Piano,Viola - Level 3 - Digital Download SKU: A0.727656 Composed by William Whiting. Arranged by Carol Troutman Wiggins. Christian,Holiday,Patriotic,Religious,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6431897. Published by Carol Troutman Wiggins (A0.727656). British hymn traditionally associated with the maritime armed services, written in 1860. Based on Psalm 107, the text describes the dangers seafarers faced when sailing the ocean. In the late 19th century, the Royal Navy and the US Navy adopted this hymn as well as other US & UK branches of the armed services such as Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps. Other titles for this hymn include: Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn. Great for patriotic services, worship services, and recitals.Intermediate level instrumental part and piano accompaniment

Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1472000 By J. Frederick Bridge. By J. Frederick Bridge. Arranged by Andrew Lamb. 19th Century. 67 pages. Andrew Lamb #1049697. Published by Andrew Lamb (A0.1472000). ? Brass Quintet Arrangement: With Thee, Sweet Hope! by J. Frederick Bridge ?? About the Arrangement:This arrangement of With Thee, Sweet Hope! by the esteemed English composer and organist J. Frederick Bridge offers a challenging yet rewarding piece for advanced brass ensembles. The flexibility in instrumentation allows for a unique blend of timbres and a captivating performance.? Scored for: Part 1: Trumpet / Cornet / Flugel in Bb / Soprano in Eb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: French Horn / Tenor Horn Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) Part 5: Tuba / Eb Bass (Treble Clef) / Bb Bass (Treble Clef) ? Level of Difficulty: Hard? Potential Uses:Perfect for concert or recital performances, this arrangement will showcase the versatility and skill of your brass quintet.? About the Composer: Sir John Frederick Bridge (1844–1924) was a prominent English organist, composer, teacher, and writer. His career highlights include being the organist at Westminster Abbey, conducting the Royal Choral Society, and teaching at prestigious institutions like the Royal College of Music and Gresham College. Bridge played a significant role in modernizing church music and was instrumental in organizing music for state occasions, including coronations.? Key Points: Early Life: Born in Oldbury, Worcestershire, he was introduced to music early, joining Rochester Cathedral's choir as a boy. Career: Held positions at Manchester Cathedral and Westminster Abbey, where he made significant contributions to church music. Teaching: Taught at the Royal College of Music and Gresham College, influencing many future prominent musicians. Conducting: Led the Royal Choral Society for 25 years, premiering works by notable British composers. ? Please like and subscribe for more videos and music arrangements. ?

Flute,Piano - Level 3 - Digital Download SKU: A0.727655 Composed by William Whiting. Arranged by Carol Troutman Wiggins. 19th Century,Christian,Holiday,Patriotic,Sacred. Score and part. 4 pages. Carol Troutman Wiggins #6431729. Published by Carol Troutman Wiggins (A0.727655). British hymn traditionally associated with the maritime armed services, written in 1860. Based on Psalm 107, the text describes the dangers seafarers faced when sailing the ocean.  In the late 19th century, the Royal Navy and the US Navy adopted this hymn as well as other US & UK branches of the armed services such as Royal Marines, Royal Air Force, the British Army, the United States Coast Guard and the United States Marine Corps. Other titles for this hymn include:  Hymn of Her Majesty's Armed Forces, the Royal Navy Hymn, the United States Navy Hymn. Great for patriotic services, worship services, and recitals.Intermediate level instrumental part and piano accompaniment.Rehearsal track available on this site.

Organ,Piano - Level 4 - Digital Download SKU: A0.1264784 Composed by Dix, Conrad Kocher, 1838. Setting: The English Hymnal, 1906., Royal Oak,English melody, 17th c., and arr. Martin Shaw (1875-1958) www.hymnary.org. Arranged by Ric Price. 21st Century,Religious,Sacred. Organ and Piano. 11 pages. Richard J Price #857622. Published by Richard J Price (A0.1264784). A new Piano/Organ Duet by Ric Price.  Opens with a lush piano arrangement of Royal Oaks which is taken by the Organ flutes.  Quick piano scales and arrpeggios highlights Royal Oaks (played by the organ) and the music develops into a powerful partner arrangement of the two tunes, Dix and Royal Oaks  (For the Beauty of the Earth, and All things Bright and Beautiful) with both instruments creating a rousing ending.Includes Performance Notes for each tune, if needed.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.

Mixed choir (SATB) - easy - Digital Download SKU: S9.Q19043 Text from an English folk poem from Napton, Warwickshire. Composed by Sir Peter Maxwell Davies. This edition: choral score. The Royal Collection. Downloadable, choral score. Volume op. 256; no. 7. Duration 3 minutes. Schott Music - Digital #Q19043. Published by Schott Music - Digital (S9.Q19043). English.As Master of the Queens Music, Sir Peter Maxwell Davies has written a new carol for Her Majesty the Queen each Christmas since his appointment to the role in 2004. Fleecy Care Carol, written for Christmas 2010, is the seventh in the Schott Royal Collection series. First performed in St. James’s palace by the choir of the Chapel Royal for the 2010 Christmas period and broadcast on Classic FM, Fleecy Care Carol is a short, effective and straightforward setting of an English folk poem, perfect for amateur choirs looking for new repertoire.

Full Orchestra - Level 4 - Digital Download SKU: A0.1117308 Composed by Mark Allen Mothersbaugh. Arranged by Henry George Page. Children,Film/TV. Score and parts. 51 pages. Royal Northern College of Music #718890. Published by Royal Northern College of Music (A0.1117308). An arrangement commissioned by the Royal Northern College of Music. This arrangement is for full symphony orchestra and is ideal for children's programmes.

Level 3 - Digital Download SKU: A0.1228822 By Royal Naval Band Service. By Thato Lempe. Arranged by Fortune Mthimkhulu. Spiritual. Full Performance. Duration 176. Royal Naval Band Service #824730. Published by Royal Naval Band Service (A0.1228822).

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

Concert Band - Level 3 - Digital Download SKU: A0.1229328 By Royal Naval Band Service. By Thato Lempe. Arranged by Fortune Mthimkhulu. Classical. Score and Parts. 11 pages. Royal Naval Band Service #825234. Published by Royal Naval Band Service (A0.1229328).

Full Orchestra - Level 4 - Digital Download SKU: A0.1117354 By Various. By James Horner. Arranged by Henry George Page. Children,Film/TV. Score and parts. 59 pages. Royal Northern College of Music #718917. Published by Royal Northern College of Music (A0.1117354). An arrangement commissioned by the Royal Northern College of Music. This arrangement is for full symphony orchestra and is ideal for children's programmes.

Concert Band - Level 3 - Digital Download SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 42 pages. Keith Terrett #898806. Published by Keith Terrett (A0.1309638). An arrangement made especially for the Band of the Royal Papua New Guinea Constabulary of ''O Arise, All You Sons''., one og PNG's two professional military bands, the other belongs to the PNG Defence Force both based in Port Morsebly the nations captital.O Arise, All You Sons is the national anthem of Papua New Guinea. Adopted in 1975, it was written and composed by Thomas Shacklady, a former Royal Marine who took over the band from Inspector David Crawley. I took over the band from 1994-99, after taking the band on two overseas tours to Adelaide in 1996 & Kobe in 1999.The National Identity Act of Papua New Guinea was formulated in 1971, motivating the country to create a national flag, a national emblem, a national pledge and a national anthem. A national flag and emblem were adopted in 1971. However, the national anthem remained undecided until independence from Australia in 1975, four years later. Although many songs were submitted to be the anthem, the National Executive Council decided a week before the country's Independence Day (10 September 1975), to adopt as the national anthem a composition that was composed by Chief Inspector Thomas Shacklady (1917–2006), a bandmaster of the Royal Papua New Guinea Constabulary Band.During the 2015 Pacific Games opening ceremony, the anthem was sung with the first line altered from O arise all you sons of this land to O arise sons and daughters of this land. An official later stated that this was illegal and a violation of the National Identity Act.

Full Orchestra - Level 4 - Digital Download SKU: A0.1115953 Composed by Randy Newman. Arranged by Henry George Page. Children,Film/TV. Score and parts. 45 pages. Royal Northern College of Music #717678. Published by Royal Northern College of Music (A0.1115953). An arrangement commissioned by the Royal Northern College of Music. This arrangement is for full symphony orchestra and is ideal for children's programmes.

Full Orchestra - Level 4 - Digital Download SKU: A0.1117312 By Mark Mothersbaugh. By James Townsend Sale and Mark Mothersbaugh. Arranged by Henry George Page. Children,Film/TV. Score and parts. 39 pages. Royal Northern College of Music #718895. Published by Royal Northern College of Music (A0.1117312). An arrangement commissioned by the Royal Northern College of Music. This arrangement is for full symphony orchestra and is ideal for children's programmes.