Kurt Weill. Arranged by Robert Newth. Broadway,Jazz,Musical/Show,Pop,Standards. Score and parts. 12 pages. Robert Newth #6217749. Published by Robert Newth (A0.845757). 'Die Moritat vom Mackie Messer', more commonly known as 'Mack the Knife', is a song by Kurt Weill and Bertolt Brecht from their play 'The Threepenny Opera', which was first performed in Berlin in 1928. This song was hastily written before opening night for the lead actor, who complained that his character didn't have a good introduction. Mack the Knife quickly became a jazz standard, and has now been covered countless times by artists such as Frank Sinatra, Robbie Williams, Louis Armstrong, and Ella Fitzgerald.
Mack The Knife
Quatuor à cordes: 2 violons, alto, violoncelle
Bobby Darin
$12.99 11.39 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 5 - Score Only
Orchestre à Cordes

$9.99 8.76 € Orchestre à Cordes PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.917643 Composed by Gioachino Rossini. Arranged by Robert Shuler. Film/TV,Holiday,Instructional,Patriotic,Romantic Period,World. Score and parts. 3 pages. Robert Shuler #5888995. Published by Robert Shuler (A0.917643). You played a beginner version of William Tell in your first Essential Elements lesson books.  That was fun.  You wanted more.  But nothing else is available except the orchestral version which is not only insane, you can't possibly assemble that many players.  Highly expert players.  They are already too busy playing for the symphony or in the recording studio.
William Tell Overture Finale violin & cello intermediate
Violon, Violoncelle (duo)

$6.99 6.13 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Violin and piano - Digital Download SKU: S9.Q3900 Composed by Robert Schumann. Arranged by Emil Kross and Fritz Meyer. This edition: Sheet music. Edition Schott - Single Edition. Copyright 2009 Schott Music GmbH & Co. KG, Mainz. Downloadable. Op. 124/16. Schott Music - Digital #Q3900. Published by Schott Music - Digital (S9.Q3900). He gave a present to me and my little Marie of a delightful lullaby composed that Christmas afternoon, Clara Schumann noted in the family diary they shared. This Slumer Song of 1841 Robert Schumann later included as No. 16 in his collection of Albumblätter (Album Leaves) Op. 124. The collection of twenty miniatures for piano was written over a fairly long period of time: the first piedes were written in 1832/33 and the composer started work on the last piece, the Canon, in 1845. In 1853 Schumann had the idea of brining together barious individual pieces that didn't fit in anywhere else in a collection of Albumblätter that was published in December of the same year. It is a bright bouquet of poetic little piano pieces of moderate technical difficulty: there can be no comparsion with grand works such as his G minor piano sonata of Carnaval. These musical aphorisms were not intended for the concert hall, though, but for domestic music making: this is chamber music in the true sense of the term. After unpleasant wrangling that even involved going to court to obtain permission to marry Clara Wieck, there followed a time of intense productivity for Robert Schumann: 1840 was his year of songs and 1841 his year of symphonies. Their marriage, which eventually took place against the wishes of Schumann's father-in-law, and the birth of their first child on 1 September 1841 contributed much to his personal happiness. It was for Marie that the hyppy father now composed this Slumber Song, which has enjoyed great popularity ever since: a simple and tender lullaby, written by the father as a surprise ´gift. This lullgy lends itself very well to being performed on a melodic instrument with piano accompaniment, as in thes edition for violin.
Slumber song, Op. 124/16
Violon et Piano

$5.99 5.25 € Violon et Piano PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 2 - Score Only
Orchestre à Cordes

$9.99 8.76 € Orchestre à Cordes PDF SheetMusicPlus






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