Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1113254 Composed by Traditional Christmas Carol. Arranged by Aaron Lee. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 2 pages. J. Aaron Lee #715198. Published by J. Aaron Lee (A0.1113254). This SATB chorale setting of the classic Christmas carol Adeste Fidelis (English: O Come All Ye Faithful) is done in the style of baroque composers such as J. S. Bach and is a very traditional setting of Praetorius' melody from 1609. This arrangement is fairly easy and should be appropriate for a wide range of skill levels, including school settings. This score includes three verses in Latin, and is also included in the collection Nine Christmas Chorales also by Aaron Lee. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112817 Composed by Michael Praetorius. Arranged by Aaron Lee. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 2 pages. J. Aaron Lee #714775. Published by J. Aaron Lee (A0.1112817). This SATB chorale setting of the classic Christmas carol Es Ist Ein Rose Entpsrungen (English: Lo, how a rose e'er blooming) is done in the style of baroque composers such as J. S. Bach and is a very traditional setting of Praetorius' melody from 1609. This arrangement is fairly easy and should be appropriate for a wide range of skill levels, including school settings. This score includes three verses in German, and is also included in the collection Nine Christmas Chorales also by Aaron Lee. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1114484 Composed by Traditional Christmas Carol. Arranged by Aaron Lee. A Cappella,Baroque,Christian,Christmas,Sacred. Octavo. 2 pages. J. Aaron Lee #716368. Published by J. Aaron Lee (A0.1114484). This SATB chorale setting of the Christmas carol In Dulci Jubilo is done in the style of baroque composers such as J. S. Bach and is a very traditional setting of the original melody. This arrangement is fairly easy and should be appropriate for a wide range of skill levels, including school settings. This score includes four verses that combine English and Latin, and is also included in the collection Nine Christmas Chorales also by Aaron Lee. For more music from Aaron Lee, you can visit www.MusicOfLee.com.

Concert Band - Level 3 - Digital Download SKU: A0.1516349 By Hans Zimmer. By Hans Zimmer. Arranged by John Ivor Holland. 21st Century,Christmas,Film/TV,Holiday. 65 pages. John Ivor Holland #1090510. Published by John Ivor Holland (A0.1516349). 'The Holiday' is a 2006 romantic comedy film written, produced and directed by Nancy Meyers; it was filmed in both California and England and stars Kate Winslet and Cameron Diaz as Iris and Amanda, two lovelorn women from opposite sides of the Atlantic Ocean, who arrange to swap homes with each other during the Christmas holidays, with unexpected consequences. The soundtrack contains music by various artists including Hans Zimmer, who is more familiar with action films, but there is something very warm and cosy about his work here - you may notice a similarity between the opening notes on the piano and the perennial Christmas song, 'Fairytale of New York', to add an extra dimension. This arrangement of the main theme, 'Meastro', for piano and concert band is sure to bring a slice of holiday magic to your next concert.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1000909 Composed by Aaron Corley. Lyrics by Aaron Corley. Country,Pop. Score. 7 pages. Transdimensional Music #5968621. Published by Transdimensional Music (A0.1000909). 'Tell Me Why' is a sad song recalling a love affair ended by tragedy. Approximate performance time 3:05.

Voice (SSAA) - Level 4 - Digital Download SKU: A0.762506 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 6 pages. Rowena Harper #6341465. Published by Rowena Harper (A0.762506). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis price is for a set of parts (four copies). Available also as a per copy price - minimum 10 copies.(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.762507 By Blondie. By Howard Barrett, John Holt, and Tyrone Evans. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 6 pages. Rowena Harper #6341467. Published by Rowena Harper (A0.762507). Pop with a dash of reggae rhythm, and of course you can add percussion as you please! This is a fun arrangement of the Blondie cover which includes a fair dash of bass melody with three part rhythmic overlay, and a baritone feature utilising the trumpet line as their very own theme near the end which will require the leads to sing a simple harmony. Oodles of fun, although the rhythms change frequently - semiquavers to triplets - but give it a go! ;-)Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass G-E, Baritone C#-B, Lead B-D, Tenor G-G.Key = CThis is a per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The bass clef parts are sung an octave higher than written.Contact: acappellatenor@gmail.com

Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1382608 Composed by Pyotr Tchaikovsky. Arranged by Mark R Lewis. A Cappella,Classical,Instructional,Standards,Traditional. 16 pages. Mark R Lewis #967033. Published by Mark R Lewis (A0.1382608). Pyotr Tchaikovsky was a late 19th century Russian composer who is well known for both his symphonic works and ballets. The Arabian Dance is one of the movements from his Nutcracker Ballet, often separated into an orchestral suite featuring some of the individual dance pieces from the ballet. This arrangement is for SATBB ensemble, with a soprano part, an alto part, a tenor part, and two distinct bass parts. The primary melody lines through the piece are carried in the treble voices but do occasionally visit the lower voices with the tenor line switching between melody harmony and bass line parts frequently throughout. The two bass lines alternate with carrying a continuous eighth-note line and drone-like notes. The soprano and tenor parts do push the upper ranges sometimes but the other parts stick to fairly typical ranges. Overall, the piece should be performable by most intermediate groups. There is also a tambourine part for added interest.

Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1382609 Composed by Pyotr Tchaikovsky. Arranged by Mark R Lewis. A Cappella,Classical,Instructional,Standards,Traditional. 16 pages. Mark R Lewis #967034. Published by Mark R Lewis (A0.1382609). Pyotr Tchaikovsky was a late 19th century Russian composer who is well known for both his symphonic works and ballets. The Arabian Dance is one of the movements from his Nutcracker Ballet, often separated into an orchestral suite featuring some of the individual dance pieces from the ballet. This arrangement is for TTBBB ensemble, with two tenor parts, one baritone part, and two distinct bass parts. The primary melody lines through the piece are carried in the tenor parts but do occasionally visit the lower voices with the baritone line switching between melody harmony and bass line parts frequently throughout. The two bass lines alternate with carrying a continuous eighth-note line and drone-like notes. The tenor 1 part does push the upper ranges sometimes but the other parts stick to fairly typical ranges. Overall, the piece should be performable by most intermediate groups. There is also a tambourine part for added interest.

Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - Digital Download SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Flute Ensemble - Piccolo, 4Flutes, Alto Flute, Bass Flute, Optional Contr'Alto, Contrabass, Obtional Sub and Double Contras. Score and parts. 221 pages. Forton Music - Digital #FM553. Published by Forton Music - Digital (F2.FM553). ISBN 9790570484522.This is an arrangement of the last symphony that Haydn wrote. It was composed and premiered in London in 1795, and was an instant success. Following the standard four movement pattern of the time, it starts with a slow, serious introduction before the lighter, fast first movement begins properly. Using just one main theme, Haydn spins a delightful series of moods and emotions before rushing to the exciting conclusion. The second movement is more measured and controlled, but with episodes of drama and tension. The third movement is a traditional minuet and trio, with the lightness and humour of Haydn. The last movement has elements of folk music, with it's opening low drone and peasant like melody. Haydn however alternates the romping first section ideas with a more sophisticated, legato second section. This creates a delicious balance and has to make for one of the most satisfying symphonies ever written. This arrangement has been created with a range of playing standards in mind. The first and last movements use the full resources of the flute choir right down to the lowest double contrabass in C. The rarer flutes have optional parts so can be safely omitted, but add great depth to the sound. Flute 1 is quite complicated and involved, but then the parts get easier until flute 4 is fairly basic and could be easily realised by players with less experience. The second and third movements have been thinned down, with piccolo, G treble, contr'alto, subcontrabass in G and double contrabass in C being tacet. Also in these movements, flute 1 and 2 take the same line, while flute 3 and 4 are similarly in unison, with an optional contrabass part. These movements may be taken by four or five solo players, or some sections could be solos and others played by the full ensemble, or many other options.

Full Orchestra - Level 3 - Digital Download SKU: A0.851554 Composed by Brett Thompson. 20th Century,Contemporary,Folk,Latin. Score and parts. 58 pages. Brett Thompson #6079455. Published by Brett Thompson (A0.851554). If you are lucky enough to have miraculously stumbled across this wonderful hoot of a piece using the sheetmusicplus search, then you are in for a treat! Cootamundra is a town in country New South Wales, Australia, and has nothing to do with the character of this piece. It is quite near where I currently live and made a fun alliteration while choosing a title for this piece. When writing music, I often allow the character and form of the piece to evolve with development of the motifs being employed. When writing student pieces, however, I tend to map out the work in my imagination fairly thoroughly first. This helps to keep the end result within the technical and musical limitations of the students in mind. Such was the case here where I decided to build on a nursery song with some drone-like accompaniment, a little Scotland the Brave, and then superimpose it on a conga line motif.This work is designed for a student orchestra (Grade 3) and includes lots of doubling and cues to cover absent parts.

Piano Solo - Level 3 - Digital Download SKU: A0.741168 Composed by Edvard Grieg. Arranged by Anne Britt. Romantic Period,World. Score. 5 pages. Anne Britt #3421189. Published by Anne Britt (A0.741168). This famous classical piece was composed by Edvard Grieg as part of the play Peer Gynt, and is played as the title character, Peer Gynt, in a dream-like fantasy, enters the troll Mountain King’s hall to face a great crowd of troll courtiers, gnomes, and goblins. The Mountain King sits on his throne, with crown and sceptre, surrounded by his children and relatives. Peer Gynt stands before him. There is a tremendous uproar in the hall and these lyrics are heard:Slay him! The Christian man’s son has seducedthe fairest maid of the Mountain King!Slay him! Slay him!May I hack him on the fingers?May I tug him by the hair?Hu, hey, let me bite him in the haunches!Shall he be boiled into broth and bree to meShall he roast on a spit or be browned in a stewpan?Ice to your blood, friends!This arrangement for piano solo presents the theme of Grieg’s piece in a tango setting that is creative, fun, and much more accessible to the intermediate pianist. 5 pages. Performance time: approximately 1:48.Included in the Piano Remixes: Classics Vol. 2 intermediate songbook: https://www.sheetmusicplus.com/title/22083336Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/

Tenor recorder and bass recorder - intermediate - Digital Download SKU: S9.Q19062 For tenor and bass recorder. Composed by Gavin Bryars. This edition: Sheet music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q19062. Published by Schott Music - Digital (S9.Q19062). 'Two Lines' was written at the request of Peter Bowman and Kathryn Bennets for a piece to celebrate 20 years of their performing together. It is a response to Bach's Two-part Inventions and, like the Bach, is suitable for concert performance or as part of a programme of two-part inventions. As Bach said in his preface to the first edition of his work the aim is '... above all to cultivate a cantabile style of playing and to gain from the beginning a strong foretaste of composition.'Two Lines a été écrit à la demande de Kathryn Bennetts et Peter Bowman pour célébrer leurs 20 ans de collaboration. Il s’agit ici d’une réponse aux Inventions à deux voix de Bach et, comme celles de Bach, la pièce peut s’exécuter en concert ou faire partie d’un programme d’Inventions à deux voix.