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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 38 pages. RayThompsonMusic #875459. Published by RayThompsonMusic (A0.1284281). Arranged double wind quintet/bass.This is my arrangement of the complete work - it includes the trio.Check out my shorter version here.The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev. The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN ARather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.
Tchaikovsky: Coronation March TH50 (COMPLETE) - symphonic wind dectet/bass

$24.95 21.42 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.746782 Composed by Jerry Gray. Arranged by Keith Terrett. Film/TV,Pop. 19 pages. Keith Terrett #3519211. Published by Keith Terrett (A0.746782). An arrangement in the Glen Miller style of ''A String of Pearls'', arranged for String Orchestra.A String of Pearls is a 1941 song recorded by Glenn Miller and His Orchestra on RCA Bluebird, composed by Jerry Gray with lyrics by Eddie DeLange.[1] The song is a big band and jazz standard.Glenn Miller and His Orchestra recorded A String of Pearls on November 8, 1941 in New York, which was copyrighted and published by The Mutual Music Society, Inc., ASCAP. It was released as an RCA Bluebird 78 single, B-11382-B, backed with Day Dreaming, in 1941 by Glenn Miller and His Orchestra. Day Dreaming was the A side.The personnel for A String of Pearls: Saxes: Babe Russin, Tex Beneke, Wilbur Schwartz, Ernie Caceres, Al Klink; Trumpets: John Best, R. D. McMickle, Billy May, Alec Fila; Trombones: Glenn Miller, Jimmy Priddy, Paul Tanner, Frank D'Annolfo; Piano: Chummy MacGregor; String Bass: Edward Doc Goldberg; Guitar: Bobby Hackett; Drums: Moe Purtill. Bobby Hackett performed the trumpet solo on the original Glenn Miller recording.The record was ranked No. 1 in the US for two weeks in 1942 on the Billboard Best Sellers chart in a chart run of 21 weeks.
A String Of Pearls
Orchestre ŕ Cordes

$14.99 12.87 € Orchestre ŕ Cordes PDF SheetMusicPlus

Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.
Let Me Go
Holiyo
$7.00 6.01 € PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6 pages. Daniel P Roberts #556397. Published by Daniel P Roberts (A0.950672). Arranged for 4 string bass in Drop D tuning with TAB Take this pink ribbon off my eyes I'm exposed and it's no big surprise Don't you think I know exactly where I stand? This world is forcing me to hold your hand 'Cause I'm just a girl, oh, little old me Well, don't let me out of your sight Oh, I'm just a girl, all pretty and petite So don't let me have any rights Oh, I've had it up to here The moment that I step outside So many reasons for me to run and hide I can't do the little things I hold so dear 'Cause it's all those little things that I fear 'Cause I'm just a girl, I'd rather not be 'Cause they won't let me drive late at night Oh, I'm just a girl, guess I'm some kind of freak 'Cause they all sit and stare with their eyes Oh, I'm just a girl, take a good look at me Just your typical prototype Oh, I've had it up to here Oh, am I making myself clear? I'm just a girl I'm just a girl in the world That's all that you'll let me be Oh, I'm just a girl, living in captivity Your rule of thumb makes me worrisome Oh, I'm just a girl, what's my destiny? What I've succumbed to is making me numb Oh, I'm just a girl, my apologies What I've become is so burdensome Oh, I'm just a girl, lucky me Twiddle-dum, there's no comparison Oh, I've had it up to Oh, I've had it up to Oh, I've had it up to here.
Just A Girl
Basse electrique
No Doubt
$4.99 4.28 € Basse electrique PDF SheetMusicPlus

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1163675 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 1 pages. Brian Streckfus #764016. Published by Brian Streckfus (A0.1163675). This study/etude makes modes a much more fun and practical exploration, rather than feeling like abstract theory. Also, since all seven are used in the key of C major, this study/etude allows someone to quickly memorize how modes work. The modes are diffucult to memorize because of their foreign names. This makes this piece have great replay value since it will take a few run throughs to memorize them. Tips:1. Each mode has one special note. It is a great exercise to figure them out. For example, the B natural in D dorian sections is the special note. This B natural should have been a Bb in the key of regular D minor.2. This piece is a good example of what I like to call half step gravity. For example, in measure 12, the B has more gravity to go to C than A because C is closer. B to C would be a half step. B to A would be a whole step.3. This piece is a good example of bass notes setting the tone and vibe. I invite performers to change the bass notes to see what I mean. For example, a constant C bass note would lead to a problem free sound, whereas a constant B bass note leads to a more uncomfortable metal music sound.4. This piece is a good example of how we hear a chord from the bass note on up. For example, an E minor chord with a B in the bass might actually function more like a B7 with suspended notes.5. This piece is a good example of a perfect authentic cadence (PAC) with a final A minor chord tonic (home) chord with an A in the bass and soprano voices.
Study: 7 Modes
Guitare notes et tablatures

$1.99 1.71 € Guitare notes et tablatures PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
Flute Trio - Fairy Tales
Trio de Flűtes: 3 flűtes

$25.00 21.46 € Trio de Flűtes: 3 flűtes PDF SheetMusicPlus

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.482458 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Country,Folk,Standards,World. Score and parts. 7 pages. Duration 56. J. Randolph Hall #4ViOL2a9KFMxxakFhtSJvO. Published by J. Randolph Hall (A0.482458). Key: G major.Also known as Possum up a Gum Stump, this was based on an African-American dance song during the time that leaders like Andrew Jackson kept slaves who had to hunt for raccoons and opposums to stay alive. This song has since become a hit with minstrel and Blue grass groups. 'Possum up the gum stump Dat (That) raccoon's in de (the) holler Twis' (Twist) 'im (him) out and get 'im down An' I'll gin (give) you half a dollar. 'Possum up the gum stump Yes, cooney's in de holler' A pretty girl down my house Jes (Just) as fat as she can waller. Possum up de gum stump. His jaw is black an' dirty. To come an' kiss you, pretty gal I'd run lak (like) a goobler tucky (turkey) Possum up the gum stump A good man's hard to fin' (find): You'd better love me, pretty gal You'll git (get) de yudder (other) kin' (kind).
Possum up a Gum Tree

$4.00 3.43 € PDF SheetMusicPlus

Handbell - Level 2 - Digital Download SKU: A0.1490682 Composed by Scott Pfitzinger. Arranged by Scott Pfitzinger. Christmas,Holiday,Multicultural,Religious,World. 8 pages. Pfitzinger Music #1067488. Published by Pfitzinger Music (A0.1490682). Betlehem Városban is a traditional Hungarian Christmas carol. The title translates to In the Town of Bethlehem.This arrangement is for 3-6 octaves of handbells. It is completely in 7/8 time and moves pretty quickly. It is very energetic and takes less than two minutes. While it is appropriate for any holiday setting, it could easily be used as a closer or encore for a concert.(Reproducible for one ensemble)Lyrics:Betlehem városban, rongyos istállóban maszületett,Egy sz?znek méhéb?l, drága szent véréb?l Megváltónk lett.Kit angyal hirdetett, pásztornak jelentett,Ki ?tet imádni és dics?íteni méltóvá lett.Öreg bojtár mondja, hogy bárány és gida készen légyen.? harmadmagával, sípos és dudással már elmégyen.Mindeneknek lessen ajándéka készen,Mivel a kisdedet, mint Üdvözít?nket megtiszteljék.Üdvözlégy született, jászolba tétetett kisded Jézus,Tehozzád járulunk, el?dbe borulunk, t?lünk ne fuss.Halálunk óráján, életünk fogyatánVedd hozzád lelkünket, ne hagyj el bennünket, kisded Jézus.(a story of the birth of Jesus, roughly paralleling Luke 2:6-16)English version from Google Translate:He was born in the city of Bethlehem, in a shabby barn,He became our Savior from the womb of a virgin, from his precious holy blood.Whom an angel announced, reported as a shepherd,He became worthy to be worshiped and glorified.Old burdock says to be ready lamb and kid.He will leave with a third of himself, with a whistle and a horn.Let everyone have a gift ready,Because you are honored as our Savior.Hail, your baby Jesus, born and placed in a manger,We join you, we fall before you, don't run away from us.At the hour of our death, at the end of our lifeTake our souls to you, don't leave us, little Jesus.
Betlehem Városban
Cloches

$30.00 25.76 € Cloches PDF SheetMusicPlus

String Quartet Double Bass,String Quartet - Level 4 - Digital Download SKU: A0.771514 Composed by Pyotr Illich Tchaikovsky. Arranged by David F Wainwright. Holiday,Romantic Period,Standards,Wedding. Score and parts. 17 pages. D F Wainwright #3626685. Published by D F Wainwright (A0.771514). This  4m 15s arrangement of Tchaikovsky's well-loved ballet music starts with a four bar introduction into the main tune. It has been a favourite in the Spring Quartet's repertoire during Wedding Breakfasts - we often see guests swaying along to it while they're eating! The optional bass part was added for the youth string ensembles which we have run from time to time. david@springquartet.co.uk ; www.springquartet.co.uk
Sleeping Beauty Waltz by Tchaikovsky arranged for string quartet with optional bass part; score & pa
Quatuor ŕ cordes: 2 violons, alto, violoncelle

$14.99 12.87 € Quatuor ŕ cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.1197371 By Maneskin. By Damiano David, Ethan Torchio, Thomas Raggi, and Victoria De Angelis. Arranged by Wendy Hellmann. Pop,Rock. 20 pages. Gwendolyn Hellmann #796534. Published by Gwendolyn Hellmann (A0.1197371). This tragic rock ballad by the band Maneskin is arranged for solo violin and piano. It is written in the original key of D minor and switches between 12/8 and 4/4 time for ease of reading rhythms. The piano part is a true accompaniment and does not double the violin part at all throughout the piece. The violin solo can be played entirely in 1st position, though it can easily be played in 3rd position to avoid string crossings. This would make an excellent piece for electric violin, especially in the middle section, which has a grunge vibe to it.The PDF download contains both a full score and a set of individual parts - Violin and Piano.
Coraline
Violon et Piano
Maneskin
$5.99 5.14 € Violon et Piano PDF SheetMusicPlus






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