Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.

Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 pages. Jmsgu3 #6120511. Published by jmsgu3 (A0.552116). Ceasar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12.  A famous Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version suits Lent, Easter, or any Christian eucharistic service. It is also an excellent choice for a recital encore because of the potential for musical expressivity.César Franck's Panis Angelicus is significant for several reasons:Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. In summary, Panis Angelicus is significant for its musical beauty, its historical and liturgical context, and its emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.992163 Composed by Traditional. Arranged by Edd Maughan. Christian,Christmas,Jazz. Score and Parts. 40 pages. Edward Maughan #4797921. Published by Edward Maughan (A0.992163). 5 MORE Carols arranged in a Jazz style.Away in a Manger, Good King Wenceslas, Joy to the World, O Little Town of Bethlehem, Once in Royal David's CityThis time, I've saved you (and me!) time by putting ALL necessary keys into one pack.This includes;Soprano in C and Bb (Trumpet, Flute, Cornet, Clarinet etc)Alto in Bb, Eb, and F (Trumpet, Cornet, Flugelhorn, Alto Sax, Tenor Horn, French Horn, Mellophone etc)Tenor in Eb, and Bb (Tenor Sax, Alto sax, Tenor Horn, Euphonium)Baritone in C, and Bb (Trombone, Euphonium, Tenor Sax, Baritone)Bass in C, Eb, and Bb (Baritone Sax, Tubas of various keys, Upright Bass)If I've missed anything, just contact me directly, I'll send you the additional part.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1278346 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christian,Christmas,Holiday,Traditional. Octavo. 8 pages. Susan C Smith at Dusty Guitar Music, LLC #870064. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1278346). NON-TRADITIONAL MELODY: A great favorite, and a most well-known song among Christmas carols, Joy to the World was not originally written to be a Christmas carol. There were several melodies attached to the poem by Isaac Watts. The traditional version, which has become the most popular, is attributed to Lowell Mason, and is the fourth revised version. The first part of the tune in the popular version is similar to pieces by George Frideric Handel, and the melody for the second part is Lowell Mason's. Presented herein is a fifth version (maybe there are more!). If one of Handel's rousing pieces could be used for the first part of the song, why not another? I have used the Handel's Overture to the Music for the Royal Fireworks for the first part of the song, and have kept Lowell Mason's rousing ending. Please enjoy. Also available for SSAA. ASCAP.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1278348 By Isaac Watts. By George Frideric Handel and Lowell Mason. Arranged by Susan C Smith. A Cappella,Christian,Christmas,Holiday,Traditional. Octavo. 8 pages. Susan C Smith at Dusty Guitar Music, LLC #870066. Published by Susan C Smith at Dusty Guitar Music, LLC (A0.1278348). NON-TRADITIONAL MELODY: A great favorite, and a most well-known song among Christmas carols, Joy to the World was not originally written to be a Christmas carol. There were several melodies attached to the poem by Isaac Watts. The traditional version, which has become the most popular, is attributed to Lowell Mason, and is the fourth revised version. The first part of the tune in the popular version is similar to pieces by George Frideric Handel, and the melody for the second part is Lowell Mason's. Presented herein is a fifth version (maybe there are more!). If one of Handel's rousing pieces could be used for the first part of the song, why not another? I have used the Handel's Overture to the Music for the Royal Fireworks for the first part of the song, and have kept Lowell Mason's rousing ending. Please enjoy. Also available for SATB. ASCAP.

By Lowne M. Hofford, Harrison Millard. Arranged by Roy L. Rummler. For Choral. Sacred, Christian, Gospel. Intermediate. Octavo. "". Roy L. Rummler #CP.AWM-C. Published by Roy L. Rummler

By Evan Stephens. Arranged by Roy L. Rummler. For Flute, Oboe, Violin, Choral. Sacred, Christian, Gospel. Early Intermediate. Octavo. "". Roy L. Rummler #CP.WEP-C. Published by Roy L. Rummler

By Roy L. Rummler. For Choral. Sacred, Christian, Easter. Early Intermediate. Octavo. "". Roy L. Rummler #CP.TWA-C. Published by Roy L. Rummler

By Roy L. Rummler. For Choral. Sacred, Secular, Christian, Gospel. Early Intermediate. Octavo. "". Roy L. Rummler #CP.AML-C. Published by Roy L. Rummler

By Eliza Snow, George Carless, William Phelps. Arranged by Roy L. Rummler. For Choral. Sacred, Christian, Contemporary Christian, Gospel. Intermediate. Octavo. "". Roy L. Rummler #CP.TSO-C. Published by Roy L. Rummler

By Roy L. Rummler. For Choral. Sacred, Christian, Contemporary Christian, Gospel. Intermediate. Octavo. "". Roy L. Rummler #CP.BSA-C. Published by Roy L. Rummler

By Maltbie D. Babcock. Arranged by Roy L. Rummler. For Flute, Oboe, Violin, Cello, Choral. Sacred, Christian. Intermediate. Octavo. "". Roy L. Rummler #CP.TIM-C. Published by Roy L. Rummler

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.â€� La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.â€� For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001.