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Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program. This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity. All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows: Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet) Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) WESLEY L. HANSON
Easy Ensemble Music

$11.95 10.19 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program. This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity. All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows: Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet) Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) WESLEY L. HANSON
Easy Ensemble Music

$11.95 10.19 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program. This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity. All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows: Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet) Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) WESLEY L. HANSON
Easy Ensemble Music

$11.95 10.19 € PDF SheetMusicPlus

Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program. This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity. All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows: Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet) Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) WESLEY L. HANSON
Easy Ensemble Music

$11.95 10.19 € PDF SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitare

$42.95 36.63 € Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1099687 Composed by Jeremy Hanson. Contemporary,Instructional. Score. 13 pages. Jeremy Hanson Music #703561. Published by Jeremy Hanson Music (A0.1099687). Early Intermediate; Intermediate Piano Solos. 7 Piano Pieces in a Variety of Styles. Composed by Jeremy Hanson. Piano Collection; Piano Supplemental. Intervallic Sketches. The pieces in this collection were composed using only one or two intervals. This creative limitation was fun to explore and encouraged an openness to new ways of thinking about melody and harmony. Students will also enjoy exploring these unusual, sophisticated (and yet accessible) harmonies. Titles: Machines on the Attack! (2nds and 3rds) * Rainy Evening (2nds and 4ths) * Rollercoaster (4ths) * Prairie Sunrise (5ths and 6ths) * Autumn Wind (5ths) * Crossing the Sahara (5ths and 7ths) * Giraffes (7ths).
Intervallic Sketches
Piano seul

$7.99 6.82 € Piano seul PDF SheetMusicPlus

Ocarina - Level 2 - Digital Download SKU: A0.1354415 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show. Score. 4 pages. Songbooks.info #939134. Published by songbooks.info (A0.1354415). La vie en rose (French for Life in Pink, in free translation Life through rose-colored glasses) is a chanson written in 1945 by the French singer Édith Piaf (1915-1963), melody: Louis Guglielmi (1916– 1991).The chanson has been translated into at least twelve languages, including at least 28 versions in German. The title is used in at least 32 films.The song was adapted for the Ocarina with 6 holes and provided with fingering images in English Crossfingering. These images are briefly explained in the appendix. The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!La vie en rose (französisch für „Das Leben in Rosa“, in freier Übersetzung „Leben durch die rosarote Brille“) ist ein 1945 geschriebenes Chanson der französischen Sängerin Édith Piaf (1915-1963), Melodie: Louis Guglielmi (1916–1991).Das Chanson wurde in mindestens zwölf Sprachen übersetzt, davon mindestens 28 Versionen auf Deutsch. Der Titel wird in mindestens 32 Kinofilmen verwendet.Das Lied wurde für die Okarina mit 6 Löcher adaptiert und mit Griffbildern versehen - in English Crossfingering. Diese Griffbilder werden im Anhang kurz erklärt. In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
La Vie En Rose
Ocarina
Edith Piaf
$5.49 4.68 € Ocarina PDF SheetMusicPlus

Handbells Guitar, Handbells, Percussion, Rhythm - Level 3 - Digital Download SKU: H1.2627DP Arranged by Nicholas A. Hanson. Contemporary, Pop, Secular, Education, General Worship. 7 octave (level 3+). 16 pages. Hope Publishing - Digital #2627DP. Published by Hope Publishing - Digital (H1.2627DP). By Adele Adkins & Paul Epworth.Popular secular song by Adele Adkins & Paul Epworth British singer-songwriter, Adele had the largest crossover hit in the United States in the past 25 years with this blues, gospel, chart topper. Nicholas A. Hanson's masterful transcription translates perfectly to handbells and features driving, malleted eighth notes as the underpinning for the hypnotic, syncopated melody. Soulful, and understated, this setting for 3-7 octaves, with optional parts for Guitar, Bass, Drums, and Synth is a guaranteed crowd pleaser.
Rolling in the Deep
Adele Adkins & Paul Epworth

Popular secular song by Adele Adkins & Paul Epworth British singer-songwriter, Adele had the largest crossover hit in the United States in the past 25 years with this blues, gospel, chart topper
$7.00 5.97 € PDF SheetMusicPlus

Guitar, Handbells, Percussion, Rhythm - Level 3 - Digital Download SKU: H1.2627RDP Arranged by Nicholas A. Hanson. Contemporary, Pop, Secular, General Worship. Rhythm parts. 11 pages. Hope Publishing - Digital #2627RDP. Published by Hope Publishing - Digital (H1.2627RDP). By Adele Adkins & Paul Epworth.Popular secular song by Adele Adkins & Paul Epworth British singer-songwriter, Adele had the largest crossover hit in the United States in the past 25 years with this blues, gospel, chart topper. Nicholas A. Hanson's masterful transcription translates perfectly to handbells and features driving, malleted eighth notes as the underpinning for the hypnotic, syncopated melody. Soulful, and understated, this setting for 3-7 octaves, with optional parts for Guitar, Bass, Drums, and Synth is a guaranteed crowd pleaser.
Rolling in the Deep
Adele Adkins & Paul Epworth

Popular secular song by Adele Adkins & Paul Epworth British singer-songwriter, Adele had the largest crossover hit in the United States in the past 25 years with this blues, gospel, chart topper
$22.95 19.58 € PDF SheetMusicPlus

Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719767 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069391. Published by Curtis Hanson (A0.719767). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Make Me a Captive, Lord, Beneath the Cross of Jesus, and Abide with Me. This collection of arrangements is also available for SATB voices and piano or piano solo.
Hymns from Childhood - Set 7 (solo)
Voix seule

$5.99 5.11 € Voix seule PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719735 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 10 pages. Curtis Hanson #4573081. Published by Curtis Hanson (A0.719735). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Make Me a Captive, Lord, Beneath the Cross of Jesus, and Abide with Me.
Hymns from Childhood - Set 7 (SATB)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Cloud #6710237. Published by Judith Cloud (A0.981232). Composer NotesHiJinx! was commissioned by clarinetist Peter Wright in the spring of 2013. It is a mostly humorous piece aimed at entertaining the audience and the members of the orchestra. I also intended it to be a suitable companion to the Rossini Introduction, Theme and Variations, also featured on the Jacksonville Symphony's 2014-15 season opener. Keenly aware of Peter's fine soloistic abilities I approached organization of the work around quotations from well known clarinet solos. The work was composed between December and March with Peter's mischievous personality constantly in mind, thus the inclusion of random quotations from opera, chamber music and popular song.HiJCloud: HiJinx!List of themes as occurring in the score: 1.    Crusell Concerto for Clarinet #3, Allegro Risoluto2.    After Debussy Première Rhapsodie3.    Prokofiev Peter and the Wolf4.    Honegger Pacific 2315.    Hummel Sonata for piano, op. 81, Finale6.    Bartok The Miraculous Mandarin7.    Martin & Blane Clang, clang, clang went the trolley8.    Bartok The Miraculous Mandarin 9.    Brown & Freed Singin' in the Rain10. Strauss Till Eulenspiegels lustige Streiche11. Rameau Chansons de nos plaisirs from Acanthe et Céphise12. Hugo Friedhofer: Dudley's theme from the film The Bishop's Wife13. Mozart Voi che sapete from Le Nozze di Figaro14. Thomas Je suis Titania from Mignon15. Paganini Rossini MOSE-Fantasia16. Humperdinck Hansel und Gretel 17. Warren & Dubin The Gold Diggers' Song (We're in the Money) 18. Bernard Herrmann Psycho slasher music 19. Warren & Dubin The Gold Diggers' Song (We're in the Money)20. (Next rhythmic and harmonic reference is from Prince: Kiss)21. After Debussy Première Rhapsodie22. Nielson Concerto for Clarinet and Orchestra23. Warren & Dubin The Gold Diggers' Song (We're in the Money)
HiJinx! for Bb Clarinet and Orchestra (10')

$15.00 12.79 € PDF SheetMusicPlus

Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
Three Ancient Capitals for Trombone and Piano
Trombone et Piano

$29.95 25.55 € Trombone et Piano PDF SheetMusicPlus

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Contest,Festival,Jazz,Multicultural,World. 56 pages. Charles Decker Music Press #772105. Published by Charles Decker Music Press (A0.1171832). From the Music of Black Composers Series is this arrangement of the third movement Humor from William Grant Still's Afro-American Symphony for a brass choir of 4 B-flat trumpets, 4 horns in F, 3 trombones, euphonium and tuba. Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra at conductor Howard Hanson's notable American Music Festival, it brought the flavor of the Blues and folk music to the symphony. For Still the Blues was a distinct African-American musical contribution he incorporated into a symphonic work. As part of the early 20th Century Harlem Renaissance in New York City, the work was enthusiastically received across the USA and overseas. This brass choir arrangement of the third movement will enliven concerts with its colorful rhythms reminiscent of Gershwin and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this exciting arrangement which can be paired with the additional first movement (Longing) of Still's Afro-American Symphony arranged for similar brass choir with Charles Decker Music Press.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
Afro-american Symphony
Ensemble de cuivres

$24.95 21.28 € Ensemble de cuivres PDF SheetMusicPlus


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