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Instrumental Duet Bassoon,Instrumental Duet - Level 3 - Digital Download SKU: A0.550698 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards. Score and parts. 78 pages. Jmsgu3 #4776995. Published by jmsgu3 (A0.550698). Beethoven: Three Duets WoO 27  S0.614697Duet No. 1Score: 13 pages, Duration: 10:43. In three movements.Contents:1. Allegro commodo2. Larghetto sostenuto3. Rondo. Allegretto, VivaceDuet No. 2Score: 14 pages. Duration: 10:24. In three movements.Contents:1. Allegro affettuoso2. Aria - Larghetto3. Rondo - Allegretto moderatoDuet No. 3Score: 14 pages. Duration: 12:34. In three movements. 1. Allegro sostenuto2. Aria con Variazioni3. Allegro assai.
Beethoven: Three Duets WoO 27 for Tenor Sax & Bassoon
2 Bassons (duo)

$32.95 28.12 € 2 Bassons (duo) PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 6 - Score Only
Orchestre à Cordes

$9.99 8.53 € Orchestre à Cordes PDF SheetMusicPlus

Piano - Digital Download SKU: LV.1108 Arranged by H. Butler. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1108). An Egyptian Air. Arranged as a Rondo for the Piano Forte by H. Butler. Published [n.d.] by Joseph Willson, 62 Broadway in New York. Composition of rondo with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
An Egyptian Air
Piano seul

$5.99 5.11 € Piano seul PDF SheetMusicPlus

Descant Recorder,Instrumental Solo,Piccolo - Level 2 - Digital Download SKU: A0.998865 Composed by Robert A. Howard. 20th Century,Children,Folk,Instructional. Individual part. 3 pages. Robert A. Howard #6293571. Published by Robert A. Howard (A0.998865). This 6/8 Jig is composed in a folk style and was created for a variety of educational uses. The piece was designed to be played on a soprano recorder (also known as the descant recorder), either as a solo item or to be used in the music classroom by multiple recorder players. The work lies within a reasonable range for the amateur recorder player, with few accidentals or difficult rhythms, and features an exactly recurring rondo theme. As a result, the piece can be used flexibly, as each new rondo episode can be learned and added in subsequent lessons or performances. The piece is also playable on the flute and is provided in two versions. In the first (recorder) version, the flute plays mainly in the lower and middle registers. A second version (of both sheet music and audio) is given one octave higher, and therefore is more taxing and explores the flute's middle and higher range.
Jig

$2.49 2.12 € PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.550697 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards. Score and parts. 80 pages. Jmsgu3 #4776993. Published by jmsgu3 (A0.550697). Beethoven: Three Duets WoO 27  S0.614695Duet No. 1Score: 13 pages, Duration: 10:43. In three movements.Contents:1. Allegro commodo2. Larghetto sostenuto3. Rondo. Allegretto, VivaceDuet No. 2Score: 14 pages. Duration: 10:24. In three movements.Contents:1. Allegro affettuoso2. Aria - Larghetto3. Rondo - Allegretto moderatoDuet No. 3Score: 14 pages. Duration: 12:34. In three movements. 1. Allegro sostenuto2. Aria con Variazioni3. Allegro assai.
Beethoven: Three Duets WoO 27 for Soprano Sax & Bassoon

$32.95 28.12 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 5 - Score Only
Orchestre à Cordes

$9.99 8.53 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.792667 Composed by Elizabeth Raum. 20th Century. Score and parts. 49 pages. Gordon Cherry #5329123. Published by Gordon Cherry (A0.792667). Elizabeth Raum's Quintet for Brass was written in 1980 and is just now being published for the first time. The work is in four movements: 1. Prelude, 2. Scherzo and Blues, 3. Passacaglia and Fugue and 4. Rondo. It is written for traditional brass quintet with Trumpets in B-flat for advanced performers and is about 15 minutes in length. The music is very expressive and tonal. Below is a brief description of the work by the composer, Elizabeth Raum. This piece is very much based on various musical forms. The Prelude has opened many a musical work from Baroque to the present. Then follows Scherzo and Blues, a light hearted bonbon moving into a lazy blues. Next is pure Baroque starting with a Passacaglia followed by a Fugue based on the Passacaglia progression. And finally finishing up with the Rondo, in a major key, light-hearted, canonic in places, with a feeling of the evolution of musical form.
Quintet for Brass
Ensemble de cuivres

$45.00 38.4 € Ensemble de cuivres PDF SheetMusicPlus






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