Solo Guitar - Level 3 - Digital Download SKU: A0.1013239 Composed by Rudesindo Soutelo. Arranged by Guitar. Contemporary,Multicultural,Standards,World. Individual part. 25 pages. Publisher by Rudesindo Soutelo #6231403. Published by Publisher by Rudesindo Soutelo (A0.1013239). Suite for Guitar (ca. 20')

Easy Piano - Level 2 - Digital Download SKU: A0.1013237 Composed by Rudesindo Soutelo. 20th Century,Contemporary,Instructional,Standards. Score. 8 pages. Publisher by Rudesindo Soutelo #6139831. Published by Publisher by Rudesindo Soutelo (A0.1013237). Première: 20-V-1974. Auditório de Caixa Vigo, Vigo (Galiza). Int.: Sol Bordas.

Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 2 - Digital Download SKU: A0.1013233 Composed by Rudesindo Soutelo. Contemporary,Instructional,Multicultural,Standards,World. 18 pages. Publisher by Rudesindo Soutelo #6094673. Published by Publisher by Rudesindo Soutelo (A0.1013233). This enchantment is a woodwind trio –there is one version for strings and another for brass and is built on four notes, the four most emblematic notes in the history of Western Music, the notes that constitute the name of BACH (Bb-A-C-B). These four notes establish a complex {1,3,1} and its complement {3,1,3}. With these complexes, rigorously elaborated in a counterpoint texture of increasing tension, emotions are aroused which open us to a different perception. The enchantment may be Bach or the contemplation of any other sublime beauty, but the listener does not need to know the sound material used to feel bewitched. The enchantment is an abstract emotional state that each listener experiences in a particular and different way.

Piano Solo - Level 3 - Digital Download SKU: A0.1013238 Composed by Rudesindo Soutelo. 20th Century,Concert,Contemporary,Standards. Score. 10 pages. Publisher by Rudesindo Soutelo #6190739. Published by Publisher by Rudesindo Soutelo (A0.1013238). The fragmentary spirit of postmodernism permeates these sequences in a collage mode where different techniques and textures are combined, apparently unconnected. Thus, the generating complex [5,9,4,8,3,6] interacts with intuitive elements and literal quotations from other authors.

Percussion Ensemble - Level 2 - Digital Download SKU: A0.1148985 Composed by Rudesindo Soutelo. Children,Contemporary. Score and parts. 27 pages. Publisher by Rudesindo Soutelo #749030. Published by Publisher by Rudesindo Soutelo (A0.1148985). Gontinhães (2022) for Orff instruments [ca. 4' 40] ISWC: T-310.170.220-5 ISMN: 979-0-707704-05-9 --- The musical quality of the Instrumental Group of the Vila Praia de Âncora Basic School (Portugal) made me write this piece for Orff instruments and, as a tribute to the Group, I entitled the piece with the old name of the village. All the parameters of the work start from a generator complex {3, 2, 3, 2} taken from the number of letters that contain the four syllables of the title. --- A qualidade musical do Grupo Instrumental da Escola Básica de Vila Praia de Âncora (Portugal) fez que eu escrevesse esta obra para instrumentos Orff e, em homenagem ao Grupo, intitulasse a peça com o antigo nome da Vila. Todos os parâmetros da obra partem dum complexo geratriz {3, 2, 3, 2} retirado do número de letras que contêm as quatro sílabas do título.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1271766 Composed by Rudesindo Soutelo. Arranged by Choir & Piano. 20th Century,A Cappella,Classical,Contemporary. Octavo. 30 pages. Publisher by Rudesindo Soutelo #864117. Published by Publisher by Rudesindo Soutelo (A0.1271766). À memoria da actriz Cruz ComesanhaLábios de sabor a mar (Derradeira epístola) / Sea flavour lips (Last epistle) for Choir and Piano [ca. 7' 34]Première: 27-V-2023. Igreja de Santo António, Lisboa. Int.: Coro da Academia Nacional Superior de Orquestra (ANSO). Dir: Rafael Araújo.The origin of this work is the emotional emptiness I felt when I received the news of the death of a close friend in an unfortunate accident at home. The text was constructed with ideas and phrases taken from the poetic correspondence we had exchanged in the previous months. A few years later, I plucked up the courage to write the music, firstly for Choir a Cappella, followed by a version for Brass Quintet and another for Voice and Piano. This new edition for Choir has been revised in its entirety and includes, as an option, the Piano.The English translation of the text at the end of the score is not intended to be sung. It is only inserted to help singers who do not understand Portuguese to comprehend the message.The complexes that organise the harmonic and melodic structure are [6, 2, 5, 1, 3], [10, 9, 2, 8] and [4, 8, 9, 7].--oOo--A origem desta obra está no vazio emocional que me produziu a notícia da morte de uma íntima amiga, num infortunado acidente caseiro. O texto foi construido com ideias e frases retiradas da correspondência poética que trocáramos nos meses anteriores. Alguns anos depois, ganhei coragem para escrever a música, primeiramente para Coro a Cappella, seguindo-se uma versão para Quinteto de Metais e outra para Voz e Piano. Esta nova edição para Coro foi revista na sua totalidade e inclui, como opção, o Piano.A tradução inglesa do texto, no final da partitura, não é para ser cantada. Só se insere para ajudar na compreensão da mensagem, aos cantores que não percebam português. Os complexos que organizam a estrutura harmónica e melódica são [6, 2, 5, 1, 3], [10, 9, 2, 8] e [4, 8, 9, 7].ISWC: T-041.574.843-4ISMN: 979-0-707704-16-5.

Clarinet Solo - Level 5 - Digital Download SKU: A0.1013241 Composed by Rudesindo Soutelo. Contemporary,Multicultural,Standards,World. Individual part. 16 pages. Publisher by Rudesindo Soutelo #6365631. Published by Publisher by Rudesindo Soutelo (A0.1013241). Movements:

Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1013234 Composed by Rudesindo Soutelo. Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Publisher by Rudesindo Soutelo #6094679. Published by Publisher by Rudesindo Soutelo (A0.1013234). This enchantment is a brass trio –there is one version for woodwind instruments and another for strings– and is built on four notes, the four most emblematic notes in the history of Western Music, the notes that constitute the name of BACH (Bb-A-C-B). These four notes establish a complex {1,3,1} and its complement {3,1,3}. With these complexes, rigorously elaborated in a counterpoint texture of increasing tension, emotions are aroused which open us to a different perception. The enchantment may be Bach or the contemplation of any other sublime beauty, but the listener does not need to know the sound material used to feel bewitched. The enchantment is an abstract emotional state that each listener experiences in a particular and different way.

Organ - Level 3 - Digital Download SKU: A0.1207035 Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by Rudesindo Soutelo #805185. Published by Publisher by Rudesindo Soutelo (A0.1207035). To Karen BeaumontBálsamo de Ferrabrás / Balm of Fierabras (2023) for Organ [ca. 6']A medicina mágica de D. Quixote / The magical medicine of D. QuixoteISWC: T-316.150.247-8ISMN: 979-0-707704-11-0---In Miguel de Cervantes’ masterpiece, chapter X of the first Book, Don Quixote de la Mancha speaks to Sancho Panza about a magical medicine, the balm of Fierabras, “It is taken and people are spared from being afraid of dying or getting hurt�. This fearlessness becomes a ritual that permeates the intrepid adventures of the ill-fated knight of the sad figure.The structure and entire organisation of the work is based on the complexes [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] and [5 (2, 3), 8 (2, 2, 4)].The work is original for organ but has a edition for Piano.---Na obra magna de Miguel e Cervantes, capítulo X do primeiro Livro, D. Quixote de la Mancha fala a Sancho Pança duma medicina mágica, o bálsamo de Ferrabrás, “Toma-se e escusa a gente de ter medo de morrer ou de ficar ferido�. Esse destemor transforma-se num ritual que permeia as intrépidas aventuras do infortunado cavaleiro da triste figura.A estrutura e toda a organização da obra está baseada nos complexos [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] e [5 (2, 3), 8 (2, 2, 4)].A obra é original para órgão mas tem uma edição para Piano.

Composed by Rudesindo Soutelo. Arranged by Pipe Organ (Original). Classical, Contemporary. Individual part. 53 pages. Publisher by Rudesindo Soutelo #695504. Published by Publisher by Rudesindo Soutelo

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1488143 Composed by Rudesindo Soutelo. Arranged by Piano and Voice and Piano. Children. Score. 5 pages. Publisher by Rudesindo Soutelo #1065024. Published by Publisher by Rudesindo Soutelo (A0.1488143). As ruas da minha terra / The streets of my land for Piano or Voice and Piano (2024). [ca. 2' 33]Première: 26-VI-2024. Auditório Ramos Pereira de V.P. de Âncora. Int.: Alunos do 4º ano da EBS do Vale do Âncora; Prof. Manuela Moura.ISWC: T-324.609.050-2ISMN: 979-0-707704-22-6Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/382941838---ooo---A children’s song with a reduced range and lyrics alluding to cultural memory protection. Piano score with or without voice. The voice can be doubled by Orff instruments and accompanied by a bass. Lyrics in English and Portuguese.Range: D4 - A4---ooo---Canção infantil com um âmbito reduzido e letra alusiva à proteção da memória cultural. Partitura para Piano com ou sem voz. A voz pode ser duplicada por instrumentos Orff e acompanhada por um baixo. Letra em português e inglês.Âmbito: Ré4 - Lá4.

Concert Band - Level 3 - Digital Download SKU: A0.855132 Composed by Arthur S. Sullivan (1842-1900). Arranged by Joseph Pugh. Christian,Sacred,Standards. Score and parts. 49 pages. Joseph Pugh #6247751. Published by Joseph Pugh (A0.855132). The popularity of this hymn is partly due to ST. GERTRUDE, the marching tune that Arthur S. Sullivan  composed for this text. The tune was published in the Musical Times of December 1871 in an advertisement for Joseph Barnby's forthcoming Hymnary, which published both text and tune in 1872. ST. GERTRUDE is named for Gertrude Clay-Ker-Seymer, at whose home in Hanford, Dorsetshire, England, Sullivan composed the tune.This is a lively Concert and, or Marching Band arrangement , by Joseph Pugh, of that well known beloved Hymn.

Concert Band - Level 4 - Digital Download SKU: A0.855131 Composed by Arthur S. Sullivan (1842-1900)- St. Gertrude. Arranged by Joseph Pugh. Christian,Romantic Period,Sacred,Standards. Score and parts. 64 pages. Joseph Pugh #6246599. Published by Joseph Pugh (A0.855131). Onward, Christian Soldiers is a 19th-century English hymn. The words were written by Sabine Baring-Gould in 1865, and the music was composed by Arthur Sullivan in 1871. Sullivan named the tune St Gertrude, after the wife of his friend Ernest Clay Ker Seymer, at whose country home he composed the tune. The Salvation Army adopted the hymn as its favored processional. The piece became Sullivan's most popular hymn. The hymn's theme is taken from references in the New Testament to the Christian being a soldier for Christ, for example II Timothy 2:3: Thou therefore endure hardness, as a good soldier of Jesus Christ. This is Joseph Pugh's stirring arrangement of the Hymn. Download it TODAY.!

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.866629 Composed by Wayland Rogers. 20th Century. 8 pages. WR Editions #2025723. Published by WR Editions (A0.866629). Gertrude Stein's enigmatic text gets a lyrical treatment in this expressive setting for medium voice and piano. It is part of Three Gertrude Songs. The others are Loving is Certain and In The Country. May be performed individually.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.748626 Composed by Fredrick Lucian Hosmer, ST. GERTRUDE, and Sir Arthur Seymour Sullivan. Arranged by Fritz Stanley. A Cappella,Christian,Gospel,Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. MicStanley #6673861. Published by MicStanley (A0.748626). Forward Through The Ages is a classical hymn in ST. GERTRUDE tune by Arthur S. Sullivan and the words by Fredrick Lucian Hosmer. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. The song is about spiritual mission and unity in GOD.