Keyboard - easy - Digital Download SKU: S9.Q2934 16 new Arrangements. Arranged by Steve Boarder. This edition: Sheet music. Jazz - Keyboard - kitchen songs - Pop - Rock. Keyboard Soundworld. Downloadable. Schott Music - Digital #Q2934. Published by Schott Music - Digital (S9.Q2934). Keine Frage! Zu einem modernen, komfortabel ausgestatteten Keyboard gehören auch zeitgemäße, ansprechende Notenausgaben. Diese Serie ist für die Keyboards der neuen Generation maßgeschneidert, die die leicht spielbaren Arrangements im Supersound erklingen lassen. Die Ausstattung der Hefte dürfte alle Erwartungen eines Keyboarders erfüllen. Sie finden: Vorschläge zur Registrierung, zum Tempo, zur Begleitautomatik, zum Einsatz von Effekten, leicht spielbare Fingersätze, Hinweise zur Ausführung jedes Stückes und je eine Tabelle, in die Sie Ihre persönlichen Gestaltungsideen eintragen können. Die doppelseitige Einlage: zeigt Ihnen alle Griffe für den Einsatz der Einfinger-Akkord-Automatik, gibt Ihnen grundlegende Informationen über die Möglichkeiten Ihres Instruments, enthält speziell auf das Keyboard zugeschnittene Tipps zum Üben, mit deren Hilfe Sie jedes dieser Stücke vorführreif spielen lernen und erklärt und übersetzt im Mini-Lexikon mehr als 60 Begriffe aus der Fachsprache des Keyboarders.

Keyboard - easy - Digital Download SKU: S9.Q25958 12 new Arrangements. Arranged by Steve Boarder. This edition: Sheet music. Jazz - Keyboard - Pop - Rock - waltz. Keyboard Soundworld. Downloadable. Schott Music - Digital #Q25958. Published by Schott Music - Digital (S9.Q25958). Keine Frage! Zu einem modernen, komfortabel ausgestatteten Keyboard gehören auch zeitgemäße, ansprechende Notenausgaben. Diese Serie ist für die Keyboards der neuen Generation maßgeschneidert, die die leicht spielbaren Arrangements im Supersound erklingen lassen. Die Ausstattung der Hefte dürfte alle Erwartungen eines Keyboarders erfüllen. Sie finden: Vorschläge zur Registrierung, zum Tempo, zur Begleitautomatik, zum Einsatz von Effekten, leicht spielbare Fingersätze, Hinweise zur Ausführung jedes Stückes und je eine Tabelle, in die Sie Ihre persönlichen Gestaltungsideen eintragen können. Die doppelseitige Einlage: zeigt Ihnen alle Griffe für den Einsatz der Einfinger-Akkord-Automatik, gibt Ihnen grundlegende Informationen über die Möglichkeiten Ihres Instruments, enthält speziell auf das Keyboard zugeschnittene Tipps zum Üben, mit deren Hilfe Sie jedes dieser Stücke vorführreif spielen lernen und erklärt und übersetzt im Mini-Lexikon mehr als 60 Begriffe aus der Fachsprache des Keyboarders.

Piano - very easy to intermediate - Digital Download SKU: S9.Q19479 A fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Die Stücke in dieser Ausgabe sind nicht nur gute Übungen, sondern geben auch eine frühe Einführung in die grundlegende Kunst des Vom-Blatt-Lesens. Downloadable. Op. 1. Schott Music - Digital #Q19479. Published by Schott Music - Digital (S9.Q19479). English • French • German.This book of pieces aims to establish good practice and provide an early introduction to the essential skill of sight-reading. In Part 1 the basic keys of C, G, F and D major and A and D minor are explored while keeping the movement limited to steps, skips and repeated notes in a 5-note range. PIANO SIGHT-READING & MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kember’s ‘Piano Sight-Reading Series’ jumps to the top of my list of recommendations. - PIANODAO.COM.

Digital Download SKU: S9.Q49650 Komödie für Musik in drei Aufzügen von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Comedy - opera - theater. Downloadable, Piano reduction. Op. 59. Duration 195' 0. Fürstner Musikverlag - Digital #Q49650. Published by Fürstner Musikverlag - Digital (S9.Q49650). German.Mehr als ein Dutzend großer Bühnen im In- und Ausland setzten im Jahr der Dresdner Uraufführung von Richard Strauss’ Komödie für Musik Der Rosenkavalier das Werk auf ihre Spielpläne – der Beginn eines Siegeszuges ohnegleichen. Strauss selbst half mit den beiden Walzerfolgen (1911/12) und der Musik zum Rosenkavalier-Film von Robert Wiene (1926), die Musik auch außerhalb des Theaters bekannt zu machen. Die Idee, sein eigenes Regiekonzept in Verbindung mit den Kostüm- und Bühnenbildentwürfen Alfred Rollers als bindende Musterinszenierung zu etablieren, konnte Strauss nur in Dresden, München, Berlin, Wien und Mailand durchsetzen. Gleichwohl wirkten Rollers einem idealisierten Rokoko verhaftete Entwürfe bis in die 60er Jahre stilbildend. Erst dann begannen Regisseure und Ausstatter, mit aufregend kritischen, neuen Deutungen die Doppelbödigkeit des Werkes zu entdecken und es, beispielsweise mit einem analytischen Blick auf die Entstehungszeit kurz vor Ausbruch des Ersten Weltkriegs, in unsere Gegenwart zu holen.3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · 3 in B (1. auch in D und Es-Klar., 2. u. 3. auch in A u. C) · Bassetthr. (auch Bassklar.) · 3 (3. auch Kfg.) - 4 · 3 · 3 · 1 - P. S. (Glsp. · Trgl. · Beck. · Tamb. · kl. Mil. Tr. · gr. Rührtr. · gr. Tr. · gr. Ratsche · Schellen · Kast.) (3 Spieler) - Cel. · 2 Hfn. - Str. (16 · 16 · 12 · 10 · 8) - Bühnenmusik im 3. Akt: 2 · 1 · 3 (1 in C, 2 in B) · 2 - 2 · 1 · 0 · 0 - kl. Tr. - Harm. · Klav. - Str. (solistisch oder in reichlicher Verdoppelung).

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946291 Composed by James A. C. Glass. Arranged by James A. C. Glass. Jazz,New Age,Pop,Rock. 18 pages. James A. C. Glass #6310067. Published by James A. C. Glass (A0.946291). Arranged for SATB Saxophone Quartet. Runtime 3:03.This groove, set in a minor key, is fast paced and filled with beautiful, tight chords. The runs are spread across the four saxophones as the harmony builds throughout the chart. The melody is passed between groups of 16th note runs until the song modules to a major key where the baritone saxophone takes over the melody, descending to a low A. The soprano saxophone only reaches to an appropriately high B. Concert B minor/D major. This arrangement is a delight to play as well as a treat for the audience.

Piano,Trumpet - Level 4 - Digital Download SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.

Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.

Level 3 - Digital Download SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.    This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.     This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.483402 Composed by Chris O'Mara. This edition: Interactive Download. Blues,Contest,Country,Folk,Praise & Worship,Video Game. Individual part. 3 pages. Duration 24. Published by comaramusic (A0.483402). Classic Bluegrass tag ending-The G Run-turned into a 12 bar blues! C and D Runs also included. Custom work available.

Choral Piano and Keyboard (TTBB) - Level 5 - Interactive Download SKU: A0.1111525 By Bruno Mars, Anderson .paak And Silk Sonic. By Brandon Paak Anderson, Bruno Mars, and Dernst Emile. Arranged by Roy Nussbaum. This edition: Interactive Download. Hip-Hop,Jazz. Octavo. Duration 187. Roy Nussbaum #5MKXvVRun4hNiXfAUNVON. Published by Roy Nussbaum (A0.1111525). Key: D major.6-part (+2 soloists) tenor-bass a cappella arrangement of Silk Sonic's Smokin' Out the Window.

Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.985234 By Chris DeBurgh. By Chris DeBurgh and Chris de Burgh. Arranged by Tom Rundle-Wood. Contemporary. Score and parts. 24 pages. Tom Rundle-Wood #5335065. Published by Tom Rundle-Wood (A0.985234). Lady in RedThe Classic Chris Deburgh song for 'Cello Solo with String Ensemble and Piano.Suitable for smaller ensembles to feature that star 'cellist.A favourite for audiences used to the concert hall. a nostalgic trip down memory lane, a sure fire hit with those who like a golden oldie!You'd be amazed how many people come up to you afterwards and tell you this was our song!For:'Cello (1), Violin 1, Violin 2, Viola, 'Cello (2), Bass and Piano / Keyboard

Marching Band - Level 4 - Digital Download SKU: A0.1510859 By Chappell Roan. By Chappell Roan, Daniel Nigro, and Justin Tranter. Arranged by Matt Brunner. 21st Century,Pop,Singer/Songwriter. 23 pages. Matt Brunner #1086071. Published by Matt Brunner (A0.1510859). You'd have to stop the world just to stop the feelin' you get from this Chappell Roan hit. This massive hit from the summer of 2024 spreads the melody around, and even includes the stopping record ritardando and tonality shift at the end.

Piano Solo - Level 4 - Digital Download SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033340). The chase is afoot! A rather large cat attempts to hunt a wily mouse. The mouse tries to escape the cat’s clutches. Who succeeds?This piece’s ternary form follows the chase between a cat and mouse. Section A is lively and fast-paced because the cat is on the hunt for the mouse. Since this piece is written from the mouse’s perspective, C-sharp minor conveys the mouse’s fright and fear. The time signature is 4/4 to allow for 16th notes, which denote running steps. The theme in m.19 repeats several times throughout Section A to signify the large cat’s ominous stalking. Tenutos and staccatos punctuate the cat’s heavy steps. In m.14-15, the chromatic scale represents the cat’s momentum. The constantly changing dynamics showcase the various movements and emotions in a chase. Specifically, in m.28-31, the dynamic changes to piano and pedal is employed to signify the mouse’s despair. Section B stands alone, representing the mouse’s successful escape from the cat. The section’s key signature D-flat major is light and happy. A time signature of 6/8 swings, furthering the carefree mood of the mouse. The beginning of Section B repeats to emphasize the mouse’s joyous escape. However, at the end of the section, the cat returns. In m.61-68, varying speeds and descriptors contrast the movements of the cat and mouse. In m.68, the cat’s theme is an octave lower to draw attention to the cat’s threatening, heavy steps. In m.70-71, the notes accelerate to show that the mouse begins to run again. Section A’s refrain recaps the cat chasing the mouse. In m.89-100, the end, tells the mouse’s fate. The climatic ending is highlighted by the speeding tempo. The treble-clef notes are an octave higher to build excitement. In m.95-96, notes descend 4 octaves to indicate the mouse’s ultimate demise. The piece ends with grand chords to mark the mouse’s death.

Drum Set,Drums - Level 3 - Digital Download SKU: A0.1378091 By Korn. By Brian Welch, David Silveria, James Shaffer, Jonathan Davis, and Reginald Arvizu. Arranged by Carlos Sanchez. Instructional,Rock. Score. 2 pages. Carlos Sanchez #962698. Published by Carlos Sanchez (A0.1378091). Drumset transcription of Y'all Want A Single(album version) by Korn; originally performed by David Silveria; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersRunning - 311Rusty Cage - SoundgardenSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterToo Much To Think - 311Tribute - Tenacious DUnchained - Van HalenY'all Want A Single - KornBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.612679 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Bruna T. Pop,Wedding. Score. 11 pages. Bruna T. #221868. Published by Bruna T. (A0.612679). Easy D MAJOR piano and voice arrangement of Adele's latest hit Easy on Me. Perfect for you to play by yourself or with your favorite musician. Start today! This is a transposed arrangement, it is not in the original key, great for altos!