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Partitions Digitales
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Solo Guitar - Level 4 - Digital Download SKU: A0.1376503 By Edward Sharpe and the Magnetic Zeros. By Alex Ebert and Jade Castrinos. Arranged by Cameron Jones. Contemporary,Folk,Pop,Rock. Individual part. 4 pages. New Verse Music #961031. Published by New Verse Music (A0.1376503). Home (popularly known as Home Is Wherever I'm With You), by Edward Sharpe & The Magnetic Zeros, arranged for solo guitar. This file includes both easy-to-read tablature (including rhythms and note durations) and standard notation, with chord symbols above the staff.To help clarify the song form and reduce the number of pages, each song section is notated separately, with the form listed on the final page.Check out NewVerseMethod.com for in-depth video lessons.
Home
Guitare
Edward Sharpe and the Magnetic Zeros
$4.99 4.38 € Guitare PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1457360 By Nick Drake. By Nick Drake. Arranged by Cameron Jones. Folk,Singer/Songwriter. Guitar Tab. 4 pages. New Verse Music #1036394. Published by New Verse Music (A0.1457360). Arranged for guitar in standard tuning (Nick Drake used an open tuning in the original version). Contains both tablature and standard notation versions with chord symbols.If you don't want to have to retune your guitar every time you play Pink Moon, this arrangement is for you!My tab of the original version in Drake's open tuning can be found here.As with all of my arrangements, song sections are listed individually, with the song form listed at the end. This makes the transcription more succinct and helps with understanding the form.
Pink Moon
Nick Drake
$4.99 4.38 € PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
Legacy for Chamber Orchestra
Orchestre de chambre

$40.00 35.08 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
Legacy for Clarinet, Violin, Cello, and Piano

$14.99 13.14 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
Legacy
Orchestre

$49.95 43.8 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.851196 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 5 pages. DanJonesGuitarist #6478271. Published by DanJonesGuitarist (A0.851196). The Miller’s Waltz Dan Jones At the time of composing, I was living in Perthshire, Scotland. Near to our family home is an abandoned water mill called Dron Mill. All that remains today is the shell of a building, spaces where wheels and axles once stood, and a babbling burn which has been reclaimed by nature. In centuries past, this would have been a place of activity and prosperity. I imagined a miller living in this idyllic corner, concealed by the hillside. Maybe he and his wife danced in the garden. The Miller’s Waltz reflects the indescribable magic which some places possess. A poet in the 19th century also felt this magic when he/she wrote anonymously: At the fit o’ Balmanno, a whin-covered hill, Nestlin’ mang trees, there you’ll find the auld mill; If wi’ peace and contentment your mind you wad fill, Gae up to Dron Mill by the Ochils. I hope you enjoy playing ‘The Miller’s Waltz’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
The Miller's Waltz
Piano seul

$7.95 6.97 € Piano seul PDF SheetMusicPlus


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