Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468858. Published by Musik Fabrik Music Publishing (A0.862378). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Oboe,Piano - Level 3 - Digital Download SKU: A0.862376 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468856. Published by Musik Fabrik Music Publishing (A0.862376). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.862377 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468857. Published by Musik Fabrik Music Publishing (A0.862377). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.

Handbell Handchimes - Level 4 - Digital Download Agape Bronze - Level 4-5; Elevation Series. Original Handbell. Handbell. 24 pages. Hope Publishing - Digital #2944DP. Published by Hope Publishing - Digital

Marching Band - Level 4 - Digital Download SKU: A0.1277755 Composed by Jose Cruz Armando and William Omar Landron. Arranged by William A. Garcés. Latin,Pop. Score and Parts. 6 pages. William Garcés #869444. Published by William Garcés (A0.1277755). Musical Fusion at its BestGet ready to experience the fusion of urban beats and the dynamic energy of a marching band like you've never heard before. Our team has meticulously crafted an arrangement that brings together the catchy melodies of Diva Virtual with the powerful sound of a marching band ensemble.Drums, Brass, and Grooves From the pounding drums that will make your heart race to the resonating brass that commands attention, this arrangement encapsulates the essence of both the original track and the infectious spirit of marching bands. You'll be amazed at how seamlessly these elements come together to create an electrifying performance.

By Ron Man. For SATB choir, Optional String Ensemble. Sacred Anthem. Moderately easy. Published by Monarch Music

By Ron Man. For SATB choir. Sacred Anthem. Thanksgiving. Moderately easy. Published by Monarch Music

Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1230360 Composed by Everardo García Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 19 pages. Everardo García Vargas #826069. Published by Everardo García Vargas (A0.1230360). Recuerdos de mi tierra - Cuarteto para ClarinetesEsta pieza evoca recuerdos de los años 90 cuando formaba parte de la Banda BASTLAM en la comunidad Mixe de Tlahuitoltepec, Oaxaca, México. Practicábamos el estilo Zapateado-Vals con solos y acompañamiento de banda. Cada instrumento tenía solos y tuttis únicos. En ese entonces, era innovador tocar como solista en un pueblo rico en cultura pero aislado y con limitado acceso a información y conocimientos formales de música. Prácticamente no existían bandas infantiles ni juveniles, por lo que la creación de la Banda Infantil-Juvenil-Bastlam fue uno de los primeros grandes proyectos impulsados por las autoridades municipales. Posteriormente, adoptaron el proyecto y continuaron formando bandas infantiles escalonadamente en dicha comunidad replicándose en otros pueblos y regiones de Oaxaca.El origen del zapateado es incierto. Se cree que proviene de las sevillanas, fandanguillos, bulerías y peteneras españolas, las cuales se fusionaron con elementos africanos. Sin embargo, fue en México donde este tipo de zapateado instrumental se arraigó y enriqueció en las bandas filarmónicas tradicionales de los pueblos oaxaqueños. El zapateado representa una fusión global entre culturas y sus representaciones. No existe ningún baile o forma musical completamente puro; todos son producto de mestizajes.

Clarinet Duet Bass Clarinet - Level 4 - Digital Download SKU: A0.1240995 Composed by Everardo García Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 2 scores. 13 pages. Everardo García Vargas #836391. Published by Everardo García Vargas (A0.1240995). Recuerdos de mi tierra - Dúo para ClarinetesEsta pieza evoca recuerdos de los años 90 cuando formaba parte de la Banda BASTLAM en la comunidad Mixe de Tlahuitoltepec, Oaxaca, México. Practicábamos el estilo Zapateado-Vals con solos y acompañamiento de banda. Cada instrumento tenía solos y tuttis únicos. En ese entonces, era innovador tocar como solista en un pueblo rico en cultura pero aislado y con limitado acceso a información y conocimientos formales de música. Prácticamente no existían bandas infantiles ni juveniles, por lo que la creación de la Banda Infantil-Juvenil-Bastlam fue uno de los primeros grandes proyectos impulsados por las autoridades municipales. Posteriormente, adoptaron el proyecto y continuaron formando bandas infantiles escalonadamente en dicha comunidad replicándose en otros pueblos y regiones de Oaxaca. El origen del zapateado es incierto. Se cree que proviene de las sevillanas, fandanguillos, bulerías y peteneras españolas, las cuales se fusionaron con elementos africanos. Sin embargo, fue en México donde este tipo de zapateado instrumental se arraigó y enriqueció en las bandas filarmónicas tradicionales de los pueblos oaxaqueños. El zapateado representa una fusión global entre culturas y sus representaciones. No existe ningún baile o forma musical completamente puro; todos son producto de mestizajes.

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

By Lady Gaga. By Hillary Lindsey, Mark Ronson, and Stefani Germanotta. Arranged by VeronicaPiano88. Pop. Score. 3 pages. VeronicaPiano88 #5722899. Published by VeronicaPiano88

Easy Piano - Level 1 - Digital Download SKU: A0.902466 Composed by Clara Wieck-Schumann. Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996795. Published by Cameron E Smith (A0.902466). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Upper ElementaryDetailed Description:Piano trio for piano, violin and cello in g minor composed by Romantic composer Clara Schumann. First movement, Allegro Moderato. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a primer level arrangement in the key of a minor and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand is in a 5-finger, middle C position. Left-hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Dotted quarter-notes are introduced. 5-finger scales with right-hand fifth finger extension. Tied notes. One accidental.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Clara Schumann was one of the best concert pianists of her time, and composed chamber music, choral pieces, and songs in addition to solo piano pieces. She married the composer Robert Schumann and often premiered both his music and the music of Johannes Brahms. After he husband's early death, she became an influential piano educator and continued to tour as a concert pianist.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.940581 By Iron Maiden. By Steve Harris. Arranged by Yevhen Martianov. Metal. Score and parts. 16 pages. Yevhen Martianov #5309559. Published by Yevhen Martianov (A0.940581).  The Trooper song by Iron Maiden, arrangement for the string quartet. The arrangement preserves the form of the original composition, including guitar solo, transcribed for violin. This is my seventh string quartet of Iron Maiden songs, following my arrangements of the Fear of the dark, Ghost of the Navigator, The Wicker Man, Out Of The Silent Planet, Rainmaker  and Como Estais Amigos.  This digital music sheet includes the score and individual parts. Hope you'll enjoy it!)  For more info please, feel free to contact me via email :    jonny.freeman321@gmail.com  or Facebook :   https://www.facebook.com/jonny.freeman.9

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.940578 By Iron Maiden. By Bruce Dickinson, David Murray, and Steven Harris. Arranged by Yevhen Martianov. Metal. Score and parts. 17 pages. Yevhen Martianov #5298787. Published by Yevhen Martianov (A0.940578).  Rainmaker song by Iron Maiden, arrangement for the string quartet. The arrangement preserves the form of the original composition, including guitar solo, transcribed for violin. This is my sixth string quartet of Iron Maiden songs, following my arrangements of the Fear of the dark, Ghost of the Navigator, The Wicker Man, Out Of The Silent Planet and Como Estais Amigos.  This digital music sheet includes the score and individual parts. Hope you'll enjoy it!)  For more info please, feel free to contact me via email :    jonny.freeman321@gmail.com  or Facebook :   https://www.facebook.com/jonny.freeman.9